Larry Flick from
Billboard magazine described the song as a "warm and fuzzy
ballad", adding that "finger-poppin' rhythms give motion to a virtual mountain of slick synths. Of course, her increasingly familiar vocal style is a total joy. Watch this one soar up the charts within mere moments." Troy J. Augusto from
Cash Box named it Pick of the Week, describing it as "a down-tempo soul burner", that "actually brings Toni closer to the style of
Whitney Houston, her closest
R&B competitor. Already in heavy rotation at many urban stations, a sure-bet hit." Alan Jones from
Music Week named it "a typically tuneful, intelligent and pleasing
LA and
BabyFace creation, custom-built for Braxton's soulful scale-sliding. As well as being a hit in its own right, expect this to push her album into a higher orbit."
Dele Fadele from
NME wrote, "Toni Braxton is gifted with a gospel-tinged voice, but the big-money LA & Babyface production smothers her in molasses." Ralph Tee from the
Record Mirror Dance Update commented, "On the back of two hits, this record should face very little resistance as it eases nicely into the charts. Vocally, the track gives Toni another opportunity to showcase one of the best set of tonsils about and forces the shuffling midtempo pace and production to take a back seat." Another
Record Mirror editor,
James Hamilton, named it a "glorious gurgling sultry swayer" in his weekly dance column. ==Commercial performance==