Zhou's composites from various locations are experiences that present the here and now in different regions. His videos record interactions between people, things, and situations, touching on questions about the multiple trajectories of reality. Zhou has also worked in performance. Zhou's documentary works are in fact rehearsed and costumed assemblies of everyday activity.
After Reality (2013), images juxtapose his home base of Guangzhou and the highly manicured cityscapes of Paris.
Blue and Red (2014), the heavy-metal waste contaminating industrial zones in
Shaoguan, China, are compared to a military coup riot in Bangkok.
1234 (2016),
Land of the Throat (2016), commissioned for the
Guggenheim Museum, a construction and urban planning site in southern China is shown with research on Mars.
The worldly Cave (2018), Exhibited with
Adrian Villar Rojas and presented at
Centre Pompidou, Paris it is a reflection on the tensions and breaking points that exist between human production and nature. == Exhibitions ==