Nitin D. Rai, chief editor of the British magazine
The Wire called it as "a visually stunning technical masterpiece that ignores the humans that made the wilderness what it is". Nandini Ramanath of
Scroll.in had stated "
Wild Karnataka has nothing to say about the potential threats to any of the species it features, nor is the phrase “
climate change” ever mentioned. The visuals speak for themselves: here is a corner of India that needs sustained funding and support so that all its creatures, great and small, may live, love and feast for eternity". Critics Nitya Gnanapandithan and
Anna M. M. Vetticad praised the maker's decision for releasing a documentary film in theatres, with the former writing for
The New Indian Express stated "Wild Karnataka is truly a spectacle worthy of being seen in the theatre. It isn’t often that we get a chance to watch a documentary like this on the big screen. So we can hope this is just the beginning", the latter, in her review for Firstpost, had summarised "
Wild Karnataka is also a reminder of why, despite a proliferation of online streaming platforms and an increasing use of cellphones as film-viewing media, theatres will never die: because some films are born to be watched on a mega screen in a darkened hall filled with strangers as awe-struck as you are." ==Controversy==