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William-Adolphe Bouguereau

William-Adolphe Bouguereau was a French academic painter. In his realistic genre paintings, he used mythological themes, making modern interpretations of classical subjects, with an emphasis on the female human body. During his life, he enjoyed significant popularity in France and the United States, was given numerous official honors, and received top prices for his work. As the quintessential salon painter of his generation, he was reviled by the Impressionist avant-garde. By the early twentieth century, Bouguereau and his art fell out of favor with the public, due in part to changing tastes. In the 1980s, a revival of interest in figure painting led to a rediscovery of Bouguereau and his work. He finished 822 known paintings, but the whereabouts of many are still unknown.

Life and career
Formative years William-Adolphe Bouguereau was born in La Rochelle, France, on 30 November 1825, into a family of wine and olive oil merchants. The son of Théodore Bouguereau (born 1800) and Marie Bonnin (1804), known as Adeline, William was brought up a Roman Catholic. He had an elder brother, Alfred, and a younger sister, Marie (known as Hanna), who died when she was seven. The family moved to Saint-Martin-de-Ré in 1832. Another sibling, Kitty, was born in 1834. At the age of twelve, Bouguereau went to Mortagne-sur-Gironde to stay with his uncle Eugène, a priest, and developed a love of nature, religion, and literature. In 1839, he was sent to study for the priesthood at a Catholic college in Pons. Here he learned to draw and paint from Louis Sage, who had studied under Ingres. Bouguereau then reluctantly left his studies to return to his family, now residing in Bordeaux. There he met a local artist, Charles Marionneau, and commenced at the Municipal School of Drawing and Painting in November 1841. Bouguereau also worked as a shop assistant, hand-colouring lithographs and making small paintings that were reproduced using chromolithography. He was soon the best pupil in his class and decided to become an artist in Paris. To fund the move, he sold portraits – 33 oils in three months. All were unsigned and only one has been traced. Bouguereau became a student at the . Along with other category winners, he set off for Rome in December and finally arrived at the Villa Medici in January 1851. Bouguereau explored the city, making sketches and watercolours as he went. He also studied classical literature, which influenced his subject choice for the rest of his career. Raphael was a favourite of Bouguereau and he took this review as a high compliment. He had fulfilled one of the requirements of the by completing an old-master copy of Raphael's The Triumph of Galatea. In many of his works, he followed the same classical approach to composition, form, and subject matter. Bouguereau's graceful portraits of women were considered very charming, partly because he could beautify a sitter while also retaining her likeness. Although Bouguereau spent most of his life in Paris, he returned to La Rochelle again and again throughout his professional life. He was revered in the town of his birth and undertook decorating commissions from local citizens. From the early 1870s, he and his family spent every summer in La Rochelle. In 1882, he decided that rather than rent he would purchase a house, as well as local farm buildings. By August of that year, the family's permanent summer base was on the rue Verdière. The artist commenced several paintings here and completed them in his Paris studio. Thanks to Durand-Ruel, Bouguereau met Hugues Merle, who later often was compared to Bouguereau. The Salons annually drew over 300,000 people, providing valuable exposure to exhibited artists. Bouguereau's fame extended to England by the 1860s. Three paintings were shown at the 1863 Salon and Holy Family (now at Chimei Museum) was sold to Napoleon III, who presented it to his wife the Empress Eugénie, who hung it in her Tuileries apartment. He also used some of the religious and erotic symbolism of the Old Masters, such as the "broken pitcher" which connoted lost innocence. Bouguereau received many commissions to decorate private houses and public buildings, and, early on, this added to his prestige and fame. As was typical of such commissions, he would sometimes paint in his own style, and at other times conform to an existing group style. He also made reductions of his public paintings for sale to patrons, of which The Annunciation (1888) is an example. He was also a successful portrait painter and many of his paintings of wealthy patrons remain in private hands. Académie Julian From the 1860s, Bouguereau was closely associated with the where he gave lessons and advice to art students, male and female, from around the world. During several decades he taught drawing and painting to hundreds, if not thousands, of students. Many of them managed to establish artistic careers in their own countries, sometimes following his academic style, and in other cases, rebelling against it, like Henri Matisse. He married his famous pupil, Elizabeth Jane Gardner, after the death of his first wife. Bouguereau received many honors from the academy: he became a Life Member in 1876; received the Grand Medal of Honour in 1885; was appointed Commander of the Legion of Honor in 1885; and was made Grand Officier of the Legion of Honour in 1905. He began to teach drawing at the in 1875. The academy was a co-ed art institution independent of the , with no entrance exams and nominal fees. Wives and children , Chimei Museum, Tainan, Taiwan In 1856, William began living with one of his models, Marie-Nelli Monchablon, a 19-year-old, born 15 Nov 1836 in Lisle-en-Rigault. Living together unmarried, the pair kept their liaison a secret. Their first child, Henriette, was born in April 1857; Georges was born in January 1859. A third child, Jeanne, was born 25 December 1861. The couple married quietly (as many assumed they were already married) on 24 May 1866. Eight days later, Jeanne died from tuberculosis. In mourning, the couple went to La Rochelle, and Bouguereau made a painting of her in 1868. A fourth child, Adolphe (known as Paul), was born in October 1868. Aged 15, Georges' health suffered, and his mother took him away from the bad air of Paris. However, he died on 19 June 1875. Nelly had a fifth child in 1876, Maurice, but her health was declining and the doctors suspected that she had contracted tuberculosis. Aged 40, Nelly died on 3 April 1877; baby Maurice died two months later. The artist planned to marry Elizabeth Jane Gardner, a pupil whom he had known for ten years, but his mother was opposed to the idea. Soon after Nelly's death, she made Bouguereau swear he would not remarry within her lifetime. After his mother's death, and after a nineteen-year engagement, he and Gardner married in Paris in June 1896. In the spring of 1905, Bouguereau's house and studio in Paris were burgled. On 19 August 1905, aged 79, Bouguereau died in La Rochelle from heart disease. There was an outpouring of grief in the town of his birth. After a Mass at the cathedral, his body was placed on a train to Paris for a second ceremony. Bouguereau was laid to rest with Nelly and his children at the family vault at Montparnasse Cemetery. ==Notable works==
Notable works
File:L'Aurore by William-Adolphe Bouguereau - BMA.jpg|''L'Aurore or Dawn'' (1881) File:William-Adolphe Bouguereau (1825–1905) - Le Crépuscule (1882).jpg|Le Crépuscule or Dusk (1882) File:Psyche et LAmour.jpg|''Psyche et L'Amour'' (1889) File:William-Adolphe Bouguereau - The abduction of Psyche, 1895.jpg|The Abduction of Psyche (1895) File:Bouguereau-Linnocence.jpg|Innocence (1893) File:William-Adolphe Bouguereau (1825-1905) - Bacchante (1894).jpg|Bacchante (1894) File:William-Adolphe Bouguereau (1825-1905) - Bather (1870).jpg|Baigneuse (1870) File:William-Adolphe Bouguereau (1825-1905) - After the Bath (1875).jpg|After the Bath (1875) File:WilliamBouguereau-TheBather-(1879).jpg|The Bather or Baigneuse (1879) File:William-Adolphe Bouguereau (1825-1905) - Les Deux Baigneuses (1884).jpg|Les Deux Baigneuses (1884) File:William-Adolphe Bouguereau (1825-1905) - The Wave (1896).jpg|The Wave (1896) File:Seated nude (1884).jpg|Seated nude (1884), oil on canvas, 18 1/8 x 14 5/8 in. (46 x 37.2 cm), Clark Art Institute File:Enfant sur un monstre marin by William-Adolphe Bouguereau 1857.jpg|Enfant sur un monstre marin, 1857. Private collection. File:Enfant sur un griffon by William-Adolphe Bouguereau 1857.jpg|Enfant sur un griffon, 1857. Private collection. == Reputation ==
Reputation
'' (1885) In his own time, Bouguereau was considered to be one of the greatest painters in the world by the academic art community, and simultaneously he was reviled by the avant-garde. He also gained wide fame in Belgium, the Netherlands, Portugal, Spain, Italy, Romania, and the United States, and commanded high prices. To many, he epitomized taste and refinement, and a respect for tradition. To others, he was a competent technician stuck in the past. Degas and his associates used the term "Bouguereauté" in a derogatory manner to describe any artistic style reliant on "slick and artificial surfaces", Bouguereau's works were eagerly bought by American millionaires who considered him the most important French artist of that time. Two paintings by Bouguereau in the Nob Hill mansion of Leland Stanford were destroyed in the San Francisco earthquake and fire of 1906. Gold Rush tycoon James Ben Ali Haggin and his family, who normally eschewed the nude, made an exception for Bouguereau's Nymphaeum. In 1890 Bouguereau's painting Return of Spring was damaged at a Foreign art exhibition of local artists in Omaha, Nebraska. Carey J. Warbington, an accountant, threw a chair at the painting. After Warbington was convicted of insanity and eventually committed suicide. The picture after the incident still traveled the United States with the tear intact and the chair accompanied the painting also, wherever the painting was shown. However, even during his lifetime, there was critical dissent in assessing his work; the art historian Richard Muther wrote in 1894 that Bouguereau was a man "destitute of artistic feeling but possessing a cultured taste [who] reveals... in his feeble mawkishness, the fatal decline of the old schools of convention". In 1926, American art historian Frank Jewett Mather criticized the commercial intent of Bouguereau's work, writing that the artist "multiplied vague, pink effigies of nymphs, occasionally draped them, when they became saints and madonnas, painted on the great scale that dominates an exhibition, and has had his reward. I am convinced that the nude of Bouguereau was prearranged to meet the ideals of a New York stockbroker of the black walnut generation." Bouguereau confessed in 1891 that the direction of his mature work was largely a response to the marketplace: "What do you expect, you have to follow public taste, and the public only buys what it likes. That's why, with time, I changed my way of painting." Bouguereau fell into disrepute after 1920, due in part to changing tastes. The New York Cultural Center staged a show of Bouguereau's work in 1974—partly as a curiosity, although curator Robert Isaacson had his eye on the long-term rehabilitation of Bouguereau's legacy and reputation. In 1984, the Borghi Gallery hosted a commercial show of 23 oil paintings and one drawing. In the same year, a major exhibition was organized by the Montreal Museum of Fine Arts in Canada. The exhibition opened at the Musée du Petit-Palais, in Paris, traveled to The Wadsworth Atheneum in Hartford, and concluded in Montreal. More recently, resurgence in the artist's popularity has been promoted by American collector Fred Ross, who owns a number of paintings by Bouguereau and features him on his website at Art Renewal Center. In 2019, the Milwaukee Art Museum exhibited more than 40 of Bouguereau's paintings in a major retrospective of his work, which according to The Wall Street Journal, asked the readers to "see Bouguereau through the eyes of an age when he was lionized, and Impressionism was dismissed as 'French freedom'". The exhibition later travel to the Memphis Brooks Museum of Art in Memphis, Tennessee, and then to the San Diego Museum of Art. The exhibition was co-organized by the Memphis Brooks Museum of Art and the Milwaukee Art Museum. Prices for Bouguereau's works have climbed steadily since 1975, with major paintings selling at high prices: $1.5 million in 1998 for ''The Heart's Awakening, $2.6 million in 1999 for The Motherland and Charity'' at auction in May 2000 for $3.5 million. Bouguereau's works are in many public collections. Notre Dame des Anges ("Our Lady of the Angels") was last shown publicly in the United States at the World's Columbian Exhibition in Chicago in 1893. It was donated in 2002 to the Daughters of Mary Mother of Our Savior, an order of nuns affiliated with Clarence Kelly's Traditionalist Catholic Society of St. Pius V. In 2009, the nuns sold it for $450,000 to an art dealer, who was able to sell it for more than $2 million. Kelly was subsequently found guilty by a jury in Albany, New York, of defaming the dealer in remarks made in a television interview. ==Name==
Awards and honours
• 1848: Second , for Saint Pierre après sa délivrance de prison, vient retrouver les fidèles chez Marie. • 1850: Premier , for ''Zenobie retrouvée par les bergers sur les bords de l'Araxe''. • 1859: Knight of the Legion of Honour • 1885: Commander of the Legion of Honour • 1905: Grand Officier of the Legion of Honour ==In literature==
In literature
In The King in Yellow, by Robert W. Chambers, he is mentioned in various tales as a teacher at the École des Beaux-Arts. In Sir Arthur Conan Doyle's novel The Sign of the Four (1890), the character Mr Sholto remarks, "there cannot be the least question about the Bouguereau. I am partial to the modern French school." In the Pulitzer Prize winning novel The Age of Innocence, Edith Wharton parenthetically described the audacity of a nouveau riche family to hang a "much-discussed nude of Bouguereau" in their Fifth Avenue mansion where ladies walking to a ballroom might see it. ==Selected works==
Selected works
La Danse (1856) • Bather (1864) • Le Sommeil (1864) • Loin du Pays (painting and two reductions) Far From Home (1867) • Alone in the World (Latest 1867) • The Knitting Girl (1869) • The Elder Sister (1869) • Italian Girl at the Fountain (1870) • Baigneuse (1870) • Nymphs and Satyr (1873) • Homer and his Guide (1874) • At the Edge of the River (1875) • Flora and Zephyr (1875) • The Grape Picker (1875) • The Little Knitter (1875) • Pietà (Bouguereau) (1876) • ''La Jeunesse et l'Amour'' (1877) • The Donkey Ride (1878) • The Birth of Venus (1879) • Girl Defending herself against Cupid (1880) • Song of the Angels (1881) • Le Crépuscule (1882) • The Nut Gatherers (1882) • Alma Parens of Mother France (1883) • The Youth of Bacchus (1884) • Byblis (1884) • The Return of Spring (1886) • Woman with Captive Cupid (1886) • The First Mourning (1888) • The Shepherdess (1889) • ''Les murmures de l'Amour'' (1889) • Gabrielle Cot, a portrait of Cot's daughter, 1890 • ''L'Amour et Psyché, enfants'' (1890) • The Bohemian (1890) • Little Beggars (1890) • Le Travail interrompu (1891) • The Goose Girl (1891) • The Wasps Nest (1892) • Innocence (1893) • Pleasant Burden (1895) • The Ravishment of Psyche (1895) • The Wave (1896) • Admiration (1897) • La Vierge au lys (1899) • Rêve de printemps (1901) • Yvonne on the Doorstep (1901) • The Oreads (1902) • Oceanid (1904) • In The Woods (1905) :Source ==Gallery==
Gallery
File:William Bouguereau - Dante and Virgile - Google Art Project 2.jpg|Dante and Virgil in Hell (1850) File:William-Adolphe Bouguereau (1825-1905) - Fraternal Love (1851).png|Fraternal Love (1851) File:William-Adolphe Bouguereau (1825-1905) - The Day of the Dead (1859).jpg|The Day of the Dead (1859) File:William-Adolphe Bouguereau (1825-1905) - Charity (1859).jpg|Charity (1859) File:William-Adolphe Bouguereau (1825-1905) - Maternal Admiration (1869).jpg|Maternal Admiration (1869) File:William-Adolphe Bouguereau (1825-1905) - The Haymaker (1869).jpg|The Haymaker (1869) File:William-Adolphe Bouguereau, "Italian Mandolin".jpg|Italian Mandolin (1870) File:Breton Brother and Sister MET DT2566.jpg|Breton Brother and Sister (1871) File:William-Adolphe Bouguereau (1825-1905) - Italian Girl Drawing Water (1871).jpg|Italian Girl Drawing Water (1871) File:William-Adolphe Bouguereau (1825-1905) - Charity (1878).jpg|Charity (1878) File:Les Enfants à L'Agneau by William Adolphe Bouguereau.jpg|''Les Enfants à L'Agneau'' (1879) File:William-Adolphe Bouguereau (1825-1905) - A Young Girl Defending Herself Against Eros (1880).jpg|A Young Girl Defending Herself Against Eros (1880) File:William-Adolphe_Bouguereau_(1825-1905)_-_The_Flagellation_of_Our_Lord_Jesus_Christ_(1880).jpg|The Flagellation of Our Lord Jesus Christ (1880) File:William-Adolphe Bouguereau (1825-1905) - Song of the Angels (1881).jpg|Song of the Angels (1881) File:William-Adolphe Bouguereau - Pêche pour les grenouilles.jpg|Fishing For Frogs (1882) File:William-Adolphe Bouguereau (1825-1905) - Biblis (1884).jpg|Byblis (1884) File:William-Adolphe Bouguereau (1825-1905) - Seated Nude (1884).jpg|Seated Nude (1884) File:William Bouguereau - El primer duelo.jpg|The First Mourning (1888) File:William-Adolphe Bouguereau - Les murmures de l'Amour (1889).jpg|''Les murmures de l'Amour'' (1889) File:William-Adolphe Bouguereau (1825-1905) - The Shepherdess (1889).jpg|The Shepherdess (1889) File:William-Adolphe Bouguereau (1825-1905) - The Bohemian (1890).jpg|The Bohemian (1890) File:William-Adolphe Bouguereau - Gabrielle Cot - Sotheby's.jpg|Gabrielle Cot, daughter of Pierre Auguste Cot (1890) File:William-Adolphe Bouguereau (1825-1905) - A Little Coaxing (1890).jpg|A Little Coaxing (1890) File:William-Adolphe Bouguereau, 1892 - Le Guêpier.jpg|The Invasion (1892) File:William-Adolphe Bouguereau (1825-1905) - Daisies (1894).jpg|Daisies (1894) File:The Shepherdess by William Adolphe Bouguereau.jpg|The Shepherdess (1895) File:William-Adolphe Bouguereau (1825-1905) - Inspiration (1898).jpg|Inspiration (1898) File:La Vierge au lys.jpg|La Vierge au lys (The Virgin of the Lilies) (1899) File:William-Adolphe Bouguereau The Virgin With Angels.jpg|Regina Angelorum (The Queen of the Angels) (1900) File:William-Adolphe Bouguereau (1825-1905) - Before The Bath (1900).jpg|Before The Bath (1900) File:William-Adolphe Bouguereau (1825-1905) - Two Sisters (1901).jpg|Two Sisters (1901) ==See also==
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