The record is the final studio album by the Cure to feature drummer
Boris Williams and the first to feature guitarist/keyboardist
Perry Bamonte, who previously worked as a roadie for the band, as well as being the last album to feature guitarist
Porl Thompson for 16 years. Whilst retaining their trademark
gothic rock sound and mood on some tracks,
Wish often found the band emphasizing the lighter, broader guitar-driven
alternative rock direction that was hinted on their previous three records. After recording several demos in early 1991, the official recording sessions for the album commenced in September 1991 and lasted around six months. According to Thompson,
Wish was recorded on 48 tracks and "almost everything was used".
Robert Smith also revealed the hit song "
Friday I'm in Love" was accidentally sped up a quarter-tone sharp on the tape, halfway between D and E-flat. Smith commented on the speeding up of the tape of the song in a 1993 interview: "[…] that was an accident. I was playing with the vari-speed and forgot to turn it off. But the whole feel changed, and the fact that it's the only song on Wish that's not in concert pitch really lifts it out and makes it sound different. After working on the record for months, hearing something a quarter-tone off makes your brain take a step backwards." Smith also revealed that the "detuning" of the guitars played a role in the unique "sound" of the album, as did the subliminal overdubs and the extensive use of feedback. "A lot of things on our record that sound like heavy chorusing are actually just detuned instruments. The only drawback to that is onstage it's very confusing sometimes, especially with lots of phasing effects going on. It turns into this overwhelming pulsing sound, and you can't hear anything." Smith also revealed that the songs "
Mesmerise" by
Chapterhouse and "
Human" by
The Human League were an influence on the album, commenting on both songs in 1993: "For every album we do, I assemble a bunch of songs that have something that I'm trying to capture. For
Wish, I would listen to 'Mesmerise' by Chapterhouse for its feeling of abandon and 'Human' by The Human League. You couldn't spot anything sonically or structurally that would influence anything we did, but there's an indefinable something that I'm trying to capture. One night I must have played 'Mesmerise' 20 times, drinking and turning it louder and louder, putting myself into a trance." == Release ==