The film began a
limited release in the United States on October 2, 2009. It premiered at the
Toronto International Film Festival The film also holds a score of 85 out of 100 on
Metacritic, based on 38 critics, indicating "universal acclaim".
Roger Ebert of the
Chicago Sun-Times rated the film four out of four stars. His review highlighted the film's Yiddish folktale prologue, suggesting that though the Coens maintain it has no relation to the rest of the film, "maybe because an ancestor invited a
dybbuk (wandering soul) to cross his threshold, Larry is cursed." In an essay in
Jung Journal: Culture and Psyche, Steve Zemmelman considers that the prologue may link to the
Jefferson Airplane soundtrack motif, reflecting Larry's normal sense of order becoming increasingly disrupted. He writes, "what can happen when 'the wheel falls off the cart', as Velvel says happened to him on the road that night, or 'when the truth is found to be lies', that lyric from 'Somebody to Love' that serves as bookends for this film." Claudia Puig of
USA Today wrote, "
A Serious Man is a wonderfully odd, bleakly comic and thoroughly engrossing film. Underlying the grim humor are serious questions about faith, family, mortality and misfortune."
Time magazine critic
Richard Corliss called it "disquieting" and "haunting". Some critics, including Roger Ebert, commented on the link between the film and the Biblical
Book of Job. In his essay "Job of Suburbia?", David Tollerton wrote, "the more substantial connection between
A Serious Man and the Book of Job—the connection that reaches deeper—is their similarly absurd presentations of the human struggle with anguish and the divine."
Slate magazine critic Juliet Lapidos considered that the folktale prologue may be an endorsement of the "gumption" of "taking matters into her own hands".
The Wall Street Journal Joe Morgenstern disliked what he saw as the film's
misanthropy, saying that "their caricatures range from dislikable through despicable, with not a smidgeon of humanity to redeem them."
David Denby of
The New Yorker enjoyed the film's look and feel, but found fault with the script and characterization: "
A Serious Man, like
Burn After Reading, is in their bleak, black, belittling mode, and it's hell to sit through ... As a piece of movie-making craft,
A Serious Man is fascinating; in every other way, it's intolerable." Zemmelman wrote that this kind of viewer response results from the film's lack of narrative resolution: "The film is perplexing and the dialogue reminds the viewer repeatedly that we are in an encounter with the ever-conflictual and the infinitely mysterious."
Todd McCarthy said, "
A Serious Man is the kind of picture you get to make after you've won an Oscar." Ebert quoted McCarthy in his review: "'This is the kind of picture you get to make after you've won an Oscar,' writes Todd McCarthy in
Variety. I cannot improve on that."
A Serious Man was later voted the 82nd-greatest film since 2000 in a
BBC international critics' poll. In 2021, members of
Writers Guild of America West (WGAW) and
Writers Guild of America, East (WGAE) ranked its screenplay 42nd in WGA's 101 Greatest Screenplays of the 21st Century (So Far). In 2025, the film ranked 36th on
The New York Timess list of "The 100 Best Movies of the 21st Century".
Accolades A Serious Man received numerous awards and nominations, particularly for its screenplay, acting, and cinematography. Joel and Ethan Coen were awarded Best Original Screenplay at the
2009 National Board of Review Awards and the
2010 National Society of Film Critics Awards. The screenplay was also nominated for
Best Original Screenplay at the
2010 Academy Awards, the
BAFTA Awards, the
15th Annual Critics' Choice Awards, and the
2009 Boston Society of Film Critics Awards. The film was nominated for
Best Picture at the
82nd Academy Awards; the
BBC News called it "one of the less talked about nominees". It was also nominated for Best Picture by the Critics' Choice Awards, The National Board of Review, the
Satellite Awards, all listed the film as one of the ten best of 2009. Stuhlbarg was awarded the Chaplin Virtuoso Award at the
Santa Barbara International Film Festival and was nominated for
Best Actor at the
2010 Golden Globe Awards. Stuhlbarg, Kind, Melamed and Lennick were nominated for a
Gotham Award for Best Performance by an Ensemble Cast. At the
2010 Independent Spirit Awards,
Roger Deakins won the award for
Best Cinematography, and the film's directors, ensemble cast, and casting directors were awarded with the
Robert Altman Award. Deakins also received awards at both the 2009 Hollywood Awards and the
2009 San Francisco Film Critics Circle Awards, along with the
Nikola Tesla Award at the Satellite Awards. == Notes ==