The New Testament contains the first known depiction of
Abaddon as an individual entity instead of a place. In the Old Testament, Abaddon and Death can be personified: And, And, And, The Hebrew text of Proverbs 6:32 does not contain the noun () but a participial form of the verb (). But the Septuagint uses (), the accusative case of the noun () with which it also translates in five of the six Hebrew verses that contain the word. (Though an English interlinear of the Septuagint might read "destruction the soul of him obtains", the reader should understand that "adulterer" is the subject, "soul" is the indirect object, and "destruction" is the direct object.) In
Revelation 9:11, Abaddon is described as "Destroyer", the angel of the
Abyss, The symbolism of Revelation 9:11 leaves the identity of Abaddon open to interpretation. Protestant commentator
Matthew Henry (1708) believed Abaddon to be the
Antichrist, whereas the
Jamieson-Fausset-Brown Bible Commentary (1871) and
Henry Hampton Halley (1922) identified the angel as
Satan. Early in
John Bunyan's
The Pilgrim's Progress the Christian pilgrim fights "over half a day" long with the demon Apollyon. This book permeated Christianity in the English-speaking world for 300 years after its first publication in 1678. In contrast, the
Methodist publication ''The Interpreter's Bible'' states, "Abaddon, however, is an angel not of Satan but of God, performing his work of destruction at God's bidding", citing the context at Revelation chapter 20, verses 1 through 3.
Jehovah's Witnesses also cite Revelation 20:1-3 where the angel having "the key of the abyss" is actually shown to be a representative of God, concluding that "Abaddon" is another name for Jesus after his resurrection.
In medieval Christian literature In medieval Christian literature, the depiction of Abaddon often mirrors the religious and cultural contexts of the time. A notable illustration of this is found in the
Song of Roland, an 11th-century epic poem. This work associates Abaddon with figures such as Mahome (
Mahound), Apollyon (Appolin), and
Termagant, which are presented as deities in the context of the poem's portrayal of Muslims. The inclusion of Apollyon, a name sometimes linked with Abaddon in Christian texts, highlights the interpretative approaches of the period towards Islamic practices. ==Mandaeism==