Abastenia St. Leger Eberle

Born on April 6, 1878, in Webster City, Iowa, Mary Abastenia St. Leger was the daughter of a mother who was a musician and father who was a doctor in the US Army. Her family later moved to Kansas, then Missouri, before settling in Canton, Ohio. She initially studied to become a professional musician, but her father noticed her talent for modeling. He showed some interest in her development, but never offered Eberle much financial backing during her lifetime. Eberle's mother offered piano lessons and encouraged her to pursue her musical talent, which she displayed at a young age. Eberle pursued cello professionally, until one day her father was so impressed with a clay mask Eberle worked out that he acquired some modeling wax for her from a patient who made busts. Confident that she would quickly achieve talent in sculpture, Eberle stated, "I knew it [sculpture] was my work." She received lessons from this patient before enrolling at the Art Students League in New York. ==Early career==

Once Eberle had obtained the wax from her father's patient, she began copying tombstones and memorials in her community. This was the only type of sculpture available in Canton for her to study at that time. After a while, Eberle became so desperate to receive some art training that she took it upon herself to get other locals registered to fill spots when she learned that sculptor Frank Vogan would come to Canton, Ohio to teach a class. Eberle continued to study with Vogan for two years, which she said was very useful to her developments as an artist. In 1899, twenty-one-year-old Eberle would begin training under George Grey Barnard at the Art Students League in New York. In 1920, she was elected to the National Academy of Design as an Associate Academician. St. Leger Eberle worked in a style related to Art Nouveau and the New Sculpture movement. She produced mainly portrait sculpture and decorative work for fountains. ==Later career==

In May 1907, Eberle went to Naples, Italy, to oversee the casting process of her bronzes. Initially the foundry workmen were spiteful and jealous towards Eberle, finding it difficult to believe she had done them. Eventually they came around when they noticed Eberle's eye for detail and began taking her orders. When locals would look in the studio where Eberle's bronzes were being cast, locals would exclaim "Dio Mio" (meaning "my God") at a woman doing men's work. Eberle loved Neapolitan people and had good interest in the workmen and their families. When realizing that her men were sustaining themselves off only a hunk of bread all day, Eberle made sure they all had a substantial breakfast. Several of her sculptures are on display at the Kendall Young Library, in Webster City, Iowa, where she was born. Eberle believed that art should have a social function, writing that artists "had no right to work as an individualist with no responsibility to others. [Artists] must see for people—reveal them to themselves and each other." Some of her work is in the collection of the Metropolitan Museum of Art. However, she is best known for figurative works that combined realism with emphasis on the flow of drapery and movement. ==Exhibitions==

"Girl Skating" • Smithsonian American Art Museum, 2011–Present. "White Slave" • Armory Show, A Turning Point, 1913, NYC • Knoxville Museum of Art, American Women Artists: The 20th Century, Oct. 26, 1989–Feb. 4, 1990 • Queensboro Community College Art Gallery. March 11, 1990–Apr.5, 1990 • The Discovery Museum, Bridgeport, CT, They Earned Their Keep/ The Struggles and Successes of American Women Artists, Apr. 10, 1993 – May 30, 1993 • Parrish Art Museum, Southampton, NY Feb. 20, 1994–Apr. 10, 1994 • Los Angeles County Museum of Art, Figure in American Sculpture, Feb. 23, 1995 – May 14, 1995 • Montgomery Museum of Fine Arts, June 22, 1995–Sept. 10, 1995 • Wichita Art Museum, Oct. 19, 1995–Jan. 7, 1996 • National Academy of Design, Feb. 15, 1996 – May 5, 1996 • Whitney Museum of American Art, NYC: Part 1: The American Century Art and Culture, 1900–2000, Apr. 23, 1999–Aug. 22, 1999 • Museum of Sex, NYC Inaugural Exhibit: New York City Sex: How NY Transformed Sex in America, Sept. 2, 2003–Feb.15, 2004 Curator, Grady T. Turner, ==References==