His music combined elements of
tonal and
non-tonal classical music (in particular the influence of Messiaen) with American
popular music and non-Western music, in what has been described as "polystylistic" or "quaquaversal" music—which makes the definition of an overall style difficult. Albright's approach to some of his music has been considered to be surrealistic. He was an enthusiast for
ragtime and made notable recordings of the piano rags of
Scott Joplin and others. He also recorded an album of his own ragtime compositions. In addition to his compositional and teaching activities, Albright maintained an active career and was regarded as both a virtuoso organist and pianist, performing many recitals on both instruments throughout North American and Europe. He was the featured organist for the 1976 International Contemporary Organ Music Festival at the
Hartt School of Music. He had earlier been commissioned to write his organ work
Stipendium Peccati for the 1973 International Contemporary Organ Music Festival. He commissioned new works for the organ from other contemporary composers to play on his international concert tours. His hymns appear in hymnals of the
Unitarian and
Episcopal Churches. Albright's notable students include
Derek Bermel,
John Burke,
Evan Chambers,
Chihchun Chi-sun Lee,
Gabriela Lena Frank,
Alexander Frey,
Evan Hause,
John Howell Morrison,
Carter Pann,
Frank Ticheli, and
Michael Sidney Timpson. == Honors ==