Rise to prominence (1961–1973) After appearing as a child artist in some highly successful films like
Sangram (1950),
Samadhi (1950) and
Awaara (1951), Shashi Kapoor made his debut as a leading man in 1961 with
Yash Chopra's
partition drama
Dharmputra. This was followed by another film released the same year,
Char Diwari. Both
Dharmputra and
Char Diwari did not do well financially. He also made his
English film debut in 1963 with
James Ivory's acclaimed
family drama The Householder. The year 1965 changed his fortune as he starred in two highest grossing films of that year with Yash Chopra's
masala film Waqt and Suraj Prakash's
romantic musical Jab Jab Phool Khile. The huge box office success of
Waqt was followed by another,
Jab Jab Phool Khile which had Kapoor paired opposite
Nanda. It too opened to highly positive response from critics, especially for its soundtrack composed by
Kalyanji–Anandji, which was the fourth best-selling Hindi film album of the 1960s with a number of melodious songs, like "Ye Samaa Samaa Hai Pyar Ka", "Affoo Khudaya", "Ek Tha Gul Aur Ek Thi Bulbul", "Na Na Karte Pyar Tumhin Se", "Pardesiyon Se Na Ankhiyan Milana".
Jab Jab Phool Khile made Kapoor a star and won him that year's
BFJA Award for Best Actor (Hindi) for his moving performance of an innocent boatman in the film. In spite of establishing himself, Kapoor had only a few major hits and some lukewarm successes in the late-1960s.
Pyar Kiye Jaa proved to be a hit, but his other release
Neend Hamari Khwab Tumhare again opposite Nanda did only average business at the box office. After seeing two more moderate successes in 1967 with
Dil Ne Pukara and
Aamne Samne, the following year, he delivered a superhit in
Kanyadaan opposite
Asha Parekh, followed by a hit film
Haseena Maan Jayegi co-starring
Babita. The soundtrack of
Kanyadaan composed by
Shankar-Jaikishan was also very successful with two chartbuster
Mohammed Rafi solos - "Likhe Jo Khat Tujhe" and "Meri Zindagi Mein Aate". In the beginning of the 1970s, Kapoor delivered two notable commercial successes,
Samir Ganguly's
romantic thriller Sharmeelee (1971) opposite
Rakhee Gulzar and
Manmohan Desai's
romantic drama Aa Gale Lag Jaa (1973) co-starring
Sharmila Tagore.
Further success (1974–1982) The year 1974 changed the trajectory of Kapoor's career, elevating him to a new level.
Chor Machaye Shor proved to be a blockbuster in India as well as overseas, putting a line of producers outside Kapoor's house and making him top five to six saleable stars of the time.
Roti Kapada Aur Makaan went on to become an
All Time Blockbuster and is regarded as one of the most influential movies of its time.
Roti Kapada Aur Makaan and
Chor Machaye Shor took first and second spot, respectively at the box office in 1974. Apart from commercial success, both the films had highly successful music and were two of the best-selling
Bollywood albums of the decade. The song "Le Jayenge, Le Jayenge Dilwale Dulhaniya Le Jayenge" from
Chor Machaye Shor was so popular that it went on to inspire the title of
Shah Rukh Khan starrer
Dilwale Dulhania Le Jayenge. 1975 proved to be another iconic year for Kapoor as he formed a hit pair with megastar
Amitabh Bachchan and together both of them gave many successful and iconic films to
Hindi cinema. His first release
Anari underperformed commercially, but his second release,
Deewaar directed by Yash Chopra, written by
Salim-Javed and co-starring Bachchan,
Parveen Babi,
Neetu Singh, proved to be a widespread critical and commercial success, eventually emerging a major blockbuster. Today, it is considered one of the best films ever made in the history of
Indian cinema and got featured in the book
1001 Movies You Must See Before You Die. One of Kapoor's dialogue "Mere paas maa hai" ("I have mother"), is widely known in India and has become part of Indian popular culture. His impactful portrayal of a police officer torn between love for his brother and duty met with acclaim and won him
Filmfare Award for Best Supporting Actor. His next release was
Raj Khosla's
romantic drama Prem Kahani which also had
Rajesh Khanna and Mumtaz in the lead. The film received good response from reviewers as well as the audience and proved to be a hit at the box office. Kapoor delivered another huge hit that year with
Brij Sadanah's action comedy
Chori Mera Kaam opposite
Zeenat Aman, followed by a semi-hit film,
Salaakhen alongside
Sulakshana Pandit to go with the huge grossers. It had a massive star cast comprising
Waheeda Rehman, Bachchan,
Rishi Kapoor, Rakhee and
Neetu Singh. Despite its heavy theme,
Kabhi Kabhie went on to become a superhit. It also had a chartbuster soundtrack composed by
Khayyam with lyrics written by
Sahir Ludhianvi. For his performance in the film, Kapoor received a nomination in the
Filmfare Award for Best Supporting Actor category. After the huge success of
Kabhi Kabhie, he reunited with the team of
Chor Machaye Shor and delivered another blockbuster in
Fakira, which was also remade in
Telugu as
Dongalaku Donga (1977). The following year, Kapoor reunited with Bachchan for Desh Mukherjee's highly anticipated actioner
Immaan Dharam, which took a bumper opening, but collections dropped afterwards due to poor reception and it ended up as a flop venture by the conclusion of its run. His most of the other releases that year, such as
Hira Aur Patthar,
Farishta Ya Qatil,
Chakkar Pe Chakkar met the same fate, with the exceptions being Prayag Raj's
Chor Sipahee and Raj Tilak's
Mukti. This changed in 1978 as he delivered a string of successes with
Phaansi,
Satyam Shivam Sundaram,
Trishul,
Trishna,
Amar Shakti and
Aahuti. Kapoor also set up his own production house, Film-Valas, the same year. In 1979, he reunited with Bachchan for two big-budget actioners, The first one was Yash Chopra's
Kaala Patthar and the second was Manmohan Desai's
Suhaag.
Kaala Patthar written by Salim-Javed went on to become a hit. One song from the film, "Ek Raasta Hai Zindagi" sung by Kishore Kumar and filmed on Kapoor remains highly popular till date.
Suhaag, on the other hand, was a blockbuster as well as the highest-grossing film of 1979.
Junoon met with acclaim, winning Kapoor
National Award for Best Feature Film (Hindi) as well as
Filmfare Award for Best Film. In 1980, Kapoor delivered a hit with
Swayamvar, but his other releases, such as
Do Aur Do Paanch and
Neeyat failed to leave a mark while
Ramesh Sippy's mega-budget
action crime film
Shaan ended up as an average grosser owing to huge costs. The following year, he co-starred alongside
Dilip Kumar, Manoj Kumar, Hema Malini,
Shatrughan Sinha and
Parveen Babi in the
epic historical drama Kranti. It went on to become the biggest patriotic hit of all time, topping the box office chart in 1981 and emerging an
All Time Blockbuster. That same year, he saw a moderate success in
Maan Gaye Ustaad and received acclaim for his performances in Yash Chopra's romantic drama
Silsila and Shyam Benegal's
crime drama Kalyug (which he also produced). Kapoor had five releases in 1982. He found no success in
Vakil Babu and
Sawaal. However,
Bapu's
crime drama film
Bezubaan opposite
Reena Roy was a hit and
Prakash Mehra's
masala film Namak Halaal co-starring Bachchan,
Smita Patil and Parveen Babi went on to become a blockbuster. His other notable release that year was
Govind Nihalani's
coming-of-age war film
Vijeta, which had his son
Kunal Kapoor in his acting debut. The film flopped commercially, but received immense critical acclaim and won three awards at the
31st Filmfare Awards.
Later career (1983–1998) Post-1982, Kapoor's star power began to wane as he shifted his focus majorly towards parallel cinema and limited his work in mainstream films, accepting only few offers. It was filmed in Hindi and
English simultaneously, the
post-production work of latter version was done in London. He also played a supporting role in
K. Bapayya's superhit drama film
Ghar Ek Mandir. In 1985, he appeared in
Babbar Subhash's
Aandhi-Toofan and
Shakti Samanta's
Alag Alag. While
Aandhi-Toofan emerged a success,
Alag Alag flopped at the box office. 1986 proved to be a notable year for Kapoor as he won his first
National Award for Best Actor and second
BFJA Award for Best Actor (Hindi) for the extraordinary portrayal of an honest journalist in Ramesh Sharma's highly acclaimed
political thriller New Delhi Times. His another major release of the year was Shibu Mitra's multi-starrer actioner
Ilzaam co-starring
Shatrughan Sinha,
Govinda,
Neelam and
Anita Raj. The film proved to be a huge hit and also one of the top grossers of the year. In 1987, he reunited with Govinda and Neelam for
K. Ravi Shankar's actioner
Sindoor which also had
Jaya Prada in the lead. He also did a guest appearance in
Gulzar's
romantic musical Ijaazat. Although
Ijaazat was a commercial failure, it won massive critical acclaim. On the other hand,
Sindoor emerged a hit and also proved to be Kapoor's last box office success. In 1988, he acted with
Pierce Brosnan in
The Deceivers. The following year, he appeared in films, such as
Farz Ki Jung,
Gair Kanooni and
Clerk, none of which performed well critically or commercially. Shashi Kapoor requested Amitabh Bachchan to star in his ambitious directorial debut film
Ajooba (1991). Bachchan made a notable exception and agreed to do the film due to their friendship, even though at the time Amitabh was not signing any new films. Despite having a lavish budget and a huge star cast, the film flopped miserably at the box office. Kapoor also won
Special Jury Award for his performance in the 1993 film
In Custody and played the Rajah in the TV miniseries ''
Gulliver's Travels'' (1996). In 1998, he retired from acting after his final film appearances in
Jinnah,
Side Streets and the much delayed
Ghar Bazar. ==Personal life==