William Franke (philosopher)

Franke holds degrees in philosophy and theology from Williams College and Oxford University and in comparative literature from UC Berkeley and Stanford (Ph.D. 1991). He lectures and teaches in English, German, French, Italian, and Spanish on five continents. He is a research fellow of the Alexander von Humboldt-Stiftung and a senior fellow of the International Institute for Hermeneutics (IIH). He has been Fulbright-University of Salzburg Distinguished Chair in Intercultural Theology and the Study of Religions and Francesco de Dombrowski Visiting Professor at Harvard University’s Center for Italian Renaissance Studies in Florence. In 2021, he became Honorary Professor (Professor Honoris Causa) of the Agora Hermeneutica. He is a member of "HolyLit: Religion and Literature," of the Freie Universität Berlin and Harvard University and has been a member of the Dante Society Executive Council by general election of the Dante Society of America. == Work ==

Franke's philosophical work intertwines with his production as a theorist in comparative literature. His interdisciplinary approach centers on Dante’s Divine Comedy read as theological revelation in poetic language. His book, Dante’s Interpretive Journey (1996) constructs an interpretation of the Comedy in dialogue with German hermeneutic theory (Heidegger, Gadamer, Fuchs, Ebeling, Bultmann). The sequel, Dante and the Sense of Transgression: The Trespass of the Sign (2012), complements it by bringing the Comedy into dialogue with contemporary French thought of difference (Bataille, Blanchot, Barthes, Levinas, Derrida). While using the instruments of contemporary literary theory to read Dante's poem, these books also leverage Dante's medieval theological vision in order to level critiques against modern thinking forgetful of its grounds in sources that transcend rational justification and can only be imagined. 2021 saw the publication of three monographs by Franke rewriting the history of philosophy as pivoting around Dante rather than Descartes viewed as origin for emerging modern forms of self-reflection. These books bring the thinking at work in Dante’s poetry to bear on our contemporary philosophical problematics. They were collectively awarded the Hermes Prize by the International Institute for Hermeneutics for Book of the Year in Phenomenological Hermeneutics. Franke's work of speculative criticism powered by philosophical reflection is shaped into a comprehensive poetics of revelation starting with Poetry and Apocalypse: Theological Disclosures of Poetic Language (2009). This involves a construction of Christian epic tradition extending backward from James Joyce to Dante's essential source texts in antiquity and the Middle Ages with The Revelation of Imagination: From the Bible and Homer through Virgil and Augustine to Dante (2015). Moving in the opposite direction, Secular Scriptures: Modern Theological Poetics in the Wake of Dante (2016) traces the inheritance of Dante's theological vision forward into the modern era of secularized prophetic poetry and poetics. These critical interventions are at the same time theoretical employments of literature to engage certain of the chief intellectual problems of our own time, beginning from the status of knowledge as science and as revelation. Franke has published well over a hundred essays and articles of philosophical and theological interpretations of literature ranging from the biblical prophets and classical poets to Shakespeare and Milton, Dickinson, Baudelaire, Edmond Jabès, and Paul Celan. These essays deal also with theoretical topics such as dialectical and deconstructive logic, figurative rhetoric, psychoanalysis as a hermeneutics of subjectivity, postsecular critical reason, and cultural theory in the wake of the death of God. Those of a more literary-critical bent include interventions on the canon debate, world literature, postcolonial ethics, and postmodern (non)identities. ==Bibliography==