The Goon Show Milligan returned to jazz in the late 1940s and made a precarious living with the Hall trio and other musical comedy acts. He was also trying to break into the world of radio, as a performer or script writer. His first success in radio was as writer for comedian
Derek Roy's show. After a delayed start, Milligan,
Peter Sellers,
Harry Secombe and
Michael Bentine joined forces in a comedy project,
The Goon Show. During its first season the BBC titled the show as
Crazy People, or in full,
The Junior Crazy Gang featuring those Crazy People, the Goons, to make the programme palatable to BBC officials, by connecting it with the popular group of theatre comedians known as
The Crazy Gang. The first episode was broadcast on 28 May 1951 on the
BBC Home Service. Milligan did not perform as much in the early shows, but eventually became a lead performer in almost all of the
Goon Show episodes, portraying a wide range of characters including
Eccles,
Minnie Bannister, Jim Spriggs and the nefarious
Count Moriarty. He was also the primary author of most of the scripts, although he co-wrote many scripts with collaborators, most notably
Larry Stephens and
Eric Sykes. Most of the early shows were co-written with Stephens (and edited by
Jimmy Grafton) but this partnership faltered after Series 3. Milligan wrote most of Series 4 but collaborated with Eric Sykes from Series 5 (coinciding with the birth of the Milligans' second child, Seán) and through most of Series 6, a development that grew out of his business collaboration with Sykes in
Associated London Scripts. Milligan and Stephens reunited during Series 6 but towards the end of Series 8 Stephens was sidelined by health problems and Milligan worked briefly with
John Antrobus. The Milligan-Stephens partnership was finally ended by Stephens' death from a brain haemorrhage in January 1959; Milligan later downplayed and disparaged Stephens' contributions.
The Goon Show was recorded before a studio audience and during the audience warm-up session, Milligan would play the trumpet, while Peter Sellers played on the orchestra's drums. For the first few years the shows were recorded live, direct to 16-inch
transcription disc, which required the cast to adhere closely to the script, but by Series 4, the BBC had adopted the use of magnetic tape. Milligan eagerly exploited the possibilities the new technology offered: the tapes could be edited, so the cast could now ad-lib freely, and tape also enabled the creation of groundbreaking sound effects. Over the first three series, Milligan's demands for increasingly complex sound effects (or "grams", as they were then known) pushed technology and the skills of the BBC engineers to their limits—effects had to be created mechanically (through
foley) or played back from discs, sometimes requiring the use of four or five turntables simultaneously. Although the Goons elevated Milligan to national stardom, the demands of writing and performing the series took a heavy toll. During Series 3 he had the first of several serious
mental breakdowns, which also marked the onset of a decades-long cycle of
bipolar disorder. In late 1952, possibly exacerbated by suppressed tensions between the Goons' stars, Milligan apparently became irrationally convinced that he had to kill Sellers. When he attempted to gain entry to Sellers's neighbouring flat, armed with a potato knife, he accidentally walked straight through the plate-glass front door. He was hospitalised, heavily sedated for two weeks, and spent almost two months recuperating; fortunately for the show, a backlog of scripts meant that his illness had little effect on production. Milligan later blamed the pressure of writing and performing
The Goon Show for his breakdown and the failure of his first marriage.
Television Milligan made several forays into television as a writer-performer, in addition to his many guest appearances on interview, variety and sketch comedy series from the 1950s to the 2000s.
The Idiot Weekly, Price 2d (1956), starring Peter Sellers, was the first attempt to translate Goons humour to TV; it was followed by
A Show Called Fred and
Son of Fred, both made during 1956 and directed by
Richard Lester, who went on to work with
The Beatles. During a visit to Australia in 1958, a similar special was made for the
Australian Broadcasting Commission, "The Gladys Half-Hour", which also featured local actors
Ray Barrett and
John Bluthal, who would appear in several later Milligan projects. In 1961, Milligan co-wrote two episodes of the popular sitcom
Sykes and a..., co-starring Sykes and
Hattie Jacques and the one-off "Spike Milligan Offers a Series of Unrelated Incidents at Current Market Value". The 15-minute series
The Telegoons (1963), was the next attempt to transplant the Goons to television, this time using
puppet versions of the familiar characters. The initial intention was to "visualise" original recordings of 1950s Goon Show episodes but this proved difficult, because of the rapid-fire dialogue and was ultimately frustrated by the BBC's refusal to allow the original audio to be used. Fifteen-minute adaptations of the original scripts by Maurice Wiltshire were used instead, with Milligan, Sellers and Secombe reuniting to provide the voices; according to a contemporary press report, they received the highest fees the BBC had ever paid for 15-minute shows. Two series were made in 1963 and 1964 and (presumably because it was shot on
35 mm film rather than video) the series has reportedly been preserved in the BBC archives. Milligan's next major TV venture was the sketch comedy series
The World of Beachcomber (1968), made in colour for
BBC 2; it is believed all 19 episodes are
lost. In the same year, the three Goons reunited for a televised re-staging of a vintage
Goon Show for
Thames Television, with
John Cleese substituting for the late
Wallace Greenslade. In early 1969, Milligan starred in
brownface in the situation comedy
Curry and Chips, created and written by
Johnny Speight and featuring Milligan's old friend and colleague Eric Sykes.
Curry and Chips set out to satirise
racist attitudes in Britain in a similar vein to Speight's earlier creation, the hugely successful
Till Death Us Do Part, with Milligan "browning up" to play Kevin O'Grady, a half-Pakistani–half-Irish factory worker. Milligan was also involved in the programme
The Melting Pot. Director
John Goldschmidt's film
The Other Spike dramatised Milligan's nervous breakdown in a film for
Granada Television, for which Milligan wrote the screenplay and in which he played himself. Later that year, he was commissioned by the BBC to write and star in
Q5, the first in the innovative
Q... TV series, acknowledged as an important forerunner to ''
Monty Python's Flying Circus, which premiered several months later. There was a hiatus of several years, before the BBC commissioned Q6
in 1975. Q7
appeared in 1977, Q8
in 1978, Q9
in 1980 and There's a Lot of It About'' in 1982. Milligan's daughter, Laura, conceived and co-wrote an animated series called
The Ratties (1987). Milligan narrated the 26 five-minute episodes. He later voiced the animated series
Wolves, Witches and Giants, which aired on ITV from 1995 to 1998.
Poetry and other writings Milligan wrote verse, considered to be within the genre of
literary nonsense. For example: '''''"It's due to pigeons that alight; on Nelson's hat that makes it white."''''' His poetry has been described by comedian
Stephen Fry as "absolutely immortal — greatly in the tradition of
Lear." One of his poems, "
On the Ning Nang Nong", was voted the UK's favourite comic poem in 1998 in a nationwide poll, ahead of other nonsense poets including
Lewis Carroll and Edward Lear. This
nonsense verse, set to music, became a favourite in Australia, performed week after week by the ABC children's programme
Play School. Milligan included it on his album ''
No One's Gonna Change Our World'' in 1969, to aid the
World Wildlife Fund. In December 2007 it was reported that, according to
OFSTED, it is among the ten most commonly taught poems in primary schools in Britain. While depressed, he wrote serious poetry, much of which is compiled in
Open Heart University. He also wrote a novel
Puckoon and a series of war memoirs, including
Adolf Hitler: My Part in His Downfall (1971),
"Rommel?" "Gunner Who?": A Confrontation in the Desert (1974),
Monty: His Part in My Victory (1976) and
Mussolini: His Part in My Downfall (1978). Milligan's seven volumes of memoirs cover the years from 1939 to 1950 (his call-up, war service, first breakdown, time spent entertaining in Italy and return to Britain). Milligan also wrote comedy songs, including "Purple Aeroplane", which was a parody of the Beatles' song "
Yellow Submarine". He wrote the lyric to saxophonist/composer
Duncan Lamont's "English Folk Song", heard on jazz singer
Tina May's 2021 album, ''''. He was the narrator for Lamont's
Sherlock Holmes Suite, commissioned by the City of London to commemorate the first appearance of Sherlock Holmes in
The Strand magazine.
Theatre Treasure Island Bernard Miles gave Milligan his first straight acting role, as
Ben Gunn, in the
Mermaid Theatre production of
Treasure Island. Miles described Milligan as,
Treasure Island played twice daily through the winter of 1961–1962 and was an annual production at the Mermaid Theatre for some years. In the 1968 production,
Barry Humphries played the role of Long John Silver, with
Willie Rushton as
Squire Trelawney and Milligan as Ben Gunn. To Humphries, Milligan's "best performance must surely have been as Ben Gunn ..., Milligan stole the show every night, in a makeup which took at least an hour to apply. His appearance on stage always brought a roar of delight from the kids in the audience and Spike had soon left the text far behind as he went off into a riff of sublime absurdity".
The Bedsitting Room In 1961–1962, during the long pauses between the matinee and the evening show of
Treasure Island, Milligan began talking to Miles about the idea he and
John Antrobus were exploring, of a dramatised post-nuclear world. This became the one-act play
The Bedsitting Room, which Milligan co-wrote with John Antrobus and which premiered at the
Marlowe Theatre,
Canterbury on 12 February 1962. It was adapted to a longer play and staged by Miles at London's Mermaid Theatre, making its debut on 31 January 1963. It was a critical and commercial success and was revived in 1967 with a provincial tour before opening at London's
Saville Theatre on 3 May 1967.
Richard Lester later directed
the film, released in 1969.
Oblomov '', before its name change and move to the
Comedy Theatre Tiring of comedic roles, Milligan sought out more serious material. He had read Ivan Goncharov's
Oblomov and felt a kinship with the title character, who declines to leave his bed to face the world. According to Scudamore's
biography: The novel had been adapted for the stage by Italian writer
Riccardo Aragno. Aragno's script for
Oblomov was bought by Milligan's production company in early 1964. Milligan had long nurtured hopes of moving from comedy to serious drama. Milligan rehearsed for seven weeks with director
Frank Dunlop and the cast members
Joan Greenwood,
Bill Owen, and
Valentine Dyall at the
Lyric Hammersmith. The first preview was on 6 October 1964. During this performance Milligan was struck by stage fright and forgot nearly all of his lines. He quickly began making up things to say to the cast, turning the drama into an impromptu improv session. Noticing that a drama critic who'd given rave reviews to Milligan's other stage comedies was in the audience, Milligan ended the first performance by shouting "Thank God,
Milton Shulman's in!" The play was savaged in the theatrical press but
Oblomov producers had booked the play into the Lyric for three weeks. Anxious to recoup their investment by any means, they gave Milligan carte-blanche on stage. Milligan's antics included starting the play while sitting with the audience, yelling for the cast to entertain him. Another night he wore a false arm that fell out of his sleeve when co-star Ian Flintoff, playing Oblomov's doctor, shook Milligan's hand. When Flintoff complained to
Bill Kerr, a friend of Milligan, that he was making a mockery of their hard work Kerr replied: "We have to put up with all the shit, mate, because it pays the rent." On 22 April 1965,
Queen Elizabeth and
her family attended as part of her 39th birthday celebration. Just after the curtain rose, a group of four latecomers attempted to slink to their seats directly in front of the royal family. Milligan immediately shouted: "Turn up the house lights! Start everything again!" He pointed to the blushing foursome and cried, "That's cost you your knighthood!" Then, noticing that
Peter Sellers was seated between
Prince Charles and
Princess Margaret, Milligan asked in a loud voice: "Is there a Sellers in the house?" Sellers immediately shouted, "Yes!" Milligan launched into a vaudeville routine about
Prince Philip's suspenders, with Sellers participating from his seat with the royals. This culminated in Milligan giving a high-kick, lobbing one of his bedroom slippers at Sellers, only just missing Prince Philip's head. Once back in bed with co-star Joan Greenwood, Milligan spent the rest of the performance poking fun at the Queen for bringing her son to such a racy play. The play ended with Milligan unsheathing a
katana on stage and asking the Queen to knight him for his efforts that night; she declined. The performance ran 45 minutes over its scheduled ending. Prince Charles reportedly saw the play five times. In 1971 Milligan played a humble village priest in Russell's film
The Devils. The scene was cut from the release print and is considered lost but photographs from the scene, together with
Murray Melvin's memory of that day's filming, are included in Sutton's 2014 book
Six English Filmmakers.
Ad-libbing As illustrated in the description of his involvement in theatre, Milligan often ad-libbed. He also did this on radio and television. One of his last screen appearances was in the BBC dramatisation of
Mervyn Peake's
Gormenghast and he was (almost inevitably) noted as an
ad-libber. One of Milligan's ad-lib incidents occurred during a visit to Australia in the late 1960s. He was interviewed live on air and remained in the studio for the news broadcast that followed, during which Milligan constantly interjected, adding his own name to news items. As a result, he was banned from making any further live appearances on the
ABC. The ABC also changed its national policy so that guests had to leave the studio after interviews were complete. A tape of the bulletin survives and has been included in an ABC Radio audio compilation, and also on the BBC tribute CD,
Vivat Milligna. Film and television director
Richard Lester recalls that the television series
A Show Called Fred was broadcast live. "I've seen very few moments of genius in my life but I witnessed one with Spike after the first show. He had brought around a silent cartoon" and asked Lester if his P.A. took shorthand. "She said she did. 'Good, this needs a commentary.' It was a ten-minute cartoon and Spike could have seen it only once, if that. He ad-libbed the commentary for it and it was perfect. I was open-mouthed at the raw comedy creation in front of me."
Cartoons and art Milligan contributed occasional cartoons to the satirical magazine
Private Eye. Most were visualisations of
one-line jokes. For example, a young boy sees the
Concorde and asks his father "What's that?". The reply is "That's a flying
groundnut scheme, son." Milligan was a keen painter.
Advertising In 1967, applying a satirical angle to a fashion for the inclusion of
Superman-inspired characters in British television commercials, Milligan dressed up in a "Bat-Goons" outfit, to appear in a series of television commercials for
BP. A contemporary reporter found the TV commercials "funny and effective". From 1980 to 1982, he advertised for the
English Tourist Board, playing a Scotsman on a visit around the different regions of England. Other advertising appearances included television commercials for
Kellogg's Corn Flakes, the Leyland
Mini,
Commonwealth Bank of Australia, and
Planters nuts.
Other contributions In the 1970s,
Charles Allen compiled a series of stories from British people's experiences of life in the
British Raj, called
Plain Tales from the Raj and published in 1975. Milligan was the youngest contributor, describing his life in India when it was under British rule. In it he mentions the imperial parades there,
Music composition In 1988, while visiting his mother in
Woy Woy (on the shores of
Brisbane Water), Milligan composed and orchestrated a
Grand Waltz for Brisbane Water and gave it to the symphony orchestra of nearby Gosford. Symphony Central Coast has performed it occasionally since, including a 2020 YouTube video as a
COVID-19 isolation project. ==Personal life==