Etymology The word "acoustic" is derived from the (
akoustikós), meaning "of or for hearing" and "ready to hear", and from (
akoustós), "heard, audible", which in turn derives from the verb (
akoúō), "to hear". The Latin synonym is "sonic", after which the term
sonics used to be a synonym for acoustics and later a branch of acoustics.
Aristotle (384–322 BCE) understood that sound consisted of compressions and rarefactions of air which "falls upon and strikes the air which is next to it...", a very good expression of the nature of
wave motion.
On Things Heard, generally ascribed to
Strato of Lampsacus, states that the pitch is related to the frequency of vibrations of the air and to the speed of sound. In about 20 BCE, the Roman architect and engineer
Vitruvius wrote a treatise on the acoustic properties of theaters, including a discussion of interference, echoes, and reverberation—the beginnings of
architectural acoustics. In Book V of his (
The Ten Books of Architecture) Vitruvius described sound as a wave comparable to a water wave extended to three dimensions, which, when interrupted by obstructions, would flow back and break up following waves. He described the ascending seats in ancient theaters as designed to prevent this deterioration of sound and also recommended bronze vessels (echea) of appropriate sizes be placed in theaters to resonate with the fourth, fifth and so on, up to the double octave, in order to resonate with the more desirable, harmonious notes. During the
Islamic golden age,
Abū Rayhān al-Bīrūnī (973–1048) is believed to have postulated that the speed of sound was much slower than the speed of light. in the city of
Amman The physical understanding of acoustical processes advanced rapidly during and after the
Scientific Revolution. Mainly
Galileo Galilei (1564–1642) but also
Marin Mersenne (1588–1648), independently, discovered the complete
laws of vibrating strings (completing what Pythagoras and Pythagoreans had started 2000 years earlier). Galileo wrote "Waves are produced by the
vibrations of a sonorous body, which spread through the air, bringing to the tympanum of the
ear a stimulus which the mind interprets as sound", a remarkable statement that points to the beginnings of physiological and psychological acoustics. Experimental measurements of the
speed of sound in air were carried out successfully between 1630 and 1680 by a number of investigators, prominently Mersenne. Inspired by Mersenne's
Harmonie universelle (
Universal Harmony) of 1634, the Rome-based Jesuit scholar
Athanasius Kircher undertook research in acoustics. Kircher published two major books on acoustics: the
Musurgia universalis (
Universal Music-Making) in 1650 and the
Phonurgia nova (
New Sound-Making) in 1673. Meanwhile,
Newton (1642–1727) derived the relationship for wave velocity in solids, a cornerstone of
physical acoustics (
Principia, 1687).
Age of Enlightenment and onward Substantial progress in acoustics, resting on firmer mathematical and physical concepts, was made during the eighteenth century by
Euler (1707–1783),
Lagrange (1736–1813), and
d'Alembert (1717–1783). During this era, continuum physics, or field theory, began to receive a definite mathematical structure. The wave equation emerged in a number of contexts, including the propagation of sound in air. In the nineteenth century the major figures of mathematical acoustics were
Helmholtz in Germany, who consolidated the field of physiological acoustics, and
Lord Rayleigh in England, who combined the previous knowledge with his own copious contributions to the field in his monumental work
The Theory of Sound (1877). Also in the 19th century, Wheatstone, Ohm, and Henry developed the analogy between electricity and acoustics. The twentieth century saw a burgeoning of technological applications of the large body of scientific knowledge that was by then in place. The first such application was
Sabine's groundbreaking work in architectural acoustics, and many others followed. Underwater acoustics was used for detecting submarines in the
First World War.
Sound recording and the telephone played important roles in a global transformation of society. Sound measurement and analysis reached new levels of accuracy and sophistication through the use of electronics and computing. The ultrasonic frequency range enabled wholly new kinds of application in medicine and industry. New kinds of transducers (generators and receivers of acoustic energy) were invented and put to use. == Definition ==