"You Must Love Me" received generally positive reviews from critics.
Stephen Thomas Erlewine from
AllMusic felt that "Even with the faults,
Evita has its merits, including the written-for-film ballad 'You Must Love Me'".
Lucy O'Brien, author of
Madonna: Like an Icon, appreciated the song's addition to the soundtrack and found "pathos" in Madonna's vocals. Teresa Huang from
The Tech, said it was "a beautiful addition to an already powerful score".
Larry Flick, from
Billboard, called it "a momentous musical event [...] a bittersweet and quietly theatrical ballad [written] specifically for Madonna". Kathleen Guerdo, also from
Billboard, said that, "[Madonna] delivers what is by far one of the strongest vocal performances of her career, comfortably scaling to the song's demanding soprano heights while infusing it with delicate, heart-rending emotion. This bodes well for the creative potency of the rest of the soundtrack". Matthew Jacobs from
HuffPost, placed it at number 61 of his list "The Definitive Ranking Of Madonna Singles". He explained that "[t]he vocal training Madonna endured for the movie pays off in this soprano serenade", but also noted that it "doesn't do much outside of the film". Similar thoughts were shared by
Medium's Richard LaBeau.
Spins
Annie Zaleski noted that "[Madonna's] performances on the
Evita soundtrack demonstrated her astronomical growth as a vocalist", citing "her fragile-sounding pleas on the Oscar-winning 'You Must Love Me'" as an example.
J. D. Considine, from
The Baltimore Sun, said it was one of the "big songs" from the soundtrack. On her review of
Evita,
Janet Maslin from
The New York Times commented that, "Mr. Lloyd Webber and Mr. Rice have contributed a lilting new song, 'You Must Love Me', that's as suitable for weddings as it is for running South American countries".
Entertainment Weeklys
David Browne gave the song a rating of B and opined that, "['You Must Love Me'] is no '
Live to Tell' or '
Take a Bow'. But this simple, elegantly arranged showpiece from
Evita is clearly intended to promote both the film and her new adult, matriarchal image".
Greg Kot from the
Chicago Tribune, called it "among the composers' finest works--a rare example of understatement with its sparse instrumentation, brevity and nuanced lyricism".
Peter Travers from
Rolling Stone called it "sympathy-begging". The song won the
Golden Globe Award for Best Original Song at the
54th ceremony, which took place on January 19, 1997. Two months later, it was awarded the
Academy Award for Best Original Song at the
69th Academy Awards. While ranking Madonna's singles, in honor of her 60th birthday,
The Guardians
Jude Rogers placed "You Must Love Me" at number 50, calling it the singer's best performance from the film and pointing out the "emotional quaking desperation" in her voice. Negative criticism came from the
San Francisco Chronicles Barbara Shulgasser, who wrote that, "['You Must Love Me'] didn't help a bit. Rice writes lazy, dumb lyrics that make no effort to correspond to the rhythms of the music". Also negative was
Slant Magazines Eric Henderson, who wrote that it "just barely misses taking the dishonor of being ranked the worst of the singles released from the soundtrack, it certainly chides that its entire mad existence was to push Andrew Lloyd Webber to an
EGOT". In 2023,
Billboard named "You Must Love Me" one of the worst Oscar-winning songs of all time. == Chart performance ==