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Women Talking (film)

Women Talking is a 2022 American drama film written and directed by Sarah Polley. It is based on the 2018 novel by Miriam Toews, itself inspired by the gas-facilitated rapes that occurred at the Manitoba Colony, a remote and isolated Mennonite community in Bolivia. The film follows a group of Mennonite women who discuss their future, following their discovery of the men's history of raping the colony's women.

Plot
Set in 2010, the film opens with a young woman sleeping alone in bed who wakes to find bruises and wounds on her hips and upper inner thighs—injuries sustained from rape. The women and girls of her isolated Mennonite colony discover that the men have been using a livestock tranquilizer to subdue and rape them. The attackers are arrested and imprisoned in a nearby city. Most of the men of the colony travel to oversee the bail, leaving the women by themselves for two days to determine how they will proceed. They hold a plebiscite to decide whether to stay and do nothing, stay and fight, or leave. The vote is tied between staying and fighting, and leaving. Eleven of the colony's women are chosen to come to a final decision and gather in a hayloft, though Scarface Janz, a woman in the "do nothing" camp, leaves the meeting after becoming disillusioned with the discussion, taking her hesitant daughter Anna and resistant granddaughter Helena with her. August, the colony's schoolteacher and one of the only remaining men, joins the women to record the meeting, as none of the women were taught to read or write. Salome, just back from a trip to gather antibiotics to treat her assaulted four-year-old daughter, remains adamant about staying and fighting, an opinion shared by Mejal. Ona, who is pregnant after being raped, also suggests that they stay and, after winning the fight, create a new set of rules for the colony that would give the women equality. Mariche, Greta's daughter and Autje's mother, disagrees, believing that forgiveness is the only viable option. To defuse the conflict, Ona suggests that August create one document stating the pros and cons of leaving, and another document with those for staying. The meeting is adjourned. During the break, it is revealed that August is from an excommunicated family, but was recently granted permission to return and teach the boys of the colony. He and Ona were good friends in childhood, and he has had romantic feelings for her since, but she tells him she cannot marry him as she believes that she would cease to be her true self, the person he loves, if she marries. When some of the women go outside to be counted for the 2010 census, they learn that Klaas, Mariche's abusive husband, will return that evening to collect more bail money. The meeting resumes. Ona and Mejal change their minds in favor of leaving. Salome remains insistent upon fighting, angrily confessing that she would rather kill the men than put her daughter at risk any longer. However, she changes her opinion after being reminded by Agata, her and Ona's mother, of the principles of their faith. The only one remaining unconvinced is Mariche. An argument ensues between her and the rest of the women; it is revealed that she forgave her husband's abuse at Greta's urging. After Greta apologizes, Mariche agrees to leave. Their reasons for leaving are transcribed by August: to ensure the safety of their children, to be steadfast in their faith, and to have freedom of thought. They decide to try to take boys aged fifteen years and younger with them, but will not force any boy over age twelve. They prepare to leave at sunrise, concealing their plans from Klaas. August, at Ona's behest, posts the documents stating the pros and cons of leaving and staying on the walls as an "artifact" of the women's time in the colony. He also declares his love to Ona and gives her a map for the women to use. Before they can leave, Melvin (formerly Nettie), a transgender man who is selectively mute after an incestuous rape, speaking only to the colony's children, tells Salome that her teenage son Aaron has fled and hidden. He is found, but cannot be convinced to leave in enough time. Salome, breaking the rules the women set, sprays Aaron with tranquilizer, forcing him to leave with them. She reveals this only to August, who understands and does not question her. He asks her to look after Ona, and reveals his intent to kill himself once the women are gone. She instead asks him to teach the boys properly to prevent any further violence and to give him purpose. Helena and Anna join the rest of the women, while Janz and August watch as they depart. Sometime later, Ona's newborn baby is shown, and Autje is heard saying that it will live a life very different from the one the women endured. ==Cast==
Production
In December 2020, it was reported that Frances McDormand would star in the film, which would be written and directed by Sarah Polley. In June 2021, Ben Whishaw, Rooney Mara, Claire Foy, Jessie Buckley, Judith Ivey, Sheila McCarthy and Michelle McLeod joined the cast of the film. Hildur Guðnadóttir composed the film's score. Principal photography took place from July 19 to September 10, 2021, in Toronto, Canada, with COVID-19 safety precautions in place. Costume designer Quita Alfred procured some fabric and prayer coverings from an actual Mennonite community store, using differing colors and patterns for each family to represent certain traits they held as a unit. Alfred noted that "trying to convince world-class actresses to wear long-sleeve polyester dresses in 110 degree heat was a challenge." However, she stressed that the dresses weren't as uncomfortable as one might think. "I tried them on to see how uncomfortable the cast would be. I actually came to love them. They’re so practical, but the lack of pockets is an issue for me." The 1967 song "Daydream Believer" performed by The Monkees was featured in the film; however, it is not included on the soundtrack. ==Release==
Release
The film had its world premiere at the Telluride Film Festival on September 2, 2022. It also screened at the 2022 Toronto International Film Festival on September 13, 2022, followed by screenings at the 60th New York Film Festival on October 10, 2022, and at the 2022 AFI Fest on November 5, 2022. but was moved to December 23 to avoid competition with Avatar: The Way of Water. ==Reception==
Reception
Box office Women Talking grossed $5.5 million in the United States and Canada, and $3.8 million in other territories, for a worldwide total of $9.3 million. It expanded to 707 theatres in the nationwide expansion, grossing $970,469 with a $1,372 average at the box office until it dropped out on its nationwide second weekend with $558,071, finishing fifteenth twice. Following the Academy Award nomination announcements, the film welcomed a 164% boost in grosses. Critical response On the review aggregator website Rotten Tomatoes, the film holds an approval rating of 90%, based on 296 reviews, with an average rating of 8/10. The site's critics consensus reads: "While Women Talking sometimes forsakes entertaining drama in favor of simply getting its points across, its message is valuable -- and effectively delivered." On Metacritic, the film has a weighted average score of 77 out of 100, based on 47 critics, indicating "generally favorable reviews". Following the Telluride Film Festival premiere, Peter Debruge from Variety wrote that the film is a "powerful act of nonviolent protest". Justin Chang of the Los Angeles Times described it as "a movie that deliberately hovers between drama and parable, the materially concrete and the spiritually abstract, and whose stark austerity sometimes gives way to bursts of salty wit and cathartic laughter". A. O. Scott from The New York Times called the film "a timely political parable with a stellar ensemble cast". He also described the film as "plain-spoken almost to the point of artlessness and turns out to be as layered and whorled as a hand-woven tapestry". Mae Abdulbaki of Screen Rant gave the film 3.5 out of 5 stars, calling it a "riveting adaptation" with "great" and "phenomenal" performances. She also wrote that the film "tackles a difficult subject with thoughtful sensitivity, levity, and spirited discussion that will leave audiences thinking about the film and its central premise for a long time after it's over". In July 2023, CBR ranked it as the "Best Indie Film of the 2020s (So Far)," saying that the film achieved its goals thanks to "its story and the message it sends to those in similar situations." In August 2023, Collider ranked the film at number 10 on its list of "The 20 Best Drama Movies of the 2020s So Far," writing that "While it doesn’t seem like a series of conversations would make for an engaging film, director Sarah Polley ensures that each character is defined by much more than a talking point." ==Accolades==
Accolades
Polley won the Telluride Film Festival Silver Medallion Tribute Award. Composer Hildur Guðnadóttir received a Tribute Award at the 2022 Toronto International Film Festival. At the 95th Academy Awards, the film was nominated for Best Picture with Polley winning Best Adapted Screenplay. It was also nominated for Best Screenplay and Best Original Score at the 80th Golden Globe Awards, Best Ensemble Cast of a Motion Picture at the 29th Screen Actors Guild Awards, and received six nominations at the 28th Critics' Choice Awards, including Best Picture and winning Best Adapted Screenplay. The film also received three nominations at the 38th Independent Spirit Awards and was the recipient of the Robert Altman Award, which is given to the film's director, casting director and ensemble cast. It was a nominee for Best Direction in a Feature Film at the 2023 Directors Guild of Canada awards. ==References==
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