The album marks a departure for the band, featuring the usage of bass and percussion, the second time the band had experimented with them–the first being
Beat about the Bush (1994). The album incorporates elements of
traditional African,
ambient and
electronic dance music with the duo's characteristic
folk style. Steve Knightley noted "every original song on the CD is a first person narrative or testimonial. Incidents and events are witnessed and recorded and every narrator is a different character. It's really a series of scenes from a cinematic style journey of the
West Country." The band's website refers to the album as "the most innovative" studio album the duo had recorded to date, noting the album is Show of Hands "as you've never heard them before". One commentary noted that the album "exemplifies how the digital recording techniques contribute to hybrid musical styles".
Phil Beer of the duo said "It's cutting and pasting. You can take something from somewhere and put it anywhere else … so in a chorus of a song if a word sounds funny in one place but fine in another chorus, you cut and paste and see if they dovetail together". [Emmerson] spent hours and hours and hours agonising over where to lay a bell beat: do we put it there or a nanosecond earlier? Because it matters, it actually matters where it falls". The album opens with "two punchy, driving songs" which lyrically have been described as "archetypal Steve", both concerning "the intentional desecration of English life of one kind or another". with both songs having been described as showcasing Knightley "venting his anger in lyrics of venom and guts while as ever preaching more tolerance of perfectly reasonable ways of living which just happen to be unorthodox." and as one of Knightley's "acerbic epics". Contrasting the two songs is the third track "The Dive", an "uptempo global workout" about the
West Country coastline that has been compared to the
Afro Celt Sound System. The song features sounds of the sea at
West Bay, Dorset. (
pictured). "The Falmouth Packet/Haul Away Joe" is a "foot-stomping", "beat-bedecked shanty" sung by
Phil Beer. The first part of the piece, "The Falmouth Packet", is an instrumental composed by Beer and recorded originally for his collaborative album
The Fiddle Collection (1999). The second part, "Haul Away Joe", is a traditional song arranged by the duo with "ancillary voices" performed by The Fisherman's Friends. "Undertow" is a "bleak tale of hopes and aspirations in small time-life". Beer plays an
EBow on the song, giving an "eerie" feel to the song. Massey plays a
shaker on the song. The duo's cover of
the Beatles' "
If I Needed Someone" was originally recorded in 2005 for the
BBC Radio 2 show and album
Rubber Folk, which celebrated the 40th anniversary of the release of the Beatles'
Rubber Soul album. Featuring a distinct
Indian music influence, it features British-Indian percussionist
Johnny Kalsi playing
tablas, shakers and the
mazhar. "Innocent's Song" is the duo's "dark" arrangement of Johnny Coppin's musical version of
Charles Causley's poem of the same name. "Union Street" was described as "striking" and "sparsely-textured", "telling poignantly of the last letters between a
Marine and his wife". The song features the band's frequent collaborator Miranda Sykes singing the lines of the wife. Producer
Simon Emmerson is credited for recording the sounds of the
A35 road present in "The Bet". The quirky "Scratch" shows "a cynical look at curious addictions". The album's final song, "All I'd Ever Lost", is a "reflection set in the ambient hautings of an attic-room", ending the album on "a highly personal yet truly universal note. ==Release and promotion==