Initial reception Bosley Crowther of
The New York Times thought Aldo Ray's performance was "fascinating and hypnotizing": "I would guess, in all his times in Western movies, Mr. Fonda has never seen a more wild and implausible badman than this jughead whom Mr. Ray plays. Not only does he knock the tops off bottles instead of pulling out the corks when he wants to guzzle a couple of quarts of whisky (that's a standard badman ploy), but he ravishes bar girls, shoots his own horse and guns down Elisha Cook Jr. with even more cold-blooded arrogance than Jack Palance did in
Shane."
Variety panned the film with contempt for Kennedy's "inept" direction and script. It dismissed Rule's performance as "unsatisfactory", comparing it to a "
Method school version" of the iconic Western-movie star
Maureen O'Hara. Though taking note of the star-studded supporting cast—noting
Edgar Buchanan's performance as the "best" among them, and giving credit for "comic relief" to Wynn and the saloon girls—
Variety said the collection of "many pro names" simply underscored a "lack of depth and perception" by the "script and direction." The cinematography by
Harry Stradling Jr. was highly regarded. (even "nihilistic"). While noting there is not a consensus among reviewers,
Rotten Tomatoes audience scores it at 42%. However, one modern reviewer describes it as "better than average" for a Western. Butler makes positive comments about the performances of Fonda, Ray, Wynn, Oates, Buchanan, Paige and Pyle.
Time Out concurs that the supporting cast is "immaculate" and notes Fonda's performance as "intriguing". ==See also==