While Nesterenko was still studying at the conservatory, he was invited to perform at the
Maly Opera Theatre, where he made his debut as Prince Gremin in
Pyotr Ilyich Tchaikovsky's
Eugene Onegin. After graduation, he continued performing with the troupe while also continuing to study under Lukanin. When Lukanin fell ill in 1967, Nesterenko took over his teaching responsibilities at the conservatory. Nesterenko also joined the
Leningrad Opera and Ballet Theatre that year. In 1970, at the fourth
International Tchaikovsky Competition, held in Moscow, Nesterenko tied for first place in the male vocalist category. His victory led to an invitation to the
Bolshoi Theatre, which he joined in 1971 and remained in until 2002. His debut at the Bolshoi on 22 June 1972, in
Mikhail Glinka's
Ruslan and Lyudmila, was what Nesterenko considered his happiest day. After moving to Moscow, he taught at the
Gnessin State Musical College from 1972 to 1974, and then at the
Moscow Conservatory from 1975 to 1992, becoming a professor at the latter in 1981. In 1993, Nesterenko began teaching at the
Vienna Conservatory, and split his time between Austria and Russia while continuing to work with the Bolshoi Theatre as a vocal consultant. During his career, Nesterenko performed in over 50 leading bass roles, including almost all of the ones in the Russian operatic repertoire, and performed 21 of them in their original languages. His repertoire included deep bass as well as baritone roles. He has performed on major stages in over a dozen countries, including 56 performances at the
Vienna State Opera between 1975 and 1993. He is perhaps best known for his performance as Czar Boris in
Modest Mussorgsky's
Boris Godunov, for which he won the Golden Viotti medal in 1971. He has also sung in the debut performances of operas by
Dmitri Shostakovich,
Georgy Sviridov, and
Otar Taktakishvili. Nesterenko has published about 70 recordings, including 20 full operas. He has also published a book,
Reflections on the Profession, in 1985, and compiled and edited a book,
My Method of Working with Singers, for his mentor Lukanin. He has also published over 200 articles.
Select performances He appeared at the Vienna State Opera in roles such as Boris Godunov, Sarastro in Mozart's
Die Zauberflöte, Basilio in Rossini's
Il barbiere di Siviglia, Méphistophélès in Gounod's
Faust, Ramfis in Verdi's
Aida, Banquo in
Macbeth and Filippo II in
Don Carlo, and the Water Goblin in Dvořák's
Rusalka.1983 television documentary about the singer reflected the friendship of the two men during the composition of the song cycle. In 1985, he was the soloist in
Songs and Dances of Death for bass and large orchestra in Moscow, conducted by
Gennady Rozhdestvensky. == Personal life ==