Though the first heroic horses emerged from the
silent film era, they were prominently featured in the
B-Westerns of the 1930s, 1940s, and 1950s. During the early decades of
sound film, cowboy movies targeted a juvenile demographic. The film's heroes were generally one-dimensional,
stock characters, who represented and promoted truth and goodness to their young audience. More popular with adolescent viewers than a human
sidekick, the Wonder Horse could not only outrun the mounts of the villains, but could also perform a series of feats and tricks to ensure that the cowboy hero would triumph. The bond between a cowboy and his horse is an important part of the
cowboy mythology created by
dime novels,
pulp fiction stories, and Western cinema. Movies featuring Wonder Horses embellish this relationship between man and beast while heightening the exceptional and heroic qualities of the cowboy by his association with a remarkable animal.
Fritz and
Mary Thurman in the film
Sand! Fritz was the first horse to be named in the credits as a costar to his rider,
William S. Hart, appearing in at least eight silent films:
Pinto Ben (1915),
Hell’s Hinges (1916),
The Narrow Trail (1917),
Blue Blazes Rawden (1918),
The Toll Gate (1920),
Sand (1920),
Three Word Brand (1921), and
Singer Jim McKee (1924). He received his own fan mail, which often included sugar cubes from admirers. During his career, Fritz was much beloved by his costar, actor William Hart. The horse belonged to film producer
Thomas Ince, but during a raise negotiation with Ince, Hart was able to acquire ownership of Fritz. Fritz was known for his ability to do unique and risky stunts. He could jump into moving rivers, through windows, over fire, and "allow himself to be thrown to the ground after a sudden stop." In his autobiography, Hart speaks lovingly of Fritz, and describes some of their stunts together. One in particular illustrates the danger of the stunts Fritz performed and the love Hart felt for his "pinto pony". While filming a scene for the 1920 film
The Toll Gate, Hart and Fritz were caught in a whirlpool: After his retirement from film, Fritz lived out the rest of his 31 years at Hart's California ranch. His grave is marked by a cobblestone monument that reads: “Bill Hart's Pinto Pony Fritz—Aged 31 Years—A Loyal Comrade”.
Tony The first horse to bear the name “The Wonder Horse”, Tony was the companion of actor
Tom Mix. He starred in over two dozen silent and sound films during his career, becoming a celebrity in his own right. When Mix placed his handprints in the concrete outside
Grauman's Chinese Theatre in 1927, Tony’s hoofprints were placed alongside them. He was the first horse to be given equal billing with his human costar, and was featured in the title of three movies:
Just Tony (1922),
Oh! You Tony (1924), and
Tony Runs Wild (1926). Tony is listed as appearing in 34 films between 1922 and 1932.
Just Tony is based on a
Max Brand novel,
Alcatraz. Tony's image appeared on film posters, his name was included in a number of film titles, and he accompanied Mix on international publicity tours. Tony was immortalized in a series of junior novels and comic books, including the 1934 children's book
Tony and his Pals. Tony was famous in part because Mix, the film industry, and the media were able to anthropomorphize him. In the films, his horseness was continually reaffirmed; at the same time, so was his ability to understand language, what was going on around him. Tony is most known for his intelligence and ability to perform remarkable stunts, many of which would not be allowed today due to the danger involved. Tony performed in the years before the
American Humane Association oversaw the use of animals on American productions. Since animals cannot verbalize agreement to be actors, the American Humane Association began to oversee how animal labor was created, filmed, and commercialized in 1940, eight years after Tony's retirement. Tony was a naturally gaited Tennessee Pacer or Walking horse. He received his initial breaking and gait training from Kentucky trainer Tom Brinley. A later owner, Pat Chrisman, further trained him for tricks and stunts, then sold him to Tom Mix. Mix reportedly did not have to train Tony, but simply show him what to do for each feat. Mix could convey any sort of message to the pony by touches of the hand or fingers on Tony's neck, although speculation existed that whips, strong bits, and spurs were used. Such stunts included untying Mix’s hands, opening gates, jumping over high fences, getting tangled in ropes, loosening his reins, rescuing Mix from fire, jumping from one cliff to another, and running after trains. In the 1926 film
The Great K & A Train Robbery (Fox Film Corporation), Mix jumps Tony through a glass window into a building and rides him alongside a speeding train. In the film
Trailin' (1921) Mix and Tony have a bridge slashed from under them, and uncut footage shows the pair tipping over to the river below. Besides film, Tony was also in the
Sells Floto Circus with Tom Mix as his rider. A program from the circus in 1931 made a statement about the bond between the pair: Tony retired from the film industry in 1932 at the age of 22, when he was slightly injured on the set of his last movie,
The Fourth Horseman (1932). Following Tony's retirement, Tom Mix began featuring another horse of similar color and appearance in his films, Tony, Jr. A third horse, Tony II, was used for public appearances. After Tom Mix was killed in a car accident in 1940, Tony was taken care of by lawyer, horseman, and friend of Mix: Ivon D. Parker. Tony died two years later than Tom in 1932 at the age of 40. The horse had been in decline and was euthanized. Tony's passing was noted in
The New York Times. Tony's longevity as a movie horse is remarkable due to the lack of veterinary care available in those years, and because of the strenuous stunts that were not regulated. It could be that his owner loved and cared for him and didn't need "regulators" to tell him how to care for his animal. Rex appeared in such silent and sound films as
The King of the Wild Horses (1924),
The Devil Horse (1926), ''
No Man's Law (1927), King of the Wild Horses
(1933), The Law of the Wild (1934), The Adventures of Rex and Rinty (1935), and King of the Sierras'' (1938). Rex was very often the star of these films, bringing comedy and action to the screen. In one scene from ''No Man's Law'', Rex saves the modesty of a young woman swimming in the nude from a pair of rowdy villains. Chasing one around in circles, rearing and bucking like a wild mustang, until he finally runs him off of a cliff, he sneaks up behind the other and nudges him with his nose over the ledge and into the watering hole. He then nose prods the now clothed young woman back to her father.
Tarzan Tarzan, the Wonder Horse, was the onscreen companion to silent and sound film star
Ken Maynard. Together, they starred in over 60 films and
serials from 1925 until Tarzan's death in 1940. While previous Wonder Horses had been used by their cowboy costars to perform impressive stunts, actor Ken Maynard was the first to take advantage of the merits of a talented horse. While Tarzan could perform stunts like jumping off cliffs, he was known better for his tricks, such as dancing, bowing, nodding his head to answer questions, playing dead, untying ropes, dragging Maynard to safety, or nuzzling him into the arms of the leading lady. Incredibly intelligent, Tarzan performed these stunts in response to word commands from Maynard.
Champion Champion, the Wonder Horse, was the onscreen companion of the
singing cowboy Gene Autry. Originally belonging to Tom Mix, Autry likely purchased Champion after working with him in
The Phantom Empire series. Several horses bore the name Champion; the first died while Autry was serving in the
Army Air Force during
World War II. Gene Autry and Champion (probably Champion II) left their handprints and hoofprints in the cement outside
Grauman's Chinese Theatre in 1949. Champion (and his successors) appeared in nearly 100 films and television shows from the 1930s through the 1950s. A star in his own right, Champion was featured in his own television series,
The Adventures of Champion, based on a
radio series of the same name. Lyrics from the theme song emphasize his status as Wonder Horse.
Trigger One of the most well-known Wonder Horses was
Roy Rogers'
palomino stallion, Trigger. He appeared in all 81 of Rogers' films and 101 television shows. He retired from show business in 1957, dying in 1965 at the age of 33; he was stuffed and the taxidermy mount resided at the
Roy Rogers Museum in California and then in
Branson, Missouri, until its closure. On July 14, 2010, Trigger was sold in auction at
Christie's New York Saleroom to
Patrick Gottsch, who plans to display the mount at the corporate headquarters of his network,
RFD-TV, in Omaha, Nebraska. Trigger was billed as "The Smartest Horse in the Movies". His trainer,
Glen Randall, described him as being "almost human", knowing as many as 60 different tricks. Like Tarzan, many of his tricks were performed by word cue. One of his more exceptional "tricks" was that he was housebroken, allowing Roy Rogers to make public appearances with him. During a trip to New York City, Trigger reportedly delighted audiences by dancing, rearing, pawing, and playing dead on the ballroom floor of the
Hotel Astor. Like Tony, more than one horse bore the name Trigger. Little Trigger and Trigger, Jr. were also used for public appearances, film, and television to lessen the strain and stress on the original Trigger. Rogers and Trigger placed their hands and hooves in the concrete at
Grauman's Chinese Theatre in 1949. His counterpart was
Buttermilk, the horse of Roy Roger's wife, actress and singing cowgirl star
Dale Evans. == Other notable Wonder Horses ==