Bosco painted many
realistic works, some that were widely reproduced in the
USSR, including "Workday Life at the Volga Hydroelectric Station", "Above the Volga", "The Volzanka", and "The Common People". Bosco's monumental works include: •
Prometheus, a large
bas-relief sculpture on the side of the
Palace of Culture in
Tolyatti. Dating to 1975, it measures by . Bosco executed this design with assistance of the sculptor Fetisov. • A mosaic in Lenin Memorial Center in
Ulyanovsk. • The composition
Energy for the People in the
Volga Hydroelectric Station. • The painting
Labor Hall of Fame in the
Volga Automobile Plant in Tolyatti. • And other paintings, mosaics, and stained glass works in
Volgograd,
Uralsk,
Samara, Tolyatti, and other cities. After the
collapse of the Soviet Union, Bosco turned more to portrait painting. Among his works are portraits of the architects Levitan and Pryadihina, the artists Egidisa and Nazarova, a series of portraits of scientists, geologists, and faculty of
Moscow State University, and the painting "O Days of Harsh Sacred Memory", a portrait of frontline medical orderly Mary Rokhlina executed for the 60th anniversary of victory in the
Great Patriotic War. Yuri Bosco participated in various art exhibitions. Bosco's paintings hang in museums and art galleries in Moscow (including the
Tretyakov Gallery),
St. Petersburg, Samara, Tolyatti,
Volgograd,
Nizhny Novgorod,
Perm, and abroad. His work has been presented to the public in Germany, Poland, the United States, Britain, France, Japan, China, and Bulgaria as well as many Russian cities. In 2006, the
Central House of Artists in Moscow hosted a joint exhibition of works by Bosco and his daughter, Anna Bosco. In 1978, Bosco was appointed a professor of drawing at
Moscow Architectural Institute. In 2005, Natalia Dolinskaya published a
coffee table book retrospective of Bosco's works. ==References==