Jars of Clay began at
Greenville College in Greenville, IL, where the four members, all majors in Contemporary Christian Music, met and discovered friendship through music.
Charlie Lowell,
Dan Haseltine and
Matt Bronleewe had been there for the year of 1992 and played in various bands as well as producing their own studio projects. These bands included Chrysalis, Jazon, Yellow #7, Second Level, and many other school bands involving students from the CCM department as well as others. When
Stephen Mason appeared on the scene in September 1993, and had similar interests in music, the friends decided to write a song together. Haseltine had met Mason because he had a
Toad the Wet Sprocket shirt on, a band which they both admired for their unique sound. The band wrote and recorded a song called "Fade to Grey", which included many drum loops and samples, a very techno-oriented song. It was a studio project for credit in a recording class. Their friends enjoyed the song and they performed it in late October for a college cafe called the "Underground Cafe", which they had put together to raise money for homeless shelters and jail ministries. The "Underground" was the dormitory that the vast majority of music majors inhabited. The band continued classes and when they found more time, decided to play "Little Drummer Boy" for the Underground Cafe on December 7, as it was nearing Christmas time. A strange and distorted version of "Rudolph the Red-Nosed Reindeer" was also played impromptu that evening, to the tune of
Nirvana's "Smells Like Teen Spirit", called "Smells Like Rudolph". Following Christmas vacation, the four of them decided they'd like to write additional songs to add to their live repertoire and satisfy the requirements of their recording studio class, but thought it would be appropriate to give a name to these collaborations. Lowell recalled a Bible verse that included the phrase "
Jars of Clay", and was the source of the band's name. On April 27, 1994, Jars of Clay performed for the Gospel Music Association Spotlight Competition at 328 Performance Hall in Nashville, TN. This appearance was the final test of the competition for best new Christian band, and Jars won the competition. They played "Fade to Grey" and "Like a Child" complete with choreography and baby "binkies" in their mouths and met with positive responses from record companies who were present. The band decided to finish up their demo CD which was entitled Frail. They printed 1,000 copies for friends and family members to purchase and had a small release party at school. The CD sold well, and by June they printed 500 more for record companies and those who weren't able to obtain them initially. Due to interest from record labels in signing the band for an album, the band then decided that they should pursue music and move to Nashville, putting their college careers on hold. Bronleewe decided to remain in school, so it was necessary for the band to find a new member. A friend of Lowell from high school, Matt Odmark, was chosen to be the new member. His assimilation into the band was difficult, but by August the band was more comfortable after living together in Antioch, TN. They also accepted jobs during this time, at places such as pizza shops, mall stores and book warehouses while waiting for the contract. They shopped their demo and met with many record companies during the summer, negotiated their potential contracts with a lawyer during autumn, and in winter finally signed with Essential Records, a division of Brentwood Music (now collectively entitled Provident Records). This was an unexpected step for the band, as Essential was the smallest company that they interviewed with, but they felt it was most like a family. In addition, Essential had solid backing power from the larger Brentwood Music company which owned it, and Brentwood used a secular distributor, Silvertone Records of Zomba/Jive, in order to reach a wider audience. During the winter of 1994 and the spring of 1995 they recorded their debut album for Essential and released the album in May 1995. An intern at Essential, who was a friend of the band was the niece of improvisational guitarist and prolific songwriter
Adrian Belew. She delivered the Frail demo to him and he was impressed. Belew then decided to produce a couple songs for the album. His previous collaborations with
Laurie Anderson,
Talking Heads,
Nine Inch Nails,
David Bowie,
Frank Zappa and longtime involvement with
King Crimson, made him a primary candidate for producer. They decided to have him produce "Flood" and "Liquid", the more alternative songs, and then they self-produced the remainder of the songs on the album due to a lack of money. Studio musicians were brought in to fill in gaps and Ron Huff did string arrangements to embellish the songs and give them an orchestral quality. The first single from the debut album released to Christian radio was "Flood", and reached number one on the Christian rock charts. The band was met with high critical acclaim in numerous Christian magazine articles and other sources due to the unique harmonies and instrumentation on the album, as well as their honest and relatable lyrics. Meanwhile, secular radio stations caught on to the popularity of the song and began to play it. Essential Records then decided to use parent label Silvertone to promote the album and send out CD singles to radio stations. Many of the radio stations loved the single and began to put it into regular rotation. 1996 was the year of intense success for the band. "Flood" hit the No. 1 position on numerous secular radio stations due to its popularity, and the album remained in the top 60 albums for much of the year, also remaining in Billboard's Top 200 albums for the entire 52-week cycle. The album went 'gold' and shortly after attained platinum status. The album has now sold over 3,000,000 copies worldwide. == Tour ==