Bigelow began collecting Japanese art as a student in Paris. In 1882, inspired by lectures on Japan delivered by
Edward Sylvester Morse, he traveled to Japan. Once there, he funded Morse's work and that of
Ernest Fenollosa, another young Harvard graduate teaching in Boston. Bigelow remained in Japan for seven years. With authorization from the Japanese government, Bigelow, Morse, and Fenollosa, were able to explore parts of Japan closed to outside viewers for centuries. The group visited the
Treasure House of
Tōdai-ji, viewing hidden treasures of
Emperor Shōmu, and were granted a few shards of pottery, the only items belonging to the Shōsō-in known to currently reside outside of it. Among the many items he obtained during his time in Japan were a set of gilt bronze statues of the historical Buddha from
Hōryū-ji, known as the Shaka Trinity statues, and a
mandala from the
Hokke-do of Tōdai-ji, one of the oldest Japanese paintings to ever leave Japan. Morse collected ancient ceramics, Bigelow collected armor, and Fenollosa collected paintings. Returning to the United States, Bigelow donated approximately 75,000 objects of Japanese art to Boston's
Museum of Fine Arts. The donations gave the Museum of Fine Arts the largest collection of Japanese art anywhere outside Japan, a distinction it still holds today. In traveling through Japan and forming their collections, Bigelow and his Boston colleagues were helped by one of Fenollosa's students,
Okakura Kakuzō. Inspired by the Westerners' admiration for Japanese aristocratic tradition and with funding from Bigelow, Okakura founded the
Nihon Bijutsuin, a fine arts academy, to preserve and promote traditional forms of Japanese art. In 1898, Okakura was ousted by faculty and students at the school who objected to his rigid focus on traditional art. ==Museum of Fine Arts==