Born in the village of Ondy, Kekilbayev graduated from the philological faculty of the
Al-Farabi Kazakh National University in 1962. He then began his career as a literary employee of the newspaper
Qazaq adebieti. From 1963 to 1965, he was the head of the department of literature and art of the editorial office of the
Leninshil jas newspaper. Then he worked in the repertoire and editorial board of the Kazakh SSR Ministry of Culture. In the period from 1968 to 1970, Kekilbayev served in the Central Asian Military District in the ranks of the
Soviet Army. During his service, he took part in the
border conflict near
Lake Zhalanashkol between Soviet border guards and Chinese military personnel. After joining the Central Committee of the
Communist Party of Kazakhstan in 1975, Kekilbaev published a number of essays in the spirit of communist propaganda. When discussing the new
1977 Constitution of the Soviet Union, he instead criticized the
Constitution of the United States in the newspaper
Socialist Kazakhstan where Kekilbaev wrote saying "Soviet people understand the draft of the new Constitution of the USSR as a new achievement of human thought in the persistent struggle for justice, as a new contribution to the consistent teaching of Marxism-Leninism." For the next five years, Kekilbayev was the chief editor of the script of the board of the Kazakhfilm Aimanov film studio. In this work, Kekilbayev put a lot of effort, effort and creative inspiration into the creation of screen versions of
Kok Serik and
Shot at the Kara Pass by
Mukhtar Auezov and other films, which are mutually recognized by Kazakh and Kyrgyz filmmakers as joint screen works. With his direct participation at this studio, films such
Qyz Jibek,
The End of the Ataman,
Kok Serik,
Trans-Siberian Express and others, rightfully included in the golden fund of Kazakh cinematography and in the history of world cinema were created. By that time, Kekilbayev for a number of years was in charge of the fiction sector of the culture department of the Central Committee of the
Communist Party of Kazakhstan. While working as the Kazakh SSR Deputy Minister, he put a lot of effort and effort into the construction of the
Central State Museum of Kazakhstan, the Central Concert Hall and other cultural objects that significantly enriched the spiritual life and architectural appearance of Alma-Ata. Working as the second secretary of the board of the
Writers' Union of Kazakhstan, he identified and nurtured a young creative shift of writers, many of whom became prominent in Kazakh literature today. He was twice elected a member of the board of the
Union of Soviet Writers, was elected a member of the international committee of Afro-Asian writers, a member of the jury of the Lotus international writers' prize, a member of the board of the
Khudozhestvennaya Literatura and Friendship of Peoples central book publishing houses. A fruitful period of his life was also when he was the chairman of the Presidium of the Central Council of the Kazakh Society for the Protection of Historical and Cultural Monuments, and headed the department of interethnic relations of the Central Committee of the Communist Party of Kazakhstan. During this period, thanks to the knowledge and efforts of Kekilbaev, historical monuments of Kazakhstan such as in
Turkistan,
Sayram,
Otrar,
Taraz,
Mangystau,
Shubartau,
Atyrau gained worldwide fame. They were included in the route of the Silk Road expedition organized with the support of
UNESCO. Kekilbaev enjoyed great authority and recognition from his colleagues and the general public, being the head of the referent for culture and interethnic relations of the Office of the President of the Kazakh SSR. == Political career ==