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Whale vocalization

Whales use a variety of sounds for communication and sensation. The mechanisms used to produce sound vary from one family of cetaceans to another. Marine mammals, including whales, dolphins, and porpoises, are much more dependent on sound than land mammals due to the limited effectiveness of other senses in water. Sight is less effective for marine mammals because of the way particulates in the ocean scatter light. Smell is also limited, as molecules diffuse more slowly in water than in air, which makes smelling less effective. However, the speed of sound is roughly three times greater in water than in the atmosphere at sea level. As sea mammals are so dependent on hearing to communicate and feed, environmentalists and cetologists are concerned that they are being harmed by the increased ambient noise in the world's oceans caused by ships, sonar and marine seismic surveys.

Types and purpose of vocalization
While the complex sounds of the humpback whale (and some blue whales) are believed to be primarily used in sexual selection, there are simpler sounds that are created by other species of whales that have an alternative use and are used all year round. Whale watchers have watched mother whales lift their young towards the surface in a playful motion, while making a noise that resembles cooing in humans. This cooing-like noise made by whales seems designed to relax their young Each sound a whale makes could mean something different. The clicking noises whales make are used for navigation. Song of the humpback whale of humpback whale vocalizations. Detail is shown for the first 24 seconds of the 37-second recording below. Interest in whale song was aroused by researchers Katy and Roger Payne as well as Scott McVay after the songs were brought to their attention by a Bermudian named Frank Watlington who was working for the US government at the SOFAR station listening for Russian submarines with underwater hydrophones off the coast of the island. The Paynes released the best-selling Songs of the Humpback Whale in 1970, and the whale songs were quickly incorporated into human music by, among others, singer Judy Collins, as well as George Crumb, Paul Winter, and David Rothenberg. The humpback whale produces a series of repetitious sounds at varying frequencies known as whale song. Marine biologist Philip Clapham describes the song as "probably the most complex in the animal kingdom." Male humpback whales perform these vocalizations often during the mating season, and so it was initially believed the purpose of songs is to aid mate selection. that is more human-like in its complexity than other forms of animal communication like bird songs, which have only linear structure. All the whales in an area sing virtually the same song at any point in time and the song is constantly and slowly evolving over time. For example, over the course of a month a particular unit that started as an upsweep (increasing in frequency) might slowly flatten to become a constant note. Finally, humpbacks make a third class of sound called the feeding call. This is a long sound (5 to 10 s duration) of near constant frequency. Humpbacks generally feed cooperatively by gathering in groups, swimming underneath shoals of fish and all lunging up vertically through the fish and out of the water together. Prior to these lunges, whales make their feeding call. The exact purpose of the call is not known. Some scientists have proposed that humpback whale songs may serve an echolocative purpose, but this has been subject to disagreement. Other whale sounds Humpback whales have also been found to make a range of other social sounds to communicate such as "grunts", "groans", "thwops", "snorts" and "barks". In 2009, researchers found that blue whale song has been deepening in its tonal frequency since the 1960s. While noise pollution has increased ambient ocean noise by over 12 decibels since the mid-20th century, researcher Mark McDonald indicated that higher pitches would be expected if the whales were straining to be heard. Killer whales have been observed to produce long range calls that are stereotyped and high frequency travelling distances from as well as short range calls that can travel distances from . Short range calls are reported during social and resting periods while long range are more commonly reported during foraging and feeding. Most other whales and dolphins produce sounds of varying degrees of complexity. Of particular interest are beluga whales, commonly called "sea canaries", which produce an immense variety of whistles, clicks and pulses. One captive male beluga named NOC (pronounced "no-see") was documented spontaneously imitating the vocal patterns of adult male human speech, which are far lower pitched than normal belugas vocalizations; to achieve these frequencies he deliberately overinflated his vestibular sac, which belugas typically use to keep water out of the blowhole, to control the pressure in his nasal tract. It was previously thought that most baleen whales make sounds at about 15–20 hertz. However, a team of marine biologists, led by Mary Ann Daher of the Woods Hole Oceanographic Institution, reported in New Scientist in December 2004 that they had been tracking a whale in the North Pacific for 12 years that was "singing" at 52 Hz. Scientists have been unable to explain this phenomenon. For humans 52 Hz is a very low sound; it is audible through human ears as a low moaning sound, while normal whales are inaudibly low. It was not expected that this whale was a new species, more so this whale indicated that a currently known species potentially has a much wider vocal range than previously thought. There is disagreement in the scientific community regarding the uniqueness of the whale's vocalization and whether it is a member of a hybrid whale such as the well documented blue and fin whale hybrids. == Mechanisms of sound production ==
Mechanisms of sound production
Humans produce voiced sounds by passing air through the larynx. Within the larynx, when the vocal cords are brought close together, the passing air will force them to alternately close and open, separating the continuous airstream into discrete pulses of air that are heard as a vibration. This vibration is further modified by speech organs in the oral and nasal cavities, creating sounds which are used in human speech. Cetacean sound production differs markedly from this mechanism. The precise mechanism differs in the two suborders of cetaceans: the Odontoceti (toothed whales, including dolphins) and the Mysticeti (baleen whales, including the largest whales such as the blue whale). Odontocete whales . The posterior bursa is a small region behind the air passages, opposite the anterior bursa. Small phonic tips connect the bursa regions to the air passages.|Idealized dolphin head showing the regions involved in sound production. This image was redrawn from Cranford (2000). Odontocetes produce rapid bursts of high-frequency clicks that are thought to be primarily for echolocation. Specialized organs in an odontocete produce collections of clicks and buzzes at frequencies from 0.2 to 150 kHz to obtain sonic information about its environment. Lower frequencies are used for distance echolocation, due to the fact that shorter wavelengths do not travel as far as longer wavelengths underwater. Higher frequencies are more effective at shorter distances, and can reveal more detailed information about a target. Echoes from clicks convey not only the distance to the target, but also the size, shape, speed, and vector of its movement. Additionally, echolocation allows the odontocete to easily discern the difference between objects that are different in material composition, even if visually identical, by their different densities. Individuals also appear to be able to isolate their own echoes during pod feeding activity without interference from other pod members' echolocations. Whistles are used for communication. Four- to six-month-old calves develop unique sounds that they use most frequently throughout their lives. Such "signature whistles" are distinctive to the individual and may serve as a form of identification among other odontocetes. The multiple sounds odontocetes make are produced by passing air through a structure in the head called the phonic lips. Biologically the structure is homologous to an upper lip located in the nasal cavity, but mechanistically the phonic lips act similarly to human vocal "cords" (vocal folds), which in humans are located in the larynx. As the air passes through this narrow passage, the phonic lip membranes are sucked together, causing the surrounding tissue to vibrate. These vibrations can, as with the vibrations in the human larynx, be consciously controlled with great sensitivity. Once the air has passed the phonic lips it enters the vestibular sac. From there, the air may be recycled back into the lower part of the nasal complex, ready to be used for sound creation again, or passed out through the blowhole. The French name for phonic lips, museau de singe, translates literally as "monkey's muzzle", which the phonic lip structure is supposed to resemble in sperm whales. New cranial analysis using computed axial and single photon emission computed tomography scans in 2004 showed, at least in the case of bottlenose dolphins, that air might be supplied to the nasal complex from the lungs, enabling the sound creation process to continue for as long as the dolphin can add air from the lungs. Sperm whale The sperm whale's vocalizations are all based on clicking, described in four types: the usual echolocation, creaks, codas, and slow clicks. The most distinctive vocalizations are codas, which are short rhythmic sequences of clicks, mostly numbering 3–12 clicks, in stereotyped patterns. Some codas express clan identity, and denote different patterns of travel, foraging, and socializing or avoidance among clans. As "arbitrary traits that function as reliable indicators of cultural group membership," clan identity codas act as symbolic markers that modulate interactions between individuals. Individual identity in sperm whale vocalizations is an ongoing scientific issue, however. A distinction needs to be made between cues and signals. Human acoustic tools can distinguish individual whales by analyzing micro-characteristics of their vocalizations, and the whales can probably do the same. This does not prove that the whales deliberately use some vocalizations to signal individual identity in the manner of the signature whistles that bottlenose dolphins use as individual labels. They do not have bony cranial sinuses, but there is a pterygoid air sac. Its role in sound production is unclear (perhaps resonance?), but most likely it is for hearing, as it appears to preserve an airspace at depth around the ear ossicles. Vocal plasticity and acoustic behavior There are at least nine separate blue whale acoustic populations worldwide. Over the last 50 years blue whales have changed the way they are singing. Calls are progressively getting lower in frequency. For example, the Australian pygmy blue whales are decreasing their mean call frequency rate at approximately 0.35 Hz/year. The migration patterns of blue whales remain unclear. Some populations appear to be resident in habitats of year-round high productivity in some years, while others undertake long migrations to high-latitude feeding grounds, but the extent of migrations and the components of the populations that undertake them are poorly known. Sound levels The frequency of baleen whale sounds ranges from 10 Hz to 31 kHz. A list of typical levels is shown in the table below. == Human interaction ==
Human interaction
Researchers use hydrophones (often adapted from their original military use in tracking submarines) to ascertain the exact location of the origin of whale noises. Their methods also allow them to detect how far through an ocean a sound travels. Research by Dr. Christopher Clark of Cornell University conducted using military data showed that whale noises travel for thousands of kilometres. As well as providing information about song production, the data allows researchers to follow the migratory path of whales throughout the "singing" (mating) season. An important finding is that whales, in a process called the Lombard effect, adjust their song to compensate for background noise pollution. Image:Example of Blue Whales' D calls in presence of MFA sonar - Melcón et al. 2012.png|thumb|right|Blue whales stop producing foraging D calls once a mid-frequency sonar is activated, even though the sonar frequency range (1–8 kHz) far exceeds their sound production range (25–100 Hz). ==History==
History
Whaling Captain Wm. H. Kelly was the first person known to recognize whale singing for what it was, while on the brig Eliza in the Sea of Japan in 1881. After William E. Schevill became an Associate in Physical Oceanography at Woods Hole Oceanographic Institution (WHOI) in Massachusetts in 1943, his first work was under US Naval auspices investigating echolocation of U-boats. As he later wrote in 1962: ''"During World War II many people on both sides listened to underwater sounds for military reasons. Not only the wanted sounds (those made by enemy ships), but a bewildering variety of others were heard. Most of these were ascribed to animals living in the sea, usually as 'fish noises' ... Some were ascribed to whales, in part correctly, but without identification of the kind of whale; most military listeners were not biologists, and in any case the traditional naval sonar room is woefully deficient in windows."'' Schevill produced the first recordings of underwater whale sounds and extrapolated their purpose from these recordings. His groundbreaking work produced over fifty papers on whale phonation and thus provided the framework for "literally hundreds of scientific studies produced by other workers from the 1960s until the present day." William E. Schevill's study of whales also at one point harked back to the U.S. Naval operations that first set him down this path. As noted upon his death by the Society for the Bibliography of Natural History, "Bill helped defuse a tense moment between the USA and Soviet Union during the Cold War. The US military suspected that low frequency blips were being used by the Soviets to locate American submarines, whereas Bill showed these were produced by fin whales (Balaenoptera physalus) hunting prey." ==Media==
Media
vocalizations published by NOAA. ==Selected discography==
Selected discography
Songs of the Humpback Whale (SWR 118) was originally released in 1970 by CRM Records from recordings made by Roger Payne, Frank Watlington, and others. The LP was later re-released by Capitol Records, published in a flexible format in the National Geographic Society magazine, Volume 155, Number 1, in January 1979, re-released by Living Music/Windham Hill/BMG Records on CD in 1992, and remastered on CD by BGO-Beat Goes On in 2001. • Deep Voices: The Second Whale Record (Capitol/EMI Records 0777 7 11598 1 0) was released on LP in 1977 from additional recordings made by Roger Payne, and re-released on CD in 1995 by Living Music/Windham Hill/BMG Records. It includes recordings of humpbacks, blues, and rights. • Northern Whales (MGE 19) was released by Music Gallery Editions from recordings made by Pierre Ouellet, John Ford, and others affiliated with Interspecies Music and Communication Research. It includes recordings of belugas, narwhals, orca, and bearded seals. • Sounds of the Earth: Humpback Whales (Oreade Music) was released on CD in 1999. • Rapture of the Deep: Humpback Whale Singing (Compass Recordings) was released on CD in 2001. • Songlines: Songs of the East Australian Humpback whales. was released in 2009. ==See also==
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