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Weddings Parties Anything

Weddings Parties Anything. was an Australian folk rock band formed in 1984 in Melbourne and continuing until 1999. Their name came from The Clash song "Revolution Rock". Musicologist Billy Pinnell described their first album as the best Australian rock debut since Skyhooks' Living in the 70's.

Biography
1984–1986: Formation years Mick Thomas grew up in Geelong, Victoria, Australia, where he played in bush bands in his youth. In 1981 (at age 21) he moved to Melbourne and after a couple of years in Melbourne's pub rock scene with bands like Where's Wolfgang and Trial, Thomas formed the first version of Weddings, Parties, Anything. in late 1984. Thomas' idea behind Weddings Parties Anything was to combine that punk rock inspiration with his original love for the honest storytelling in folk music. The band was essentially based on a song he'd written, "Away, Away". 1987–1995: First albums and success In April 1987 Weddings, Parties, Anything. released its first album, Scorn of the Women. They recorded it as another independent release, but on the strength of their growing live following, the group ended up being offered a recording contract and the album was released by Warners. Dave Steel left the band following a tour of North America, citing exhaustion as the chief reason. He also noted in several interviews, at the time of his departure (1988), that he was feeling frustrated not getting a lot of his material on the Weddings Parties Anything albums. He released his debut solo album through WEA in 1989. He was replaced by Richard Burgman (The Sunnyboys, The Saints) for the band's 1989 release ''The Big Don't Argue'' and accompanying tours. In 1989 the band won a third ARIA for Best Indigenous Release (''The Big Don't Argue''), She has toured with Tiddas, Paul Kelly and Archie Roach, and she composed the soundtracks for Clara Law's film The Goddess of 1967 and the TV mini-series ''Simone de Beauvoir's Babies''. She has performed on albums for Dave Graney, Hunters and Collectors, and Nick Cave and the Bad Seeds, and has produced recordings by Ruby Hunter and the Waifs. Further reformations Weddings, Parties, Anything. reformed for the Community Cup Football match in July 2005 and also performed at the Corner Hotel in Melbourne as a warm-up show two nights prior. The band reformed again later the next year for a one-off performance at the Queenscliff Music Festival in November 2006. In January 2008, Weddings, Parties, Anything. announced March/April dates for the band's Ten Year Reunion Tour 2008, including an international performance at the Astoria (formerly The Mean Fiddler) in London on 25 April (ANZAC Day). They sold out four consecutive shows at Melbourne venue The Corner Hotel, adding a fifth to surpass the record previously held by the Hilltop Hoods from 2004. In 2010, 2011 and 2012 the band played Grand Final Eve shows in Melbourne. On 20 November 2012, the band were inducted into the EG Hall of Fame (Entertainment GuideThe Age). The band played at the event, which was held at Billboard The Venue in Melbourne. Joined by original guitarist Dave Steel, they performed their first album, Scorn of the Women, in its entirety. In the lead-up to the show, The Age newspaper reported that Mick Thomas had posted on his Facebook page that it would be the last time the band performed, using the show to say a heartfelt farewell to long-standing fans. The band reunited for two shows on 27 and 28 March 2021 at the Archies Creek Hotel in Victoria. The shows were intended as a warm-up for the band's scheduled performance at the Byron Bay Bluesfest, which was subsequently cancelled due to COVID-19. ==Live performances and Christmas shows==
Live performances and Christmas shows
Renowned for their energetic live shows, Weddings, Parties, Anything. had a handful of live songs that were nearly always guaranteed to push the mosh pit into a frenzy, particularly "A Tale They Won't Believe", the story of Alexander Pearce, a cannibal in the convict days of Tasmania. Fans would traditionally have coins ready to throw at the band as they sang the chorus of "Ticket in Tatts", while shielding their eyes. This was in reference to the lyrics concerning being "ten cents short of a dollar". The legendary Christmas shows were held at the Central Club Hotel in Swan Street, Richmond in the lead up to Christmas Eve every year from the late 1980s to 1998. Due to their increasing popularity and live reputation as a band, the number of concerts increased as the years progressed, culminating with seven nights in a row for the last year, 1998. In the liner notes for the CD They Were Better Live, a live recording of the concerts from the final year, the bands main songwriter and singer Mick Thomas stated: ==Live recording==
Live recording
Various songs from the last shows in 1998 (and one track from 3 January 1999 at the Belvoir Amphitheatre near Perth, Western Australia) were recorded and released as a double live album, They Were Better Live, which was nominated for an ARIA award in 1999 for 'Best Blues & Roots Album'). The last performance was also the basis of a play, A Party in Fitzroy, by Victorian playwright Ross Mueller. ==Musical style==
Musical style
Musically, Weddings, Parties, Anything. were a combination of Australian indie and garage rock, sixties folk, punk and (later) country and are usually described as being a folk rock band. The audience for the band was close to a mainstream rock crowd, their folk credentials were further evidenced by Celtic influences and an affinity for traditional Australian songs ("Streets of Forbes", "Sergeant Small"), plus original songs by Thomas which drew upon a similar repository of colonial folklore ("A Tale They Won't Believe"). Canadian commentator Jeremy Mouat concluded that their "music is largely concerned with the connections between past and present, whether it be the bond of memory or an identification with tradition". They led what later became known as the alt-country scene in Melbourne. The band were often compared to The Pogues, though the two bands were actually contemporaries rather than one following the other; the two bands toured Australia together in the early '90s. ==Members==
Members
CurrentMick Thomas (vocals, guitar, mandolin) 1984–1999, reunions from 2005– • Mark Wallace (piano accordion, keyboards, vocals) 1985–1999, reunions from 2005– • Paul Thomas (guitar, pedal steel) 1989–1999, reunions from 2005– • Michael Barclay (drums, vocals) 1993–1999, reunions from 2005– • Stephen O'Prey (bass guitar, guitar, vocals) 1993–1999, reunions from 2005– • Jen Anderson (violin, mandolin, guitar, vocals) 1992–1999, reunions from 2005– Former members • Dave Adams (drums) 1984–1986 • Richard Burgman (guitar, mandolin, tin whistle, vocals) 1988–1989 • Paul Clarke (guitar) 1984–1985 • Janine Hall (bass guitar, vocals) 1986–1987, died 2008 • Wendy Joseph (violin) 1984 • Peter Lawler (bass guitar, vocals) 1987–1993 • Marcus Schintler (drums, melodica, vocals) 1986–1993 • Dave Steel (guitar, vocals) 1985–1988 ==Discography==
Discography
Studio albums Live albums Compilation albums Extended plays Singles DVD/videoLive in Richmond/Christmas at the Central Club VHS - 18 song live recording at the Central Club in Melbourne, 1993. The video also contains interviews with members of the band between songs. • Into Time On VHS - 20 song recording of the band playing at the Metropolis Nightclub in Perth on Friday, 16 October 1998. • Siren VHS - Live recording of the band's last official performance at the Belvoir Amphitheatre in Perth, in January 1999. • Long Time Between Drinks DVD/CD - Recorded live at the Queenscliff Music Festival, November 2006. Extras include music videos and Roaring Days film. Released in December 2007. ==Awards==
Awards
ARIA Music Awards The ARIA Music Awards is an annual awards ceremony that recognises excellence, innovation, and achievement across all genres of Australian music. They commenced in 1987 Weddings Parties Anything won four awards from seven nominations. WPA boycotted two award ceremonies in protest at being nominated for Best Indigenous Release, arguing that the category should recognise indigenous artist’s work. The Age EG Awards The Age EG Awards are an annual awards night celebrating Victorian music. They commenced in 2005. ==References==
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