The album was met with mixed reviews.
New York Daily News editor Jim Farber found that the album "works perfectly as pop, but which also has a sense of edge." He called
A.D.D. (Audio Day Dream) "the best album by any
Idol alum yet."
The Los Angeles Times was quite impressed, stating "his singing on
A.D.D. (Audio Day Dream) is fine; it gets the job done. Yet what arrests your ear are Lewis' ideas." Similarkly,
Billboards Jill Menze concluded that the album was "indeed a little all over the map, but, surprisingly, it works." Writing for
The New York Times, Nate Chinen concluded that Lewis "has delivered a post-
Idol statement likely to advance his personality, with all its jittery contradictions. There's a guest rapper (Lupe Fiasco), there are some beat-boxing displays (mercifully not many), there are power ballads and dance jams, breakup songs and come-ons. A little something for everyone, in other words, though it probably won't hold anyone's focus all the way through. Gene Stout from
The Seattle Post-Intelligencer felt that
A.D.D. (Audio Day Dream) "offers a whirlwind of styles: hip-hop, rock, pop, funk, soul and R&B;, with an abundance of special effects." Less impressed,
AllMusic editor
Stephen Thomas Erlewine called the album "one of the more interesting
Idol-related records, but so much commotion without construction is ultimately as forgettable as
Jordin's pageant-winner trifle, and perhaps a little more tiring to get through, too." Chris Williman from
Entertainment Weekly gave the album a "C" rating and wrote: "If Lewis could just find a way to integrate all his early-MTV influences (A Flock of Fat Boys?), well [...] that album wouldn't be great either — though it'd be less forgettable than this exercise in pop adequacy." David Wiegand from
SFGate noted that "every song sounds pretty much the same and is equally forgettable [...] The album seems overproduced to make sure you hear as little of Lewis' voice as possible. He was better on
Idol." == Chart performance ==