February 1968 recordings In February 1968, the Beatles convened at the EMI Abbey Road studios to record a single for release during their absence on
their forthcoming trip to
India.
Paul McCartney had written "
Lady Madonna", and Lennon had "Across the Universe". Both tracks were recorded along with Lennon's "
Hey Bulldog" and the vocal track for Harrison's "
The Inner Light" between 3 and 11 February. The basic track was taped on 4 February. Along with acoustic guitar, percussion and
tambura, it featured an overdubbed sitar introduction by Harrison. Deciding the song needed a high-pitched voice to sing the refrain "Nothing's gonna change my world", McCartney approached fans waiting outside the studio and asked if anyone could hold a high note. Lizzie Bravo and Gayleen Pease answered yes. Shortly after, the band's road manager,
Mal Evans, came out and ushered the two girls into the recording studio to record the backing vocals. Although the girls' voices are not heard on the version of "Across the Universe" on the album
Let It Be, their background vocals are heard on the albums ''
No One's Gonna Change Our World, Rarities
and Past Masters''. Lennon was still not satisfied with the feel of the track, and several sound effects were taped, including 15 seconds of humming and a guitar and a harp-like sound, both to be played backwards; however, none of these were used on the released version. The track was mixed to mono and put aside as the group had decided to release "Lady Madonna" and "The Inner Light" as the single. On their return from India, the group set about recording the many songs they had written there, and "Across the Universe" remained on the shelf. In the autumn of 1968, the Beatles seriously considered releasing an
EP including most of the songs for the
Yellow Submarine album and "Across the Universe", and went as far as having the EP mastered.
World Wildlife Fund version During the February 1968 recording sessions,
Spike Milligan dropped into the studio and, on hearing the song, suggested the track would be ideal for release on a charity album he was organising for the
World Wildlife Fund. At some point in 1968, the Beatles agreed to this proposal. In January 1969, the best mono mix was remixed for the charity album. In keeping with the "wildlife" theme of the album, sound effects of birds were added to the beginning and end. The original (mono) mix from February 1968 is 3:37 in length. After the effects were added, the track was sped up so that even with 20 seconds of effects, it is only 3:49. Speeding up the recording also raised the key to E-flat.
Other versions A previously unreleased February 1968 alternative take of the song (recorded before the master), without heavy production, appeared on
Anthology 2 in 1996. This is often referred to as the "psychedelic" recording because of the strong Indian sitar and
tambura sound, and illustrates the band's original uncertainty over the best treatment for the song. The February 1968 master was remixed again for inclusion on
Let It Be... Naked in 2003, at the correct speed but stripped of most of the instrumentation and digitally processed to correct tuning issues. In 2018, take 6 of the song was released on
The Beatles: 50th Anniversary Edition (also known as the "White Album"). This version is a bit more sparse than the
Let It Be... Naked version and lasts 15 seconds longer.
Later reflections Lennon was unhappy with the song as it was recorded. In his 1980
Playboy interview, Lennon said that the Beatles "didn't make a good record of it" and said of the
Let It Be version that "the guitars are out of tune and I'm singing out of tune... and nobody's supporting me or helping me with it and the song was never done properly". He further accused McCartney of ruining the song: == Personnel ==