After the commercial success of
White Wolves: A Cry in the Wild II (that sold more than 60,000 videos),
New Horizons's
Julie Corman decided to produce a sequel. On April 19, 1994,
Variety announced a third installment in the
White Wolves series, tentatively titled
A Cry in the Wild II, with
Terence H. Winkless set to direct. Winkless was a frequent Corman's collaborator, having directed several projects for the
Concorde/New Horizons label. The film was produced under the New Horizons Home Video Family Fare Division, the newly-formed family-oriented line of
Roger Corman's production company. According to New Horizons Home Video's president
Jonathan Fernandez, "there was a huge demand for family films that was not being met" and the recent success of
White Wolves: A Cry in the Wild II (released theatrically and on video by Concorde, the predecessor to New Horizons) had proven that there was a market for direct-to-video family films. New Horizon's family division was created in 1990 and by 1994 was responsible for one quarter of its total output. The summer shooting overlapped with the production of
Saved by the Bell: Wedding in Las Vegas and that prevented actress
Elizabeth Berkley from being more prominently featured in the latter film. Berkley was also in the process of auditioning for the lead in
Showgirls and kept practicing pole dancing in the woods in case she had to go back for another interview. After a few days of shooting, she was called and told she had gotten the part. "I was just sobbing. I couldn't even speak. There'll never be another moment quite as sweet as that, ever" said the actress. All the animals were provided by Steve Martin's Working Wildlife, an animal-training company based in
Los Angeles. Two trainers, Dale Snipes and Nancy Taylor, worked together for the scenes featuring the wolf cubs and the mother wolf. The sequence of the bear attack was filmed in cuts, with the bear and the cubs never on set at the same time. For risky shots with interaction between animals and actors, the trainers acted as doubles, wearing the characters' costumes. The cave scene with
Ele Keats following the white wolf was shot in
Los Angeles at the
Griffith Park.{{cite web|last=McKee|first=Marty|title=My Chat With Bloodfist Director Terence H. Winkless|url=http://craneshot.blogspot.com/2009/03/my-chat-with-bloodfist-director-terence.html For the scene, a perimeter was built with rocks to prevent a family of mice featured in a shot to wander off inside the cave. ==Release==