The traditional insulation and decoration within a yurt primarily consists of pattern-based woollen felted rugs. These patterns are generally not according to taste, but are derived from sacred ornaments with certain symbolism. Symbols representing strength are, for instance, the temdeg or khas (
swastika), the four powerful beasts (
lion,
tiger,
garuda – a kind of
avian, and
dragon), as well as stylized representations of the
four elements (fire, water, earth, and air), considered to be the fundamental, unchanging elements of the cosmos. Such patterns are commonly used in the home with the belief that they will bring strength and offer protection. Traditional Mongol yurts often feature a four-lobed 'cloud collar' motif derived from the Chinese
yunjian. This pattern, cut from fabric and placed around the apex of the yurt, is thought to symbolise a "sky gate" to the heavens, and it frames the opening created by the smoke hole in the tent's roof. Repeating geometric patterns are also widely used, like the continuous hammer or walking pattern (alkhan khee). Commonly used as a border decoration, it represents unending strength and constant movement. Another common pattern is the ulzii, a symbol of long life and happiness. The khamar ugalz (nose pattern) and ever ugalz (horn pattern) are derived from the shape of the animal's nose and horns, and are the oldest traditional patterns. All patterns can be found among not only the yurts themselves, but also on embroidery, furniture, books, clothing, doors, and other objects. In Kyrgyz felted rug manufacturing the most common patterns are the Ala kiyiz and Shyrdak. Ornaments are visualising good wishes or blessings of the makers to a daughter who gets married, to children, or grandchildren.
In Central Asia flag , established 2015 File:Emblem of Kazakhstan (3D).svg|
Emblem of Kazakhstan File:Flag of Kyrgyzstan.svg|
Flag of Kyrgyzstan The
shangyrak or wooden crown of the yurt (, ; ; ; ) is itself emblematic in many Central Asian cultures. In old
Kazakh communities, the yurt itself would often be repaired and rebuilt, but the shangyrak would remain intact, passed from father to son upon the father's death. A family's length of heritage could be measured by the accumulation of stains on the shangyrak from decades of smoke passing through it. A stylized version of the crown is in the center of the
coat of arms of Kazakhstan, and forms the main image on the
flag of Kyrgyzstan. Today a yurt is seen as a national symbol among many Central Asian groups, and as such, yurts may be used as cafés (especially those specializing in traditional food), museums (especially those relating to national culture), and souvenir shops. In celebration of the city of Mary's year as Cultural Capital of the
Turkic World, the government of Turkmenistan constructed a yurt-shaped structure, called Ak Öýi (White Building) and described as "The World's Largest Yurt", of concrete, granite, aluminum, and glass. Established on November 27, 2015, the structure is 35 meters high and 70 meters in diameter. According to the
Turkmenistan state news agency, "A white yurt is a symbol of an age-old, distinctive historical-cultural legacy, a sign of preservation of our roots and origins." This three-story structure includes a café, offices, and VIP apartments, as well as a large auditorium with 3,000 seats.
Buddhism in Mongolia (Tib: འཀོར་ལོ།) toono;
khadag (Tib: ཁ་བཏགས་) hangs from the toono and
dpal be'u (Tib: དཔལ་གྱི་བེའུ) is present on the stove. The design of the Mongolian ger developed from its ancient simple forms to actively integrate with Buddhist culture. The crown—toono adopted the shape of Dharmachakra. The earlier style of toono, nowadays more readily found in Central Asian yurts, is called in Mongolia "sarkhinag toono," while the toono representing Buddhist dharmachakra is called "
khorlo" (Tibetan འཀོར་ལོ།) toono. Also the shapes, colors, and ornaments of the wooden elements—toono, pillars, and poles of the Mongolian yurt—are in accord with the artistic style found in Buddhist monasteries in Mongolia. Such yurts are called "uyangiin ger", literally meaning "home of lyrics" or "home of melodies". == Westernization ==