Script and casting The idea of the film emerged from a story Sen had written, and that had taken the shape of a screenplay. When she showed it to
Satyajit Ray, he suggested she make the film. He also suggested
Shashi Kapoor as the producer. After approaching several producers and repeatedly being asked what she was trying to sell, she finally sent a synopsis of the plot to Kapoor. He liked it and asked her to come over to Mumbai, and the film took off from there. Aparna Sen had not thought of Jennifer Kendal to play the lead. She was looking for someone older, perhaps an
Anglo-Indian. She was persuaded by
Utpal Dutt to cast Kendal, who herself suggested the look of Violet Stoneham with her hair in a bun. The film was shot at almost a namesake address of 26, Chowringhee Road with a beautiful view of the Indian Museum and the
Maidan along with its landmarks like the
Eden Gardens, the High Court, Pratt Memorial School, Governor's House, the
Shaheed Minar and Fort William. The depiction of pre-marital sex in the film was ahead of its time. About the intimate scenes, Sen said: "I feel scenes of sexual intimacy are ruined if the director is embarrassed. I wasn't embarrassed. There was nothing in it that I thought was obscene."
Post-production At the post-production stage, Debashree Roy's voice was dubbed over with Sen's own voice. Sen explained that this was done partly in order to save time. Moreover, Dhritiman Chatterjee was a good deal older than Roy, and she wanted a voice that was slightly older. The art direction of the film was done by
Bansi Chandragupta, art director of the
Apu Trilogy and other Ray films. In June 1981, when the film was in the final stages of post-production, Chandragupta died of a heart attack. The film is dedicated to him.
Music Two major songs used in the film were 1960's "Itsy Bitsy Teenie Weenie Yellow Polka Dot Bikini" by Brian Hyland and the 1964 version of "Silent Night" by Mary Martin. ==Reception==