The painting shows
Wijk bij Duurstede, a riverside town about 20 kilometers from
Utrecht, with a dominating cylindrical windmill, harmonised by the lines of river bank and sails, and the contrasts between light and shadow working together with the intensified concentration of mass and space. The attention to detail is remarkable. Art historian
Seymour Slive reports that both from an aeronautical engineering and a hydrological viewpoint the finest levels of details are correct, in the windmill's sails and the river's waves respectively. It is not known for certain when Ruisdael painted the
Windmill. The painting is not dated, as very few of his works are after 1653. Dating subsequent work has therefore been largely detective work and speculation. It is assumed that it was painted in 1670. Unlike many other Ruisdaels the
Windmill seems to have remained in Dutch hands. It was acquired by
Adriaan van der Hoop at an unknown date, and bequeathed by him to the new
Amsterdam Museum in 1854. Since 30 June 1885 it has been on loan to the
Rijksmuseum in Amsterdam. Its enduring popularity is evidenced by card sales at the Rijksmuseum, with the
Windmill ranking third after
Rembrandt's
Night Watch and
Vermeer's
View of Delft. ==The other windmill at Wijk bij Duurstede==