Between 1960 and 1963, she lived in Europe, traveling and exhibiting work in
Lisbon,
London and
New York City. While in Portugal, Paramor had solo exhibitions for three months on a grant from the
Fundação Calouste Gulbenkian in Lisbon,
Coimbra, and
Porto. On her return to Sydney in 1963, she lived in a modest terrace house in Waterloo and exhibited in group shows with the
Contemporary Art Society of Australia (Victoria and New South Wales), and at the Dominion, Barry Stern and Blaxland galleries in Sydney. In 1965 she held critically-acclaimed solo exhibitions at
Watters Gallery in
Sydney, and
Bognar Gallery in
Los Angeles. In 1966 she moved to a property in
West Hoxton, New South Wales, where she built a
Philip Cox-designed underground house. From 1966 to 1970 she exhibited with the Central Street Gallery in Sydney, which confirmed her decisive move from landscape-based work to "hard edge," geometric abstraction. During this time she successfully expanded her practice into sculpture, and two of her sculptures and a painting were included in the seminal exhibition, 'The Field', which opened the
National Gallery of Victoria's new building in 1968. After being diagnosed with a brain tumour, she returned to figurative and semi-figurative work (landscapes, portraiture), and made plans for a large-scale metal sculpture exhibition. ==Recognition==