A transitional book and its seven
chakras in the
Jogapradīpikā, a few years before
Yogasopana, 1899 The yoga scholar
Mark Singleton writes that the publication of
Yogasopana was in several ways a "key transitional moment" from medieval
hatha yoga to modern
yoga as exercise. For the first and probably also the last time, the yogic body was represented naturalistically, using modern halftone engravings, as a muscled, three-dimensional body in physical postures.
Innovations In the museum curator Debra Diamond's view, the book "was conceived as a
work of art", not just as a practically useful guide to the illustrated asanas, and it was "self-consciously modern". The yoga teacher and researcher Laura Denham-Jones calls the book one of the early yoga asana self-help manuals; she notes that Ghamande "even provided his address so that students could write to him with any questions." Ghamande was, Singleton observes, consciously acknowledging and breaking the hatha yoga rule of secrecy, with the "somewhat
sophistic" justification that "nobody says from whom you have to keep it secret, nor how much you have to hide". File:Ardhavrikshasana in Yogasopana Purvacatuska.jpg|Ardhavrikshasana, a variant of
Shirshasana File:Vrikshasana in Yogasopana 1905.jpg|
Vrikshasana File:Kukkutasana in Yogasopana 1905.jpg|
Kukkutasana File:Mahamudra in Yogasopana Purvacatusca 1905.jpg|
Mahamudra File:Dhanurasana in Yogasopana Purvacatuska 1905 (image).jpg|
Dhanurasana File:Mayurasana in Yogasopana 1905.jpg|
Mayurasana File:Salabhasana in Yogasopana 1905.jpg|
Salabhasana == References ==