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Windhaager Messe

The Windhaager Messe, WAB 25, is a missa brevis composed by Anton Bruckner in 1842.

History
Bruckner composed the Windhaager Messe (WAB 25) in 1842, while he was a schoolteacher's assistant in Windhaag. It was first believed that it was composed for Maria Jobst, the alto soloist in the Windhaag church choir. It is now stated that it was composed for her younger sister, Anna. The work, the manuscript of which is stored in the archive of Wels, was first published in band I, pp. 173–189 of the Göllerich/Auer biography. It is edited in Band XXI/2 of the ''''. == Setting ==
Setting
The Windhaager Messe is a Missa brevis in C major for alto solo, two horns and organ. The work is divided into six parts: • Kyrie, C major • Gloria, C major • Credo, C major • Sanctus, C major • Benedictus, E majorAgnus Dei, C major Total duration: 8 to 10 minutes. The work employs a text compressed to the absolute minimum and is predominantly homophonic in texture – often close to plainchant as, for example, the initial phrase of the Kyrie and the Credo The use of horns "adds a warm, familiar timbre to music, and helps to clarify the harmony". the Gloria and the Credo employ only a portion of the extensive text usually associated with these sections of the Mass. Bruckner’s designation of this composition as a Choral-Messe referred to its simple, hymn-like style. The frequent appearances of unison passages throughout this work are an additional hallmark of Bruckner’s later style. Kinder concludes his analysis as: ...the attention lavished to this modest work is justified, not merely because it was Bruckner's first extended composition, but also because of its interesting and prophetic musical ideas. == Use in the modern liturgy ==
Use in the modern liturgy
To make the Windhaager Messe usable for Eucharist celebration Kajetan Schmidinger and Joseph Messner made in C. 1927 an arrangement for mixed choir with revised Gloria and Credo, and accompaniment by organ, horns and string quintet. == Selected discography ==
Selected discography
Original setting A selection among the recordings of the original setting of the Mass: • Wolfgang Riedelbauch, Ingeborg Ruß (alto), Anton Bruckner - Psalm 146 and Windhaager Messe – LP: Colosseum SM 548, 1972.Transferred to CD, together with the historical recording of the "nullified" Symphony in D minor by Hortense von Gelmini: Klassic Haus KHCD 2012-007, 2012 • Ulrich Köbl, Cornelia Wulkopf (alto), Sakrale Waldhornmusik – CD: Ars FCD 368 304, • Rupert Gottfried Frieberger, Sigrid Hagmüller (alto), Anton Bruckner – Oberösterreichische Kirchenmusik – Fabian Records CD 5112, 1995 • Bernhard Prammer, Elisabeth Mayer (alto), Kammermusikalische Kostbarkeiten von Anton Bruckner – CD: Weinberg Records SW 01 036-2, 1996 • Valeri Polyansky, Ludmila Kunetsova (mezzo-soprano), Bruckner - Mass in C major, Mass No. 2 in E minor – Chandos CD CHAN 9863, 1998 • Matthias Giesen, Günther Groissböck (bass), In Te Domine Speravi – Gramola CD 99327, 2024 Schmidinger & Messner's arrangement • Svetlana Girba, KHG-Chor Karlsruhe, Ralph Hammer (organ), Musica sacra – CD issued by the choir, 1999 • Barbara Kling, Ottilia Cappella, Himmelswege - Lieder vom Leben und von der Liebe – CD: EOS LC 28574, 2019 == References ==
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