In 2019,
The New York Times investigated plagiarism rumors due to what it described as "numerous, and detailed" plot similarities and "nearly identical plot twists in the final act" between
The Woman in the Window and another psychological thriller, Sarah A. Denzil's
Saving April. Saving April was released in March 2016 and
The Woman in the Window was released in January 2018. Five days after the article's publication, The
Times revised their story with exonerating information. They reviewed outlines of
The Woman in the Window, and stated that crucial "plot points were all included in outlines for
The Woman in the Window that Mr. Mallory sent to Jennifer Joel, a literary agent at
ICM, in the fall of 2015, before Ms Denzil began writing
Saving April." The story also quoted Harvard Law School's intellectual property expert Rebecca Tushnet who explained that there are many "well-worn tropes in thrillers," and Stuart Karle of Columbia Journalism School who stated that "great fiction builds on prior works in terms of both language and sense of place." In addition, the director of 1995 film
Copycat, Jon Amiel, also noted similarities from
The Woman in the Window to his own movie. He told
The New Yorker this was "not actionable, but certainly worth noting", adding: "One would have hoped that the author might have noted it himself". ==Personal life==