MarketJosé Afonso
Company Profile

José Afonso

José Manuel Cerqueira Afonso dos Santos, known professionally as José Afonso and also popularly known as Zeca Afonso, was a Portuguese singer-songwriter. He is widely regarded as one of the most influential figures in the history of Portugal's folk and protest music scene. His music played a significant role in the resistance against the dictatorial Estado Novo regime, making him an icon in Portugal.

Biography
1929–1940: Early life José Afonso was born in Aveiro on 2 August 1929. His parents were José Nepomuceno Afonso dos Santos, a magistrate, and Maria das Dores Dantas Cerqueira, a primary school teacher. In 1930, his parents travelled to Angola, a Portuguese colony at the time, where his father had been placed as a judge in the city of Silva Porto (present-day Cuíto). For health reasons, Afonso stayed in Aveiro, in a house near the Fonte das Cinco Bicas, with his aunt Gigé and his uncle Xico, a "republican and anticlerical" man. In 1933 Afonso travelled to Angola at his mother's request. On the ship he met a missionary who became his companion during the voyage. Afonso stayed for three years in Angola, where he began his primary education. From 1964 to 1967, Afonso was in Lourenço Marques (now Maputo) and Beira, in Mozambique, with his second wife Zélia, where he reunited with his children. In his last two years in the overseas province, he taught in Beira and composed music for the Bertolt Brecht play The Exception and The Rule. In 1965 his daughter Joana was born and by 1967, marked by the colonial reality and the Portuguese Colonial War, he returned to Lisbon. He left his older son, José Manuel, with his grandparents in Mozambique. The state censorship still operated in the event, and Afonso was forbidden from performing some of his songs with more political messages, such as "Venham Mais Cinco" and "A Morte Saiu à Rua". "Grândola, Vila Morena", however, was not seen as a subversive song and was allowed to be performed. 1974–1980: Revolutionary period , Sérgio Godinho, Vitorino and others, in 1979 In December 1974, Afonso released the album Coro dos Tribunais ("Courthouse Chorus"), which was recorded in London, again at the Pye Studios, with musical arrangements by Fausto Bordalo Dias. The album includes two Brechtian songs, composed in Mozambique in the period between 1964 and 1967: "Coro dos Tribunais" and "Eu Marchava de Dia e de Noite". in the RALIS, a leftist military stronghold. Afonso established a collaboration with the far-left movement LUAR (Revolutionary Action and Unity League). LUAR released his single "Viva o Poder Popular" (Hail to the People's Power). In Italy, the revolutionary organizations Lotta Continua, Il Manifesto and Avanguardia Operaia released the album República, recorded in Rome on 30 September and 1 October 1975. The money received from the sales of the album went to support the striking workers of the newspaper República. == Legacy ==
Legacy
On 18 November 1987, the Associação José Afonso was created with the objective of fulfilling Afonso's intentions in the areas of Portuguese music and art. In 1991, the city of Amadora inaugurated a statue of José Afonso in the city's Central Park. On 30 June 1994, as part of Lisboa-94, European Capital of Culture, a festival in homage to José Afonso took place. Many Portuguese musicians, both veterans and younger artists, joined in the tribute festival, called "Filhos da Madrugada" ("Children of Dawn", the title of one of Afonso's most famous songs). Earlier that year, BMG had released an album with the same title as the festival, and with the same artists performing their own versions of Afonso's songs. Performers at this event included Brigada Victor Jara, Censurados, Delfins, Diva, Entre Aspas, Essa Entente, Frei Fado D'El Rei, GNR, Madredeus, Mão Morta, Opus Ensemble, Peste & Sida, Resistência, Ritual Tejo, Sérgio Godinho, Sétima Legião, Sitiados, Tubarões, UHF, Vozes da Rádio, and Xutos & Pontapés. Thirteen years earlier, Afonso had remarked that "If rock is the musical style that the young prefer, then we should ask for good quality rock music". In 1995 José Mário Branco, Amélia Muge, and João Afonso, José Afonso's nephew, released another album in homage to Afonso, called Maio, Maduro Maio, that included many of his songs and two previously unreleased ones, "Entre Sodoma e Gomorra" and "Nem Sempre os Dias São Dias Passados". For the 10th anniversary of Afonso's death, in 1997, EMI released for the first time in CD format the 1964 album Baladas e Canções. In 1998, Vitorino and Janita Salomé took part in a concert in homage to José Afonso, included in Expo'98's programme. In 2007 he was elected the 29th Greatest Portuguese. == Discography ==
Discography
Studio albums Baladas e Canções (1964) • Cantares do Andarilho (1968) • Contos Velhos Rumos Novos (1969) • Traz Outro Amigo Também (1970) • Cantigas do Maio (1971) • Eu Vou Ser Como a Toupeira (1972) • Venham Mais Cinco (1973) • Coro dos Tribunais (1974) • Com as Minhas Tamanquinhas (1976) • '''' (1978) • Fura Fura (1979) • Fados de Coimbra e Outras Canções (1981) • Como Se Fora Seu Filho (1983) • Galinhas do Mato (1985) Live albums José Afonso in Hamburg (1982) • Ao Vivo no Coliseu (1983) Extended plays Fados de Coimbra (1956) • Balada do Outono (1960) • Baladas de Coimbra (1962) • Dr. José Afonso em Baladas de Coimbra (1963) Posthumous releasesOs Vampiros (1987) • De Capa e Batina (1996) == References ==
tickerdossier.comtickerdossier.substack.com