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Where Did Our Love Go

"Where Did Our Love Go" is a 1964 song recorded by American music group the Supremes for the Motown label.

History
Overview According to Brian Holland, "Where Did Our Love Go" was written with the Supremes in mind. Though Supremes member Mary Wilson later wrote that the song had been originally given to the Marvelettes, Holland denied that claim, as did the Marvelettes themselves. Marvelettes member Katherine Anderson-Schnaffer later said that the song did not fit her group's repertoire because it was produced with a slower beat, whereas their music was more uptempo. Another objection from the group was that it sounded too "kiddie-ish." Initially, the producers argued over who should sing the song, because it had been cut in the same key as Mary Wilson's voice. The lead vocal was ultimately assigned to Diana Ross because, according to Allmusic's Ed Hogan, "she had a unique, sensuous sound." She sang it in her usual high register in the recording studio on April 8. As a result, Ross was told to sing the song in a lower register and begrudgingly complied with Holland/Dozier/Holland's "to the letter" formula. Mary Wilson and Florence Ballard's vocal contribution was significant in bringing a fresh yet smooth tone to the overall sound of the song, while remaining true to the backup arrangements that Lamont Dozier had set down. After hearing the song's playback, an excited Ross rushed to Gordy's office and told him to come to the studio to listen. At the end of the playback, a satisfied Gordy nodded, telling the producers and the group that the song had the potential to be a top ten hit. Release and reaction "Where Did Our Love Go" was released as a single in 1964, and entered the Hot 100 at number 77. Six weeks later, while the Supremes were on tour as part of Dick Clark's "American Bandstand Caravan of Stars", the song made it to number one for two weeks, spending a total of nine weeks in the Billboard Top Ten. The girls began the tour at the bottom of the bill; by the conclusion of the tour, they were at the top. They performed the song on the NBC variety program, Hullabaloo! on Tuesday, January 26, 1965. The song became the focal point and title track of the group's second album, Where Did Our Love Go, released later that year. A German language version of it titled "Baby, Baby, wo ist unsere Liebe" was recorded by the Supremes for German-speaking markets overseas and released as the b-side to their German recording of "Moonlight and Kisses" in April 1965. The song struck a chord in the United States, with a group which would become the most successful chart-topping American popular music group of the 1960s. Billboard described the song as having an "unbeatable beat" and a "true rockin'-blues groove." Cash Box described it as "an infectious handclapping stomp'er...that the femmes and their instrumental support put over with telling teen effect." The first of their American chart toppers, the song peaked just weeks after the passage of the Civil Rights Act of 1964, critically remarked as capturing the spirit of an America reeling from the assassination of John F. Kennedy, racial tension, and a harbinger of the end of the early optimism of the 1960s. The song was transmitted to astronauts orbiting Earth in August 1965 during the Gemini 5 mission. ==Personnel==
Personnel
• Lead vocals by Diana Ross • Background vocals by Florence Ballard and Mary Wilson • All instruments by the Funk Brothers • Bass by James Jamerson • Drums by Richard "Pistol" Allen • Guitar by Eddie Willis, Robert White • Piano by Earl Van Dyke • Baritone saxophone solo by Andrew "Mike" TerryVibraphone by Jack Ashford • Percussion (foot stomping) by Mike Valvano ==Charts==
Charts
Weekly charts Year-end charts All-time charts ==Certifications and sales==
Cover versions
• In August 1964, British group Peter Jay and the Jaywalkers released their version (Piccadilly single A-side) • In 1971, this song was covered by Donnie Elbert on his album Where Did Our Love Go, and charted at number 15 with it. On the R&B chart, it peaked at number 6. In Canada, it reached number 55. • In 1976, the J. Geils Band covered the song on their live 1976 album Blow Your Face Out, and also charted with a studio version as a standalone single at number 68. • In 1978, it was included as the 11th track on the album Pastiche by the Manhattan Transfer, which reached number 10 in the UK Album charts • In 1993, Sinitta released The Supreme EP which featured the song along with two other Supremes hits and the 1970 Diana Ross single "Remember Me". It charted at number 49 in the UK. ==See also==
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