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Nixie (folklore)

The nixie, nixy, nix, neck, or nicker, are humanoid, and often shapeshifting, water spirits in Germanic mythology and folklore.

{{anchor|Names|Etymology}}Names and etymology
The names are held to derive from Common Germanic or , derived from PIE ("to wash"). They are related to Sanskrit , Greek and , and Irish (all meaning to wash or be washed). The form neck appears in English, as well as in Swedish, although spelled as (definite form näcken). and a "hippopotamus". The Norwegian and Swedish are related figures sometimes seen as by-names for the same creature. The southern Scandinavian version can take on the form of a horse named ("the brook horse"), similar to other water horses such as the Scottish kelpie and the Welsh . The modern English form nixie stems from (feminine form of Nix), from , from an earlier nickes, from (feminine form of nichus, nihhus), meaning "water-spirit, water-elf, crocodile". == England ==
England
English folklore contains many creatures with similar characteristics to the Nix or . These include Jenny Greenteeth, the Shellycoat, the river-hag Peg Powler, the -like Brag, and the Grindylow. At Lyminster, near Arundel in the English county of West Sussex, there are today said to dwell "water-wyrms" called knuckers, in a pool called the Knucker-hole. The Victorian authority Walter William Skeat had plausibly suggested the pool's name of knucker (a name attested from 1835, Horsfield) was likely derived from the Old English , a creature-name found in Beowulf. == Nordic folklore ==
Nordic folklore
(1857–1914) The Nordic nixies (, , ; , ; , ) are male water spirits who play enchanted songs on instruments, luring women and children to drown in lakes or streams. Such can also drown people directly by dragging them down into water (compare , "the well man", from Sweden and Finland, and the Sami ). However, not all of these spirits were necessarily malevolent; many stories indicate at the very least that nixies were entirely harmless to their audience and attracted not only women and children but men as well with their sweet songs. Stories also exist wherein the spirit agrees to live with a human who had fallen in love with him. Still, many of these stories ended with the nixie returning to his home, usually a nearby waterfall or brook. The nixie were said to grow despondent unless they had free, regular contact with a water source. (1853–1911), featuring a young boy learning violin from The Nixie in the waterfall. The Norwegian or , Swedish ("The Nixie") or , is a related powerful figure, a powerful nature spirit, who, if properly approached, will teach a musician to play so adeptly "that the trees dance and waterfalls stop at his music". It is difficult to describe the appearance of the nix, as one of his central attributes was thought to be shapeshifting. Perhaps he did not have any true shape. He could show himself as a man playing the violin in brooks and waterfalls (though often imagined as fair and naked today, in folklore, he was more frequently described as wearing more or less elegant clothing) but also could appear to be treasure or various floating objects, or as an animal—most commonly in the form of a "brook horse" (see below). The modern Scandinavian names are derived from , meaning "river horse". Thus, it is likely that the figure of the brook horse preceded the personification of the nix as the "man in the rapids". and derivatives were almost always portrayed as gorgeous young men whose clothing (or lack thereof) varied widely from story to story. The enthralling music of the nixie was most dangerous to women and children, especially pregnant women and unbaptised children. He was thought to be most active during Midsummer's Night, Christmas Eve, and Thursdays. However, these superstitions do not necessarily relate to all the versions listed here. Many, if not all, developed after the Christianizing of the northern countries, as was the case of similar stories of faeries and other entities in other areas. When malicious nixies attempted to carry off people, they could be defeated by calling their name; this was believed to cause their death. Another belief was that if a person bought the nixie a treat of three drops of blood, a black animal, some (Nordic spirit) or (wet snuff) dropped into the water, he would teach his enchanting form of music. The nixie was also an omen for drowning accidents. He would scream at a particular spot in a lake or river in a way reminiscent of the loon, and a fatality would later occur on that spot. He was also said to cause drownings, but swimmers could protect themselves against such a fate by throwing a bit of steel into the water. To protect oneself against the powers of Näcken, it is said that one must stick a knife in the ground before entering the water to swim. If one does not, Näcken can overpower you and drown you. If one fiddler wants to learn to play like Näcken, he should go to a stream three Thursday nights in a row, sit down and play. The first two nights nothing will happen, but on the third, Näcken shows up. The fiddler must bring a black cat as offering. He who survives the class without being drowned, will be able to play so moving that even chairs and tables start to dance. of the Ii church, in North Ostrobothnia, Finland The Swedish was loaned into Finnish as and Estonian as . Näkki was seen as a water haltija, primarily depicting the dangerous side of a water spirit. It lied in ambush for swimmers it could pull down to its underwater kingdom, drowning them. It was common to say "näkki onto the land, me into the water" before going swimming and the other way around when coming back onto land; this was also learned from Swedes. Näkki also made its way into runic songs where a disease was cast away into the black mud in water, where the dog of water and näkki of water would catch it. In North Karelia, a distinction was sometimes made with water spirits, as a grabbed onto a swimmer while a caught the swimmer as an illness. was also considered a newer name for who one could see sitting on a rock, brushing its long hair, before drowning. In South Karelia, this creature was thought to be 'mother of water'. In Estonia, it was thought that näkks originated from children thrown into the water by their mothers, those who drowned themselves, and those submerged by previous näkks. This motif is also found in other Nordic folklore, like the Sami . In southeastern Estonia, the corpses of those who suffered a violent death were called näkks: the corpses still held their spirits as prisoners. If one sat or laid on ground where such a corpse had been buried, one would fall ill and die: this was caused by a 'land näkk'. If one swam over a drowned corpse, one suffered a cramp in the leg as the 'water näkk' grabbed onto them. There were also 'bog näkk' and 'dry grassland näkk'. The brook horse , painted by Theodor Kittelsen. One of the more infamous shapes, in which the Nordic nixie appears in, is "" (, ), also simply referred to as nixie (especially ). It has a close parallel in the Scottish kelpie and the Welsh . The was often described as a majestic white horse that would appear near rivers, particularly during foggy weather. Anyone who climbed onto its back could not get off again. The horse would then jump into the river, drowning the rider. The brook horse could also be harnessed and made to plough, either because it was trying to trick a person or because the person had tricked the horse into it. The following tale is a good illustration of the brook horse: In Faroese and Icelandic, the word ("nixie") specifically refers to the "brook horse", described in one Faroese text as the following: == German folklore ==
German folklore
The German Nix and Nixe (and Nixie) are types of river mermen and mermaids who may lure men into drowning, like the Scandinavian type, akin to the Melusine and similar to the Greek Siren. The German epic Nibelungenlied mentions the nix in connection with the Danube, as early as 1180 to 1210. Nixes in folklore became water sprites who try to lure people into the water. The males can assume many different shapes, including that of a human, a fish, and a snake. The females bear the tail of a fish. When they are in human form, they can be recognised by the wet hem of their clothes. The Nixes are portrayed as malicious in some stories but harmless and friendly in others. The 1779 poem Der Fischer by Johann Wolfgang von Goethe handles of a fisherman who meets his end when he is lured into the water by a Nixe. By the 19th century, Jacob Grimm mentions the Nixie to be among the "water-sprites" who love music, song, and dancing, and says, "Like the sirens, the Nixie by her song draws listening youth to herself, and then into the deep." One famous Nixe of recent German folklore, deriving from 19th-century literature, was Lorelei; according to the legend, she sat on the rock at the Rhine which now bears her name and lured fishermen and boatmen to the dangers of the reefs with the sound of her voice. In Switzerland, there is a legend of a sea-maid or Nixe that lived in Lake Zug (the lake is in the Canton of Zug). The Yellow Fairy Book by Andrew Lang includes a story called "The Nixie of the Mill-Pond" in which a malevolent spirit that lives in a mill pond strikes a deal with the miller that she will restore his wealth in exchange for his son. This story is taken from ''Grimms' Fairy Tales''. The legend of Heer Halewijn, a dangerous lord who lures women to their deaths with a magic song, may have originated with the nix. Alternate names for the female German Nixe are Rhine maidens () and Lorelei. In a fictional depiction, the Rhine maidens are among the protagonists in the four-part Opera Der Ring des Nibelungen by the composer Richard Wagner, based loosely on the nix of the Nibelungenlied. The Rhine maidens Wellgunde, Woglinde, and Floßhilde (Flosshilde) belong to a group of characters living in a part of nature free from human influence. Erda and the Norns are also considered a part of this 'hidden' world. They are first seen in the first work of the Nibelungen cycle, Das Rheingold, as guardians of the Rheingold, a treasure of gold hidden in the Rhein river. The dwarf Alberich, a Nibelung, is eager to win their favour, but they somewhat cruelly dismiss his flattery. They tell him that only one who cannot love can win the Rheingold. Thus, Alberich curses love and steals the Rheingold. From the stolen gold, he forges a ring of power. Further in the cycle, the Rhine maidens are seen trying to regain the ring and transform it into the harmless Rheingold. But no one will return the ring to them; not even the supreme god Wotan, who uses the ring to pay the giants Fasolt and Fafner for building Valhalla, nor the hero Siegfried, when the maidens appear to him in the third act of Götterdämmerung. Eventually, Brünnhilde returns it to them at the end of the cycle, when the fires of her funeral pyre cleanse the ring of its curse. Descendants of German immigrants to Pennsylvania sometimes refer to a mischievous child as "nixie". == In popular culture ==
In popular culture
In ''The Nixie's Song'', the first book in the children's series Beyond the Spiderwick Chronicles, the main characters rescue a Nixie named Taloa after fire-breathing giants destroy her pond. Nixies are depicted as aquatic female humanoids related to mermaids but with frog-like legs instead of tails. In the 2019 film Frozen II, Queen Elsa of Arendelle encounters and tames the Nøkk (in the form of a horse), the Water spirit who guards the sea to the mythical river Ahtohallan. In the video game ''Tom Clancy's Rainbow Six Siege'', there is a Danish operator named Nøkk. During gameplay she uses a glove attachment called HEL to disappear from cameras and sneak up on enemies. The 2023 video game Bramble: The Mountain King features a minor antagonist called Näcken, a monstrous water-dwelling violinist who hunts the protagonist. In his prior life as a human, Näcken was bullied by the fellow inhabitants of his village, on whom he took revenge by playing a magical tune, inflicting a dancing mania. == See also ==
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