Oeuvre Abdizhamil started his literary way with a novel, his favorite genre. A soldier, who just was back from
World War II, took a pen into hands and under the pressure of the flushing inspiration presented on the paper the impressions received in a bloody battle, in the struggle between life and death. The impressions were so great that on returning from the army, working tirelessly for four to five years, gave birth to the extensional novel "Kurland" (1950). Although the artistry was not at the quite proper level, this work was included into the literature because of its wealth of ideas and new images. A Kazakh reader could find out all the truth of the trench life, the depth and breath of warrior's life, could see directly
the military frontier. "Kurland" afterwards was complemented and reduced, published again under the title "The long-awaited day" (1958). The writing has been edited in order to improve the artistic quality of the work. Some people suppose "Kurland" to be "bad and beneath criticism". The author seemed to agree with the critics: "... In 1947, being back from the front I wrote the novel in a half-literate state. Of course it's known a half-literate writer will write a half-literate novel." Takhauy Ahtanov noticed that the novelist is a critic himself. In the novel "Kurland", he wrote, a young writer first of all showed his talent and skills of the word-painter. He could show life of the war to the reader in the artistic way. He also created lively, artistic colorful characters. Not only thoughts and dreams of the contemporaries, whom we meet in our daily life, but also the appearance, characters, and in some cases, the internal world appeared in a living, colorful, not dried yet form. Another quality to be noted in particular is the young writer revealed good knowledge of the
Kazakh language and showed how successfully he could use it in a work of
art.
The Blood and Sweat The young officer Abdizhamil returned from the front as warmly met his native land, as much he desired to sing from the depth of his heart of love to his Motherland on the pages of the novel. It is clearly seen in his writing. "... Until now, the soul belongs to rural life. It doesn't matter how far you are from your native land, you always will be related with your motherland. Some days you remember a lonely home of an old fisherman, your poor abode, the lamp flashing inside. Though you have a better house, you miss badly your ancestral, smelling of fish home. Your father, probably tired of his work is inside. His shiny dark face burnt by the sun is full of its own beauty. And his voice is barely audible. His wrinkled face covers with rays of joy if all of a sudden a swarthy pug boy runs into the house, "- says the writer. These words of the writer explain why the novel
The Blood and Sweat was written. The trilogy
The Blood and Sweat consists of the novels
Twilight (1961),
Ordeals (1964),
Crash (1970). As it follows from the titles there are not much sweets of life in
the novels. If the characters have some, then they fall into another hell. The protagonist of the trilogy Elaman is always gloomy. But the sense of love for his native land always takes a special place in his heart. The writer's love to his people, to vast steppes can be seen in his long story stretching endlessly as endless motions across the steppes, in songs, in good-natured characters, described on the
epic level. The trilogy
The Blood and Sweat is written about the people and the country, about his social destiny. Even if great changes take place in the present life this writing is epoch-making. Some neo-nihilists try to name the gold literature of the seventieth as a copper one; they suppose the novel to be obsolete because it describes the social struggle. If one reads the trilogy
The Blood and Sweat from the present independent and
democratic point of view he wouldn't find a word conflicting with the reality of the past Kazakh life. On the contrary there are thoughts and ideas contradicting the communist ideology views and there is a reason to ask "how the vigilant censorship allowed them to be". In the last book of the novel
Crash, Elaman has some doubts if the principles of the future
communist society agitated by Commissioner Diakov are faithful. "Well, we will defeat the enemies, everything will become as we wish, and our life will change to the best, and all people will be equal, but will they be able to curb the insatiable desires, their greed? Is it possible? More than once in his life he had to break unbridled horses. The most stubborn, restive horse being under the iron twisters used to become silky in a day or two. Moreover, it predicted and fulfilled the slightest desire of the rider and obediently followed him. And what will we do with an obstinate capricious man? Should he be bridled like a horse? A? What do you Say? No, I don't understand that. While there is human's greed some of these tomboys in the future will be respected, some will be at the door. " By force of habit they turned away from each other. Elaman closed his eyes, but he didn't fall asleep, and began to think about death, fish, his future child, about Fedorov and Tanirbergen... Akbala was not moving; her breath was deep and monotonous. "Is she sleeping?—Elaman thought and decided: Probably she is asleep!" The above sentence was not included into the latest edition of the novel as if the author considered it unnecessary to explain the details of a quite understandable circumstance. Elaman was as a stun fish, though his desire to get to Shalkar is conscious. He has been to many places. On his way to Shalkar Elaman wasn't thinking of himself, he knew exactly how he could help the people. The storyline of the character is expanding. Proud-hearted Elaman returned home from the war; he should not bow to anyone and doesn't miss good opportunities. In fact it is so. At the front in the struggle against Russian Cossacks he saved Myulgauzen and brought him to his own apartment, helped him to get a job in Shalkar, and then he fought with him because Myulgauzen called Elaman a "coward" before all people in the village. Firmness of Elaman's character can be seen when unexpectedly meeting Akbala, who could not return to her family after their divorce. In the old version of the novel Elaman was sorry for his wife and wanted to make it up with her again. In the new version, he doesn't want to live with Akbala. And finally she left both Elaman and their baby. After the fight with Myulgauzen Elaman returned into the village and was as quiet as before. He seemed to be drifting. On his way home he hid the gun brought from Shalkar. He seemed to be looking for a quiet life among the fishermen. If possible he spent some time with his child who was at Suyeu's, his fathers-in-law. But his private life didn't continue long. Life pulled him into its vortex. He had to turn up his sleeves. He had no choice as to take part in the social struggle. He stood up against violence on the side of a merchant Temirkebai and Tanirbergen Bai who were the owners of the local sea shores and allowed to no one to fish. They knew that would lose, but tried to show their strength. When Turkmens attacked and stole the villagers' cattle, they took revenge for the enemies and returned the animals back. The situation affected the honor, produced energy and the energy perfected his character. The character was filled with energy, which could turn the situation to the desired direction. Social consciousness of the former horseman, fisherman and soldier has expanded. Elaman who had killed Shodyr had been a victim of a natural rebellion. Now Elaman has become an absolutely different person. He is a class conscious fighter. A fierce weapon is in the hands of the people. Bur it is not only physical strength, this is a clever weapon. After the funeral of the victims of the Turkmen, when was alone on the hill Elaman fell in heavy thoughts. He wasn't just sad he was in heavy thoughts. The long story describing his life finds its completion. "Yes, but why are the Kazakhs submissive so much? One can suffer of hunger, poverty, but is it possible to tolerate slavery? Whether carelessness is eternal scourge of the Kazakhs? Were there any people, who for the honor of the people called for unification in anxious Time? Many times he asked the elderly, who witnessed the past. But no matter how long their life was they have learned no lesson. As their forefathers they have seen nothing good and sensible and began to praise some hoary antiquity, ancient boastful warriors, fabulously wealthy and crafty beys known from the songs. And to the young asking them for advice they predicted a bleak Fate. And even now, reading the trilogy one can notice that author buried Tanirbergen not for his wealth. The character is exposed not only due to the class position, but also from the position of humanity. His life is given to him by God. And what about his cattle? One can't say that it is given by God, as he uses the labor of other people. Besides he catches the thieves. Several times he rustled Turkmen horses and "kindled the fire" between the two neighboring villages. He is also blame for the fact that the Turkmen attack Kazakh villages. Tanirbergen speaks a lot about the unity of the people; he likes to honour purity and justice. In fact, he is the promoter of discord among the people. He divided a quiet fishermen's settlement into two, made mischief between them. In addition he is exhausted in his everyday life. The damage he caused to Akbala, vowing his love for her, the fact that he took it from her child complements his cruel image. He seems to forget that he had a wife Akba. Tanirbergen is surprised himself because of such a cruelty. Even crocodile's eyes water when it swallows its prey. As for Tanirbergen, he is satisfied with his callousness himself. He sometimes seems to be proud of his character. If Elaman cleared internally in contrast to Tanirbergen sinks in the mud. There wasn't a character in the Kazakh literature that would be proud of his own filth. Kunanbay is also tough, but not as much as Tanirbergen. Critics of
The Blood and Sweat compare its characters to the characters of the
Mikhail Sholokhov's epics "Quiet Flows the Don". Some even believe that some of them were copied from there. There are over two hundred characters in the trilogy of the Kazakh writer, and not one of them, even the Russian ones look like the characters of other writings. If we take for example Tanirbergen, the "hero" of this type has no similar characters in the novel of the Great Russian writer. Tanirbergen is a single one, which was added to the gallery of the world literature by the Kazakh literature. The Trilogy
The Blood and Sweat is concluded with a large chapter describing the last days of Tanirbergen's destiny. "As soon as the Whites were going to draw in from the
Aral Sea, Tanirbergen fell into the opposite state of the spirit." The chapter started with the above sentence thus consists entirely of his internal monologue. Crafty and cunning he always got everything he wished. Now, whatever he thought is the opposite. He is not pleased with his property. His interior monologue is like a whirlwind. The cruel time does not allow him to lie quietly in his bed, it blows him to Shalkar. He was caught there. The retreating Chernoff's soldiers needed a man who could bring them through the sands, and his treacherous friend Temirke pointed to Tanirbergen. First he thought it would be enough to show the way to Altykudyk, then they would do somehow. But he was mistaken. He had to bring them to Ulykum and Kishikum. He led them safely, but this time he failed. The Wtites were angry with him because the lack of water. "Well, you bastard! Where is the well? "- the officer pulled him. Nurpeisov's psychology finds special inspiration even in such a case. In the transition of the psychological reflection to the artistic nature the discussion raises the question whether it is right for a person who has lost his happiness to dump all the blame on the fate. Whether it is good or bad the internal features are given by the fate. The monologue of self verification turned into the monologue of self-accusation and exhausted the mind of the character. What does a tired mind do? Tanirbergen buries himself. A zhigit, who considered him to be clever, cunning, better than any other blames him mercilessly. He blames himself. He especially regrets that he was against the Reds. Tanirbergen tortured with his internal dialogue to himself abjures everything. In time he disenchanted with life itself. "There is nothing of value in life." He became apathetic, weak-willed, and impassive. There is not even a thought of revenge to the ancient enemies. He does not care whether he exists or not, alive or dead. "Well, I don't care"—says Tanirbergen. To the tune of a "hero", talking to himself, a sad note of the author is added and rises to the level of the most complicated level of psychologism. The internal monologue often turns into an internal dialogue. Tanirbergen is "in the state of waking or sleeping". His wandering thoughts roamed everywhere. He recalled the legend of Husayyn, disputed hotly with everyone, isn't pleased with the Tsar, who had not managed to overcome. The stream of consciousness enforces and flows out. It turns into a great philosophical direction. He is thinking about all the humanity in general. Now the novel raises the question about the proper use of human life. Otherwise, how can people fall from grace so greatly while the short life? In such moments of the trilogy there is so little national background, thoughts rise to the common human level. At this point, one can realize that no matter how much mankind lived, it didn't reach the real essence of life, did not understand the mystery of God's ways. The character of the Soviet atheistic period of
The Blood and Sweat doesn't often recall God. For some reasons he doesn't call to read and understand
Koran and God's way. God's name is not mentioned, but it presents. It is given overtones. Tanirbergen often directs his gaze to the sky. In the Turkic world, the sky, blueness and Tengri are the concepts of equal value. When the inner monologue doesn't have enough time to comprehend all the past, the present horrors superimpose one upon the other. Tanirbergen recalls the time when they attacked a Turkmen village. One of the wives of
Turkmen suddenly stopped crying and said: "You has deprived me of my only son and forced to look at the ground in the old age. Let God will punish you!" These words were repeated as by echo tormenting heart. And the nature seemed to turn away from him and turned into a symbolic image, which does not care of anything. "The dark deep world suddenly turned red." He thinks it's a fire. He can see his brother who studied running to the fire, "Oh, poor thing ... stupid poor thing! Will a man of a sound mind fight a fire going at it? Ha-ha-ha!" He comes to life again before his mind faded. Tanirbergen erected his body once again looking at the sky. Disappointed in the ground, he now believes all his hope to the heaven. "Tanirbergen has suffocated. It can't be that even the sky was unfair. "It's fair, fair, fair"—he wanted to cry, proclaiming throughout the deceitful world the truth just opened to him. Nurpeisov's novel is valuable for its integrity of the national character. Describing the popular movement of 1916–1918's by terms of socio-psychological method, based on the developing of inner monologues the novel became a true epic of that period of time. In due course there were those who put the genre of the novel
The Blood and Sweat against the epic genre. "The internal high-stakes drama breaking the outer shell, leads to value acquisition." Therefore, this is a novel of the "pure blood". ==A. Nurpeisov as a publicist==