Kine Weekly wrote: "It lacks imagination in treatment, is artificial, and is devoid of dramatic intensity. ... Charles Laughton is not happy in the role of Job, a Lancastrian. For one thing, he is not sure of his accent, and he also tries to temper his performance with humour, and this destroys the virility of the role. Malcolm Keen is a little more sure of his ground as Pierre, and Arthur Margetson is fair as Mark, but the rest are decidedly weak. Dorothy Gish displays emotional ability for a few brief moments, but the part does not do justice to her undoubted talents. The producer has killed the dramatic intensity of the stage play by trying to impart a popular touch. The introduction of song and the use of musical accompaniment in the opening scenes holds up the action and destroys the atmosphere."
The Daily Film Renter wrote: "The drama largely arises from Pierre's lust for the girl and the cleverness with which Job, apparently for the same reason, defeats his attempts to seize her. Malcolm Keen acts very well indeed as the half-caste, and Laughton's cleverness leaves the real character and aims of Job in doubt until the big scene, when he faces the raving 'wolves' while Mark gets the girl away. Dorothy Gish's command of subtle facial expression is again demonstrated in
Wolves; her voice records well."
Variety wrote of the 1936 re-release: "Everybody makes mistakes when young. This one was made by Charles Laughton in his native land back in 1931, and it's still hanging over his head. ... The director is not billed; wisely, he decided to remain anonymous. Picture came over here in eight reels, but the World theatre on West 49th street, New York, cut it down to 35 minutes. The remainder, if cut up further, would make excellent celluloid collar and cuff sets." == References ==