Box office Wilson was promoted by the
NBC Blue Network radio show Hall of Fame Broadcast with a radio adaptation of sections of the script. Ticket sales were damaged due to the
United States Department of War prohibiting the film's exhibition on
Armed Forces bases during
World War II under provisions of the
Soldier Voting Act against the screening of political material that could influence
elections such as the
ones about to be held on November 7, 1944. The film's unusually high budget (US$5,200,000, equal to about US$90,000,000 today) caused 20th Century-Fox to ask a much higher rental price and an unusually high percentage of each admission, as confirmed by
Variety: "Twentieth-Fox's deal on
Wilson will call for advanced scales of 76c matinees and $1.10 evenings. Terms on
Wilson, for which 20th is seeking quick release and dating, will be 60% straight from the first dollar but with a guarantee of 15% profit to the theatre. Twentieth-Fox will also demand extended playing time on
Wilson." Theaters that usually charged 25 cents admission were forced to charge Fox's stipulated $1.10 admission (US$19.95 in 2025) for
Wilson, keeping customers away in droves.
Critical response The film received generally positive reviews but was not without its detractors.
The New Republic film critic
Manny Farber was particularly unenthusiastic, calling the production "costly, tedious and impotent" while writing: "The effect of the movie is similar to the one produced by the sterile post-card albums you buy in railroad stations, which unfold like accordions and show you the points of interest in the city ... The producers must have known far more about the World War, the peace-making at Versailles, and Wilson himself, but that is kept out of the movie in the same way that slum sections are kept out of post-card albums ... About three-quarters of the way through, a large amount of actual newsreel from the first World War is run off and the strength of it makes the film that comes before and after seem comical." In
The Nation in 1944, critic
James Agee wrote, "No matter how friendly I feel toward
Wilson and the people who made it, any such review would amount chiefly to a specification of occupational psychosis. With the best intentions in the world, Hollywood took a character and a theme of almost Shakespearian complexity and grandeur, and reduced the character to an astutely played liberal assistant professor of economics; the theme to a few generalizations which every schoolboy has half-forgotten... Every major problem, opportunity, and responsibility which the picture set its makers was, in other words, flunked—now through timidity, again through habitual half-blindness, and most of all perhaps through the desire to sell and ingratiate and essentially to render a two-and-a-half-hour apology for one sustained impulse of daring and disinterestedness." President
Franklin D. Roosevelt, a protege of Wilson's, screened the film for guests at the
Second Quebec Conference in 1944. British Prime Minister
Winston Churchill, however, was no fan. He excused himself in the middle of the film and went to bed.
Awards and nominations Despite lackluster commercial performance, the film received ten nominations at the
17th Academy Awards, winning five: •
Best Art Direction-Interior Decoration, Color (
Wiard Ihnen and
Thomas Little) •
Best Cinematography, Color (Leon Shamroy) •
Best Film Editing (Barbara McLean) •
Best Sound, Recording (
E. H. Hansen) •
Best Writing, Original Screenplay (Lamar Trotti)
Wilson was also nominated for: •
Best Picture (Darryl F. Zanuck) •
Best Director (Henry King) •
Best Actor in a Leading Role (Alexander Knox) •
Best Music, Scoring of a Dramatic or Comedy Picture (Alfred Newman) •
Best Effects, Special Effects (
Fred Sersen and
Roger Heman Sr.)
Preservation The
Academy Film Archive preserved
Wilson in 2006. ==References==