4:["$","div",null,{"className":"min-h-screen bg-white flex flex-col","children":[["$","div",null,{"className":"px-6 pt-6 pb-4 border-b border-gray-100","children":[["$","div",null,{"className":"flex items-center gap-1.5 text-xs text-gray-400 mb-4","children":[["$","a",null,{"href":"/","className":"hover:text-[#26a69a] transition-colors","children":"Market"}],["$","span",null,{"children":"›"}],["$","span",null,{"className":"text-gray-600","children":"Zones Without People"}]]}],["$","div",null,{"className":"text-[10px] text-gray-400 uppercase tracking-widest mb-1","children":"Company Profile"}],["$","h1",null,{"className":"text-2xl font-bold text-gray-900","children":"Zones Without People"}],null]}],["$","div",null,{"className":"flex-1 px-6 py-6","children":[["$","p",null,{"className":"text-sm text-gray-600 leading-relaxed mb-8","children":"Zones Without People is the second studio album by American electronic musician Daniel Lopatin, known by the name Oneohtrix Point Never. It was released on August 6, 2009 via Arbor as a limited-run LP. Most of the material on the album also appeared on the 2009 compilation album Rifts. The other albums in the Rifts trilogy are Betrayed In The Octagon and Russian Mind, released in 2007 and 2009 respectively."}],["$","div",null,{"className":"columns-1 md:columns-2 gap-10","children":[["$","div","0",{"className":"mb-8 break-inside-avoid","children":[["$","div",null,{"className":"text-xs font-semibold text-gray-400 uppercase tracking-wide mb-3 border-b border-gray-100 pb-1","children":"Music"}],["$","div",null,{"className":"text-sm text-gray-600 leading-relaxed wiki-content","dangerouslySetInnerHTML":{"__html":"Zones Without People is an ambient album. Lopatin described the album as combining multiple approaches to psychedelic music. It uses \"druggy\" and \"dreamy\" synth tones to help build walls of ambient sound, according to AllMusic. Critics have described the album as sounding devoid of humanity, as described by its title; Stereogum described “Learning To Control Myself” as sounding like the \"frenetic tangle of laser rumble\". == Reception =="}}]]}],["$","div","1",{"className":"mb-8 break-inside-avoid","children":[["$","div",null,{"className":"text-xs font-semibold text-gray-400 uppercase tracking-wide mb-3 border-b border-gray-100 pb-1","children":"Reception"}],["$","div",null,{"className":"text-sm text-gray-600 leading-relaxed wiki-content","dangerouslySetInnerHTML":{"__html":"Zones Without People received 4 out 5 point ratings from both AllMusic and Sputnikmusic. The album was ranked eighth out of nine within Lopatin's discography in a 2017 Stereogum article. They found the album to be \"restless, inconclusive\" and a poor introduction to Lopatin's discography, as it may seem off-putting. According to AllMusic, the album helped build Lopatin's reputation for \"subaquatic synth tones\" and \"walls of ambient sound\". == Track listing =="}}]]}],["$","div","2",{"className":"mb-8 break-inside-avoid","children":[["$","div",null,{"className":"text-xs font-semibold text-gray-400 uppercase tracking-wide mb-3 border-b border-gray-100 pb-1","children":"Track listing"}],["$","div",null,{"className":"text-sm text-gray-600 leading-relaxed wiki-content","dangerouslySetInnerHTML":{"__html":"• \"Computer Vision\" – 2:22 • \"Format & Journey North\" – 9:45 • \"Zones Without People\" – 3:59 • \"Learning to Control Myself\" – 5:35 • \"Disconnecting Entirely\" – 1:32 • \"Emil Cioran\" – 3:34 • \"Hyperdawn\" – 4:33 Total length: 31:20 ==References=="}}]]}]]}],"$Lf"]}],"$L10"]}]