Frank Capra had directed
Lady for a Day in 1933, and for years, he had wanted to film a remake, but executives at
Columbia Pictures, which owned the screen rights, felt the original story was too old-fashioned. In the mid-1950s, when
Hal Wallis offered to buy it as a
Paramount Pictures vehicle for
Shirley Booth, Columbia head
Harry Cohn decided to offer it to Capra instead, hoping he could lure Booth to his studio. Unable to persuade either
Abe Burrows or
Garson Kanin to update the plot, Capra began working on the screenplay himself. His modern version, which involved Korean War orphans and an apple farm in Oregon, was filled with
Cold War rhetoric and retitled
Ride the Pink Cloud. Cohn insisted Capra find a collaborator, but he thought the draft submitted by Harry Tugend was no better, and he dropped the project. In 1960, Capra bought the screen rights from Columbia for $225,000, and the director made a deal with
United Artists, where it was decided to film the story as a period piece set in the 1930s. Capra originally cast
Frank Sinatra as Dave the Dude, but the actor walked out due to disagreements about the script.
Kirk Douglas,
Dean Martin and
Jackie Gleason rejected the role. Then
Glenn Ford approached Capra with an offer to help finance the film through his production company if he were cast as the lead. The director felt Ford was wrong for the part, but out of desperation, he agreed to the arrangement, which called for each of them to receive 37½ percent of the film's profits. Ford was paid $350,000 upfront, but Capra received only $200,000. Because the film never earned back its cost, he lost an additional $50,000 in deferred salary. From the beginning, she clashed with co-star
Glenn Ford, who had demanded
Hope Lange, his girlfriend at the time, be given the dressing room adjacent to his, which Davis had already been assigned. Davis graciously insisted any dressing room she was given would be adequate, noting "Dressing rooms have never been responsible for the success of a film." Filming was completed in late June 1961, and Capra painfully struggled to get through the post-production period. Upon its completion, he professed to prefer the remake to the original, although most critics, and in later years film historians and movie buffs, disagreed with his assessment. ==Reception==