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George Griffith

George Chetwynd Griffith-Jones was a British writer. He was active mainly in the science fiction genre—or as it was known at the time, scientific romance—in particular writing many future-war stories and playing a significant role in shaping that emerging subgenre. For a short period of time, he was the leading science fiction author in his home country both in terms of popularity and commercial success.

Biography
Early life George Chetwynd Griffith-Jones was born in Plymouth, Devon, on 20 August 1857. His parents were the clergyman George Alfred Jones and Jeanette Henry Capinster Jones. They moved from Plymouth to Tring, Hertfordshire, in 1860, then on to two poverty-stricken parishes in the Greater Manchester area: first to Ashton-under-Lyne in 1861, and then to Mossley, where his father was appointed vicar in 1864. He also spent considerable time exploring his father's extensive library, which was filled with the works of authors who would later serve as Griffith's literary influences, including Walter Scott and Jules Verne. Griffith left the school after 15 months, out of economic necessity—his father had left behind less than £300, all of which went to his wife in the absence of a will—and joined a sailing ship as an apprentice at the age of 15. He later claimed both to have received an offer to marry a Polynesian princess He returned to England at the age of 19. At this time, he had no formal qualifications and studied at night to be able to give lessons in the daytime. , whom Griffith worked for throughout the 1890s A friend of Griffith's wrote him a letter of introduction to the publisher C. Arthur Pearson. The future war genre had been popular since the publication of George Tomkyns Chesney's novella "The Battle of Dorking" (1871), and the rival magazine Black & White had just had a major success in the genre with the serialized novel The Great War of 1892 (1892) by Philip Howard Colomb. The London-based Tower Publishing Company quickly secured the book rights to The Angel of the Revolution, publishing an abridged hardcover edition in October 1893. The book version was likewise a success, receiving rave reviews and becoming a best-seller; it was printed in six editions within a year and at least eleven editions in total, and a review in The Pelican declared Griffith to be "a second Jules Verne". Griffith accomplished the feat in 65 days, starting on 12 March 1894 and finishing on 16 May. Pearson tasked Griffith with writing a new future-war serial to boost sales of Short Stories, a magazine he had acquired in mid-1893. Moskowitz speculates that this could have happened during this assignment. During the second half of the 1890s, Wells also supplanted Griffith as the best-selling science fiction writer, and the one most acclaimed by the public. During his time there, he wrote A Honeymoon in Space, a scientific romance novel about a newlywed couple traversing the Solar System. In a first for Griffith, it was serialized in the upmarket ''Pearson's Magazine—albeit in an abridged form—in six parts under the title Stories of Other Worlds'', January–July 1900. Pearson published the full story in book format under Griffith's original title in 1901. It was the last outright success of Griffith's career. Following the turn of the century, Griffith and Pearson parted ways. Griffith's last piece of fiction writing published by Pearson was "The Raid of Le Vengeur" in ''Pearson's Magazine in February 1901 and his last non-fiction was an essay in Pearson's Magazine in November 1902. Griffith nevertheless continued writing prolifically, though he did not meet with much success. In 1901 he wrote two novels dealing with the occult—a subject he had previously touched upon in The Destined Maid in 1898—Denver's Double, which deals with hypnotism and spiritual possession, and Captain Ishmael'', a story about an immortal that features the legendary Wandering Jew as a side character. They were published by F. V. White in April and Hutchinson in October, respectively; neither was serialized. Supernatural and otherwise fanciful elements also appeared in a couple of short stories in the later years of Griffith's career: "The Lost Elixir" about an undead mummy, published in The Pall Mall Magazine in October 1903, and "From Pole to Pole" about a tunnel connecting the Earth's poles, published in The Windsor Magazine in October 1904. Both were included in the Griffith short story collection "The Raid of Le Vengeur and Other Stories", edited by Moskowitz and published in 1974. Final years The twilight years of Griffith's career were marked by a return to the future war genre, a great quantity of such stories being produced towards the end of his life. The Lake of Gold, where the discovery of the titular reservoir results in a US syndicate conquering Europe, became the only one of Griffith's works to be serialized in a US magazine when it appeared in Argosy in eight instalments between December 1902 and July 1903, and was published in book format by White in 1903. The World Masters, where the US similarly establishes dominance by what The Encyclopedia of Science Fiction describes as a disintegrator ray, was published by John Long Ltd in 1903. The Stolen Submarine, about the then-ongoing Russo-Japanese War, was published by White in 1904. The year 1904 also saw the publication by John Long of A Criminal Croesus, where a war of South American unification is financed by a lost race that lives underground. Griffith's health was failing. With his finances likewise deteriorating as a result of decreasing book sales after 1904, he moved with his family to Port Erin on the Isle of Man where the cost of living was lower. He continued to write in spite of his worsening condition. Thus, when The Great Weather Syndicate—wherein weather control is weaponized—was published by White in May 1906, Griffith was largely confined to his bed. Griffith's last novel was The Lord of Labour, which he dictated on his deathbed against his doctor's advice. The story concerns a war between Britain and Germany, armed respectively with rifles firing explosive radium pellets and a ray that turns metals brittle. It was not published until nearly five years after his death, by White on 11 February 1911, the last of several posthumous works by Griffith. Death Griffith died at his home in Port Erin on 4 June 1906, at the age of 48. The death certificate listed his cause of death as cirrhosis of the liver. Moskowitz notes that malaria can have a similar clinical presentation; Griffith had contracted malaria in Hong Kong, and the literary biographer Peter Berresford Ellis writes that it at least contributed to his deteriorating condition. Moskowitz nevertheless concludes—primarily from Griffith's self-description as "a waterlogged derelict"—that his early death was most likely the result of alcoholism. As corroborating evidence, Moskowitz cites an increasing prominence of alcohol in Griffith's later works and the appearance of something akin to Alcoholics Anonymous in one of his books. Stableford, who similarly concludes that Griffith likely started consuming alcohol excessively no later than the mid-1890s, additionally points to what he describes as "a seemingly alcoholic quality about the garrulous fluency of his later works". == Legacy ==
Legacy
Place in science fiction history In his time, Griffith was both successful and influential in his home country. Following the publication of The Angel of the Revolution in 1893, he was the most popular science fiction writer in England until the appearance of H. G. Wells's The Time Machine in 1895, and the best-selling one until Wells's The War of the Worlds was released in book format in 1898. E. F. Bleiler, in the 1990 reference work Science-Fiction: The Early Years, comments that Griffith may be considered the first professional English-language science fiction author. and similarly writes that he played a key role in the development of the scientific romance genre. In spite of all this, Griffith and his works have now descended into obscurity, something several modern writers have remarked upon as being peculiar. The antiquarian bookseller Jeremy Parrott comments that the outbreak of World War I in 1914, along with the development of powered flight and emergence of submarine warfare, quickly rendered Griffith's visions of the future obsolete. Robert Godwin and the publishing house Collector's Guide Publishing further attribute it in part to the bankruptcy of the Tower Publishing Company in 1896 leaving his successful first three novels without a publisher thereafter. with some critics such as Stableford and Darko Suvin opining that he peaked as early as his debut novels in The Angel of the Revolution sequence. He is similarly credited with anticipating developments in warfare, in particular the coming importance of aerial warfare, though Moskowitz comments that this did not require particularly keen foresight. In relation to H. G. Wells (1866–1946), Griffith's principal literary rival During Griffith's lifetime, comparisons were frequently made between his works and those of H. G. Wells—to the chagrin of Wells, who viewed himself as producing literature of a higher class than Griffith. Scholars on Wells, by contrast, usually do not consider Griffith to have been an important influence. Wells is generally regarded as the superior writer. Harris-Fain states that while both writers had "imaginative ideas and exciting stories", only Wells was able to incorporate "serious themes and philosophical speculations". Wood and Mollmann both comment that Wells more accurately predicted the future of warfare than did Griffith. Wood focuses on Wells depicting aerial warfare as insufficient to maintain control on the ground and draws comparisons to strategic bombing during World War II. Mollmann focuses on Wells portraying technological developments being adopted by all warring parties roughly at the same time—thus leading to more destructive warfare but not to anybody having a decisive technological advantage—and draws comparisons to World War I. == Personal views ==
Personal views
Religion Griffith was irreligious, and in his youth he wrote for the freethinker magazine Secular Review. Moskowitz further writes that Griffith appears to have taken up an interest in the occult in the later years of his life. Politics Early in his career, Griffith was an outspoken socialist. He incorporated his political views into his fiction, and much has been written about what can be gleaned from his writings about his viewpoints. Melchiori writes that there are a number of inconsistencies in his debut novel The Angel of the Revolution which indicate to her that Griffith "had by no means fully absorbed the doctrine that he was preaching". In particular, Melchiori highlights Griffith's vision of the abolition of private property as incomplete, suggesting that the concept was so deeply ingrained in his worldview that he could not properly imagine its absence. Bleiler similarly describes Griffith's works as characterized by "ambivalence toward various social movements of the day". Stableford writes that Griffith's works reveal a successive shift to increasingly right-leaning sympathies, with anarchists being portrayed positively alongside socialists in his very earliest stories but quickly rejected afterwards, and the socialists in turn being displaced by capitalists in the later works. Social matters On Griffith's social views, Stableford contrasts Griffith's gradually shifting views on economics with the observation that he consistently portrayed aristocrats positively from the very start. Wood writes that "Griffith's fiction celebrates social conservatism and British global predominance, preaching the maintenance of this status quo". McNabb identifies themes of social Darwinism, eugenics, and outright race war, while commenting that there is a notable lack of the antisemitism that often accompanied such stories. He writes that Griffith's works reinforced then-common beliefs among his readers about their own inherent superiority. Melchiori similarly says about Griffith's views on internationalism that "In theory he accepts it, but in practice he is very strongly pro-British", and Wood comments that "Irishness could only exist for Griffith, it seems, as a constituent part of Britishness". Bleiler summarizes Griffith as "in ideology, the embodiment of what was wrong with the British Victorian Weltanschauung. == Publications ==
Publications
Poetry collections Novels Short stories Short story collections Non-fiction books == Explanatory notes ==
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