Box office Friday the 13th Part VIII: Jason Takes Manhattan was released on July 28, 1989, in the United States. The film entered the
box office at number 5 for the weekend with earnings of $6.2 million. The film faced strong competition at the time of its release from high-profile genre fare such as
A Nightmare on Elm Street 5: The Dream Child,
Halloween 5: The Revenge of Michael Myers and
Fright Night Part 2, and was considered one of the biggest disappointments at the summer box office. Ultimately, it would go on to gross a total of $14.3 million at the U.S. box office, making it the poorest-performing film in the franchise and ranking at number 70 on the list of the year's Top 100 earners. On
Metacritic, the film has a weighted average score of 14 out of 100, based on 10 critics, indicating "overwhelming dislike". Audiences polled by
CinemaScore gave the film an average grade of "B" on an A+ to F scale. Chris Willman of the
Los Angeles Times commended the film's "funny ad campaign", but deemed the film "a real dunghill" that missed the satirical potential of having Jason's evil being dwarfed by real life evils. He called the script "as witless and willfully imbecilic as any of the preceding seven". The
New York Daily News criticized the film for "grossly underutilizing its promising premise" but said that it "should please
Friday fanatics and shapes up as a marginally watchable fright item for the genre's more demanding fans." Desmond Ryan of the
Asbury Park Press wrote: "Common sense should tell you to skip this film" and called the characters very stupid. The
Philadelphia Daily Newss Gary Thompson called the film "gory and conventional" but praised the "change of scenery and occasional dashes of humor", which make it a better than average entry in the series. Malcolm Johnson of the
Hartford Courant deemed the film a "snoozer" and criticized its humor. Although he said younger fans who sneak in to the theater may enjoy the humor, he felt non-fans would find it a "clumsy reworking of the formula". Mike Dembs of the
Detroit Free Press awarded the film a zero-star rating and called it "the worst of the bunch", and a disappointment even for fans.
The Atlanta Constitutions Eleanor Ringel wrote that the film "isn't in the least bit scary and is only intermittently gory. It is, however, often quite funny, intentionally or not." She also criticized the film because a significant portion of it took place aboard a boat as opposed to in Manhattan, Film critic
Leonard Maltin awarded the film two out of four stars, and called it the best in the series. Maltin complimented the film's imaginative direction, but criticized the film's runtime.
Adam Marcus, who directed the sequel
Jason Goes to Hell: The Final Friday, said the franchise's premise had become untenable after a hundred teenagers had died at Camp Crystal Lake. He felt sending Jason out in search of new victims in New York City was a good idea, but result was a film that insulted the audience by putting Jason on a boat for most of the film's runtime. On his
commentary track for the film in the box set, director Rob Hedden acknowledges the faults and agrees that more of the film should have been set in Manhattan, citing budgetary and schedule problems.
Legacy In 2007,
Entertainment Weekly labeled
Jason Takes Manhattan the eighth-worst sequel ever made. In 2018, Scott Meslow of
GQ wrote that the film was among the "most stylish" in the
Friday the 13th series and said that it was "actually a pretty good" sequel despite the misleading title. He also liked the idea of setting the film on a boat, which he thought made the film more claustrophobic. When Jason arrives in Manhattan, he was amused by Jason being dismissed by New Yorkers as "just another weirdo walking the streets". Paramount Pictures producer
Chad Villella said the creative team behind
Scream VI (2023), including directors
Matt Bettinelli-Olpin and
Tyler Gillett, studied
Jason Takes Manhattan before starting shooting the sixth
Scream installment, which also takes place in New York City. The
Scream filmmakers wanted to achieve the atmosphere of feeling alone even when surrounded by millions of people, despite the protagonists no longer being present at Woodsboro. ==Home media==