Trouser Press wrote that the album "focuses the trio's musical attack while maintaining the polystylistic approach." The
Orlando Sentinel noted: "Call it eclecticism, diversity or simply musical schizophrenia, but this album veers from one extreme to the other throughout."
The Atlanta Constitution opined that "there are a few overproduced tracks ... and a few glutinous violins ... [but the album] hews mostly to the band's unadorned strengths."
The State concluded that "Catch the Wind" "is the best Byrds song Roger McGuinn never wrote."
LA Weekly determined that
Whisper Tames the Lion "points new directions in backward-looking alterno-pop."
The Morning Call panned "the combination of
heavy metal and
folk music." The
North Bay Nugget determined that the band "bring a respectability to
heavy rock that has been missing since the mid-Seventies."
AllMusic wrote that the band was "still inflected with hillbilly/bluegrass roots and edging ever closer toward the hard rock sound they would ultimately embrace." ==Track listing==