Third Millennium BCE Little is known about the city of Assur in the 3rd Millennium BC, but the city may have had a religious significance. While the city did contain a temple dedicated to their own localised
Ishtar (Ishtar of Assur), there are no known mentions of Ashur as a distinct deity, and it is unknown if the cult of Ashur existed at this time, although the possibility cannot be ruled out because of scarcity of evidence.
Old Assyrian Period The
Old Assyrian Period is contemporary with the
Isin-
Larsa period and the
Old Babylonian Periods in southern Mesopotamia after the city became independent from
Ur. During the Old Assyrian period, the temple to the god was built and maintained by the residences of the city. Ashur started to appear in texts such as treaties and royal inscriptions, and the king traced their legitimacy to the god. In the Old Assyrian period, the kings never assumed the title of king, instead referring to themselves as the governor (iššiak) or city ruler (rubā'um), reserving the title of king instead for Ashur. Pongratz-Leisten notes that similar cases could be found in
Eshnunna, where the early kings of Eshnunna addressed
Tishpak as king with titles traditionally associated with kings such as “king of the four corners.” She connects it to an older cultural sphere containing pre-Sargonic
Lagash, where the kings of Lagash designated themselves as the ENSI (governor) of Lagash. Charpin instead notes that the ideology around Ashur and Tishpak is similar to the one around
Ishtaran of
Der, who was called the “king of Der”. However, in the Old Assyrian Period the king was not yet the chief priest of Ashur. The earliest expression of the god Ashur being the king of the city with the ruler being his representative was in Silulu's seal that is known from uses later in the Old Assyrian period, where the opening lines were "Ashur is king, Silulu is the governor (iššiak) of Assur." The inscription ended with the phrase ARAD-ZU, linking the seal with the
Ur III administration, but instead of a presentation scene, a triumphant figure is shown trampling on an enemy, bearing resemblance to
Naram-Sin's pose on
his victory stela and the lost depiction of
Shu-Sin trampling on his enemy. Coupled with the ideology of Ashur being the king of the city, the victorious figure could represent Ashur. The
Puzur-Assur dynasty which reused the presentation scene, which depicts a worshipper (the seal owner) being led by a goddess to a seated god. Considering that the owner of the seal was the Assyrian ruler, it is likely that the seated god is Ashur. Almost half of Old Assyrian theophoric names feature the god Ashur, with around another 4 percent featuring ālum (city) which referred to the city of Assur. However, it is not clear whether the term Aššur in the names refers to the god or the city. Theophoric names involving Ashur are generally exclusively Assyrian. Outside of the city of Assur, Assyrian merchant colonies in southeast
Anatolia constructed sanctuaries to the god Ashur, which included the objects like his statue and his dagger and knife/spear. Oaths were sworn and verdicts were issued in front of the dagger. The dagger seemed to have also received libations. The weapon of Ashur, more famously known to have been placed in Assyrian provincial centres and client states in the
Neo-Assyrian period (although the weapon being set up in provincial centers is only known from
Tiglath-pileser III,
Sargon II and
Sennacherib), were also known in the Old Assyrian period and were seemingly used in ordeals (together with the sword of Ashur and another symbol of Ashur) where the defendant would have to draw the weapon out from its sheath, as the guilty would be unable to draw out the weapon due to divine refusal. The practice of swearing oaths in front of divine symbols, like weapons, is a well known practice in Mesopotamia. Traders would swear by the names of gods such as Ashur,
Ishtar, Ishtar-ZA-AT, and
Nisaba that they were speaking truth. Traders are often encouraged to go back to the city of Assur to pay homage to Ashur. In 1808 BCE,
Shamshi-Adad captured Assur, dethroned the Assyrian king and incorporated Assur into his kingdom. While he never set Assur as his seat of kingship, he assumed the position of the king in the city and left inscriptions calling himself the viceroy of Ashur, in line with the traditional Old Assyrian inscriptions, and reconstructed the temple of Ashur into a bigger complex, and the groundplan remained relatively unaltered until
Shalmaneser I who added a backyard. However, he was first the appointee (šakin) of
Enlil, and in one of his building inscriptions he designated the Ashur temple as a temple of Enlil instead. Shamshi-Adad's inscription equating the Ashur temple as a temple of Enlil has commonly been interpreted to be the first reference to an equation between Ashur and Enlil. Another possibility is that Shamshi-Adad constructed separate cells in the new temple, which housed both Ashur and Enlil. His inscriptions also always applies the divine determinative to the name of the god Ashur, unlike earlier times. However, in a late 17th century letter written by the Assyrian king to the king of
Tikunani uses inconsistent sign markings for the term Aššur, once being accompanied by both the divine determinative and the geographical determinative. A treaty after the reign of Shamshi-Adad between Assyrian traders (addressed as “we/us” in the treaty) and the king of
Apum (Till-Abnu). In the treaty, Ashur is not mentioned, but it has been proposed that Šarra-mātin (meaning "king of two/both lands", dual ending in Akkadian) mentioned at the beginning between Enlil and Dagan is Ashur. Kryszat accepts the proposal, and suggests that this may reflect Shamshi-Adad's identification of Ashur with Enlil. However, another Old-Assyrian text appears to name Ashur and Šarra-mātin separately, and so Kryszat suggests that perhaps Šarra-mātin was an older aspect of Ashur or a separate god that was later absorbed into Ashur. Another treaty concluded between Mutija, king of Apum, and Hazip-Teshub king of Razama also invoked Ashur, which Eidem suggests is due to the geographical location of Razama. The
tākultu festival was first attested during the reign of
Shamshi-Adad I on a vase dedicated to
Dagan. It would seem that the festival was already part of the cult of Ashur. The inscription of
Puzur-Sin presents a hostile attitude towards Shamshi-Adad and his successors, claiming that they were a "foreign plague" and "not of the city of Assur." Puzur-Sin claims that Ashur commanded him to destroy the wall and palace of Shamshi-Adad.
Middle Assyrian Period Beginning in the
Middle Assyrian Period, the Assyrian kings projected a more territorial ideology, with the king acting as the agent of placing the territory under divine rule. The practice where each province had to supply yearly a modest amount of food for the daily meal of Ashur, which ideologically demonstrated how all of Assyria was to jointly care for their god, was first attested during the Middle Assyrian period. the tākultu festival was also mentioned in the inscriptions of
Adad-nirari I and his successor
Shalmaneser I. However, mentions of the tākultu ritual in Assyria ceased until the
Sargonids. Starting from
Ashur-uballit, the Assyrian kings started to designate themselves as king (šarru) and claimed themselves to be a major power. In addition to emulating the other great powers, they also adopted most of Shamshi-Adad I's royal titulature, including being the appointee of Enlil before being the viceroy of Ashur. Despite this, the Old Assyrian notion that the true king of Assur was the god Ashur persisted, as seen in the Middle Assyrian coronation ritual that was carried out inside the temple of Ashur. The king is led inside the temple where a priest would strike the king's cheek and proclaim "Ashur is king! Ashur is king!" Ashur-uballit also introduced the title SANGA/šangû into the royal repertoire, which may have been the product of a Hittite influence. The practice for the king’s reign to be referred with "during my priesthood" (ina šangûtīya) was also introduced during the Middle Assyrian period. The Assyrian king was also given the mission to extend the land of Assyria with his "just sceptre" as mentioned in the coronation hymn. Royal actions undertaken, such as military campaigns and successes, were attributed to the support of the god Ashur, along with the other major gods in the Assyrian pantheon. Similar to the city of Assur, the land of Aššur (Assyria) shared the same name as the god Ashur, which essentially meant that the country belonged to the god. Starting from the Middle Assyrian period (and extending into the Neo Assyrian period), the mission of the Assyrian king was to extend the borders of Assyria and establish order and peace against a chaotic periphery. Ashur started to be referred to more often as an Assyrian equivalent of Enlil, with titles such as "lord of the lands" (bēl mātāte), "king of the gods" (šar ilāni) and "the Assyrian Enlil" (Enlil aššurê). Adad-nirari and Shalmaneser began to call the temple of Ashur names of Enli's temple in
Nippur, and Shalmaneser even claimed to have put the gods of Ekur into the temple. The construction of
Kar-Tukulti-Ninurta was attributed to the command of Ashur-Enlil. However, Enlil and Ashur were still treated as separate gods in the
Tukulti-Ninurta Epic, and some traits of Enlil were not carried over to Ashur, especially in regards to how Ea and Enlil raised the young Tukulti-Ninurta (in line with southern traditions), a role which was not given to the god Ashur. Kar-Tukulti-Ninurta, constructed by the eponymous king himself (the name of the city means "quay of Tukulti-Ninurta") was explicitly stated to be a cult centre for Ashur. The building of a new capital and cult centre is traditionally viewed as an attempt to separate the royal monarchy from the established elites and pressure groups, however it is clear that the city of Assur was still respected as building works were still done in Assur, the main palace at Assur was still being constantly maintained, and the perimeter of the ziggurat in Kar-Tukulti-Ninurta was half of the one in Assur. The main bureaucracy in Kar-Tukulti-Ninurta was connected with the city of Assur as well. Assur was still referred with epithets such as "my city" (ālīya) and "desired object of the deities" (ba-it ilāni), although they could refer to Kar-Tukulti-Ninurta as well.
Neo-Assyrian Period The Middle Assyrian practice of provincial provisions to the temple of the god Ashur remained during Sargonid Assyria. Ashur continued to play a pivotal role in Assyrian imperial ideology in the Neo-Assyrian period. Enemies were often portrayed to have violated the oath to Ashur and the gods of Assyria, and that he had no respect for the gods. In celebrative texts, the oaths imposed on the defeated are sworn in the name of Ashur, extending to the other gods of Assyria in the late Neo-Assyrian period. Royal actions were said to be undertaken under the command of Ashur with the king acting as his proxy, with the central mission being to expand the borders of Assyria. The territories controlled by Ashur was aligned with the cosmos, and expanding the lands of Assyria meant expanding the cosmos to include the previously disorderly periphery. Recently, Edmonds pointed out the chronologic problem behind such simplistic assumptions from the Assyrian sources. Early Assyrian sources do not mention a binary between the center and the periphery, and all mentions of such instead come from later in the Neo-Assyrian period. Ideology also doesn’t necessarily translate to real practice, as Assyria had plenty of diplomatic dealings with surrounding states. Edmonds specifically criticizes Liverani’s assumption that this ideology served as the driving force for Assyrian expansion, rather than a later ideological justification. The Assyrian king was the chief priest of Ashur, and while not considered a god (in life or in death) the king is in the image of a god. In
Ashurbanipal's Coronation Hymn, the idea that Ashur was the true king reappeared, reflecting on an ideological discourse tracing all the way back to the Old Assyrian period. The old title of "governor (iššiak) of Assur" also didn’t disappear, as
Sennacherib named one of the gates of Nineveh "lilbur iššiak Aššur" (may the governor of Assur live on) and the title also comes up during the reign of Esarhaddon and
Sinsharishkun. The Tākultu festival in the Neo-Assyrian period entails delivering food offerings for the gods, and invokes all the gods of Assur, the Assyrian heartland (generally viewed as a triangle between Assur, Nineveh and Arbela) and the Assyrian provinces for blessings on Assur, Assyria and the king. Pongratz-Leisten claims that the festival aimed to bind the gods of the empire to Assur, Assyria, the king and also to each other. Ashur's importance was important to the heritage of the Assyrian Empire. In the "Letter to the god Ashur", which is commonly dated to the reign of Sargon II, the position and role of Ashur appears to be implicitly referring to Anshar, especially the role conferred into the god in the
Enuma Elish. As Marduk is identified as the “Enlil of the gods” in this text, the position of Ashur was modified from an identification with Enlil to Anshar. The relationship of this text to the later "Sin of Sargon" that claims Sargon elevated the gods of Assyria above the gods of Babylonia is unknown, and Marduk is mentioned many times by Sargon. Sennacherib, in the aftermath of his infamous destruction of
Babylon in 689 BCE, reformed aspects of Ashur's cult. He built a new akītu house in Assur, and Ashur instead of Marduk was the centre of the festival. An Assyrian revision of the
Enuma Elish replaced Marduk with Ashur as the main character of the epic. A change observed during the reign of
Sargon II, which became more systemic under Sennacherib, was the equation of Ashur with
Anshar, by writing the name of the god Ashur as AN.ŠÁR. The country of Assyria was sometimes written as Māt Anšar in the Neo-Assyrian period. Sennacherib's son and successor,
Esarhaddon, chose to pursue a more conciliatory route with Babylonia. Esarhaddon addressed both the people of Assyria and Babylonia with identical terms in an attempt to group them under one audience, and the gods Marduk,
Nabu and
Tashmetum were invoked naturally along with the traditionally Assyrian gods. The inscription also claims that Bēl, Bēltiya, Bēlet Babili,
Ea, and
Mandanu were born in Esharra, the house of their father, which here refers to the temple of Ashur, and refers to Ashur as the "father of the gods" and Marduk as the "first heir." The political and theological implications of such was that the Babylonian gods were to be adopted into the Assyrian pantheon, and the relationship of Marduk vis-a-vis Ashur (son and father) would reflect the relationship Babylonia has with Assyria, with Assyria in the politically dominant position and Babylonia holding a special position within the empire. There have been suggestions that the worship of Ashur was forcibly imposed onto subject vassals. However, this notion has been challenged by other scholars, most notably Cogan, who concluded that the idea that the cult of Ashur and other Assyrian gods were imposed onto defeated subjects should be rejected, and residents in the annexed provinces were required to provide for the cult of Ashur as they were counted as Assyrian citizens and it was the duty of Assyrian citizens to do so. Assyrian imperial ideology affirms Ashur's superiority, and the vanquished are obliged to acknowledge the superiority of the Assyrian god and king, however they are not obliged to renounce their own religious traditions. Assyrian kings sometimes claimed to have erected statues of the king and the Assyrian gods in the provincial palace in newly conquered territories, but this does not indicate the imposition of a cult onto the populace. Liverani summarises that there was no intention to convert others to the worship of Ashur, only that Ashur should be recognized as the most powerful god and fit to rule over others. Olmstead believed that the imposition of the weapon of Ashur onto provinces and client states implies a forced worship of Ashur, but Holloway disagreed, mentioning the usage of the weapon of Ashur in Old Assyrian times, believes the main purpose of the weapon is to serve as a witness to the adê-oaths. Liverani also believes the weapon to have had a celebratory function rather than a cultic one. A recent discovery in the provincial capital city of Kullania uncovered a copy of Esarhaddon's succession treaty inside a temple, next to a pedestal. The tablet itself is inscribed in a way that the obverse and reverse are both readable when stood on its short side, in contrast to the other Assyrian treaty tablets, where the tablet must be flipped horizontally to read the reverse. This, along with the location of the discovery suggests that the tablet was considered an object of worship. It is uncertain whether this was an innovation during Esarhaddon's reign or if it was already practised prior. Within Babylonia, outside of the rare mentions of offerings to Ashur after putting down a rebellion, there are no holy structures such as shrines and temples dedicated to Ashur in Babylonia, nor were there any mentions of Assyrian cults established in the Babylonian temples.
von Soden had suggested before that the Babylonians purposefully rejected Ashur, but
Frame disagrees, and argues that since Ashur was the national god of Assyria with barely any character of his own, he was not very important to the Babylonians. The universal imperial ideology surrounding Ashur is suggested to have influenced the
Kingdom of Judah's own religious discourse surrounding
Yahweh. Especially within the
First Isaiah, ideological discourse surrounding Assyria and the god Ashur were said to be adapted to Yahweh in an effort to counter Assyria, and the trend of depicting kings of powerful foreign empires as servants of Yahweh started with the Assyrian kings. Simo Parpola had suggested before that the worship of Ashur was essentially monotheistic, and connected it with later Christian and Gnostic beliefs. Many other scholars reject his proposal, and claim that the methodology was flawed. The city of Assur was sacked by the Median forces in 614 BCE, and the Temple of Ashur was destroyed in the process.
Post Imperial Assyria After the fall of the Assyrian state, a small independent sanctuary dedicated to Anshar was attested in
Neo-Babylonian Uruk, which can be understood to be a cult dedicated to the Assyrian god Ashur. The grammatically Assyrian names, as well as the mention of "the city" (referring to Assur) points to a community of Assyrians during the time in Uruk. The cult was likely introduced naturally without coercion as Assyrian rulers didn't impose the cult of Ashur on conquered territories, and a strong pro-Assyrian faction was attested in Uruk during the rebellion of
Nabopolassar. Beaulieu also suggests another reason to be that Anshar (Ashur) may have been equated with
Anu. Although references to the sanctuary all come from the 6th century BCE, It is unknown when the sanctuary to Ashur in Uruk was established. Beaulieu had suggested that it may have been introduced in the 7th century BCE by the strong pro-Assyrian party, as evidenced by the name of a qēpu known as Aššur-bēl-uṣur. Radner disagrees, as qēpus were directly appointed by the Assyrian kings and generally seen as outsiders, providing no evidence for a sanctuary to Ashur during that time, and argues that the sanctuary was likely established by refugees from Assyria. After
Cyrus the Great conquered Babylon, he claimed to have returned the gods from Assur,
Susa,
Akkad, Eshnunna, Zamban, Me-Turan,
Der and the Zagros Mountains back to their original places, along with their people as per the
Cyrus Cylinder. Radner argues that the new temple on top of the old destroyed Ashur temple, called "Temple A" by the excavator Walter Andrae, may have been a new temple to Ashur built after the return of the statue of Ashur, and the usage of old cuneiform texts to build the temple can be seen as an appreciation for the past. Shaudig, on the other hand, believes that Temple A was built during the Neo-Babylonian times, and disagrees with Radner that the pre-Parthian Temple A was built to honour the history of Assyria, and the usage of the ancient texts as flooring implies a more mocking stance. During the
Seleucid period Ashur (rendered Assor) also appears as the theophoric component in Aramaic names. One of the attested names was Ahhiy-Assor (lit. my brother is Ashur) may indicate that Ashur was now seen as more approachable. In the
Parthian period, a group of iwans were constructed over the ruins of the old Ashur temple. Worshippers scratched the names of the deities on the third iwan, and among the deities the gods Ashur and
Šerua appeared the most often. A Parthian era building was also erected on the ruins of Sennacherib's akītu house following a similar ground plan, indicating the survival of the cult. == Characteristics and iconography ==