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Adam Mickiewicz

Adam Bernard Mickiewicz was a Polish poet, dramatist, essayist, publicist, translator and political activist. He is regarded as national poet in Poland, Lithuania and Belarus. He also largely influenced Ukrainian literature and affected Russian literature. A principal figure in Polish Romanticism, he is one of Poland's "Three Bards" and is widely regarded as Poland's greatest poet. He is also considered one of the greatest Slavic and European poets and has been dubbed a "Slavic bard".

Life
Early years manor, possible birthplace , in Navahrudak, where Mickiewicz was baptized Adam Mickiewicz was born on 24 December 1798, either at his paternal uncle's estate in Zaosie (now Zavosse) near Navahrudak (in Polish, Nowogródek) or in Navahrudak itself in what was then part of the Russian Empire and is now Belarus. The region was on the periphery of Lithuania proper and had been part of the Grand Duchy of Lithuania until the Third Partition of the Polish–Lithuanian Commonwealth (1795). After graduating, under the terms of his government scholarship, he taught secondary school at Kaunas from 1819 to 1823. Celina would die on 5 March 1855. Mickiewicz and his family lived in relative poverty, their major source of income being occasional publication of his work – not a very profitable endeavor. They received support from friends and patrons, but not enough to substantially change their situation. Despite spending most of his remaining years in France, Mickiewicz would never receive French citizenship, nor any support from the French government. By the late 1830s he was less active as a writer, and also less visible on the Polish émigré political scene. In 1838 Mickiewicz became professor of Latin literature at the Lausanne Academy, in Switzerland. His lectures were well received, and in 1840 he was appointed to the newly established chair of Slavic languages and literatures at the Collège de France. Leaving Lausanne, he was made an honorary Lausanne Academy professor. Mickiewicz would, however, hold the Collège de France post for little more than three years, his last lecture being delivered on 28 May 1844. His lectures were popular, drawing many listeners in addition to enrolled students, and receiving reviews in the press. Some would be remembered much later; his sixteenth lecture, on Slavic theater, "was to become a kind of gospel for Polish theater directors of the twentieth century." , by Piotr Stachiewicz Over the years he became increasingly possessed by religious mysticism as he fell under the influence of the Polish philosopher Andrzej Towiański, whom he met in 1841. His lectures became a medley of religion and politics, punctuated by controversial attacks on the Catholic Church, and thus brought him under censure by the French government. The messianic element conflicted with Roman Catholic teachings, and some of his works were placed on the Church's list of prohibited books, though both Mickiewicz and Towiański regularly attended Catholic mass and encouraged their followers to do so. In 1846 Mickiewicz severed his ties with Towiański, following the rise of revolutionary sentiment in Europe, manifested in events such as the Kraków Uprising of February 1846. Mickiewicz criticized Towiański's passivity and returned to the traditional Catholic Church. In 1847 Mickiewicz befriended American journalist, critic and women's-rights advocate Margaret Fuller. In March 1848 he was part of a Polish delegation received in audience by Pope Pius IX, whom he asked to support the enslaved nations and the French Revolution of 1848. Soon after, in April 1848, he organized a military unit, the Mickiewicz Legion, to support the insurgents, hoping to liberate the Polish and other Slavic lands. The unit never became large enough to be more than symbolic, and in the fall of 1848 Mickiewicz returned to Paris and became more active again on the political scene. In December 1848 he was offered a post at the Jagiellonian University in Austrian-ruled Kraków, but the offer was soon withdrawn after pressure from Austrian authorities. In the winter of 1848–49, Polish composer Frédéric Chopin, in the final months of his own life, visited his ailing compatriot soothed the poet's nerves with his piano music. Over a dozen years earlier, Chopin had set two of Mickiewicz's poems to music (see Polish songs by Frédéric Chopin). Final years In the winter of 1849 Mickiewicz founded a French-language newspaper, La Tribune des Peuples (''The Peoples' Tribune), supported by a wealthy Polish émigré activist, . Mickiewicz wrote over 70 articles for the Tribune'' during its short existence: it came out between 15 March and 10 November 1849, when the authorities shut it down. His articles supported democracy and socialism and many ideals of the French Revolution and of the Napoleonic era, though he held few illusions regarding the idealism of the House of Bonaparte. He supported the restoration of the French Empire in 1851. In April 1852 he lost his post at the Collège de France, which he had been allowed to keep up to that point (though without the right to lecture). On 31 October 1852 he was hired as a librarian at the Bibliothèque de l'Arsenal. There he was visited by another Polish poet, Cyprian Norwid, who wrote of the meeting in his work ''''; and there Mickiewicz's wife Celina died. apartment, now an Adam Mickiewicz Museum Mickiewicz welcomed the Crimean War of 1853–1856, which he hoped would lead to a new European order including a restored independent Poland. His last composition, a Latin ode Ad Napolionem III Caesarem Augustum Ode in Bomersundum captum, honored Napoleon III and celebrated the British-French victory over Russia at the Battle of Bomarsund in Åland in August 1854. Polish émigrés associated with the Hôtel Lambert persuaded him to become active again in politics. Soon after the Crimean War broke out (October 1853), the French government entrusted him with a diplomatic mission. He left Paris on 11 September 1855, arriving in Constantinople, in the Ottoman Empire, on 22 September. There, working with Michał Czajkowski (Sadyk Pasha), he began organizing Polish forces to fight under Ottoman command against Russia. With his friend Armand Lévy he also set about organizing a Jewish legion. He returned ill from a trip to a military camp to his apartment on Yenişehir Street in the Pera (now Beyoğlu) district of Constantinople and died on 26 November 1855. Though Tadeusz Boy-Żeleński and others have speculated that political enemies might have poisoned Mickiewicz, there is no proof of this, and he probably contracted cholera, which claimed other lives there at the time. Mickiewicz's remains were transported to France, boarding ship on 31 December 1855, and were buried at Montmorency, Val-d'Oise, on 21 January 1861. In 1890 they were disinterred, moved to Austrian Poland, and on 4 July entombed in the of Kraków's Wawel Cathedral, a place of final repose for a number of persons important to Poland's political and cultural history. ==Works==
Works
, Lithuania Mickiewicz's childhood environment exerted a major influence on his literary work. In Pan Tadeusz, there is an un-Polonized Lithuanian name Baublys. Furthermore, due to Mickiewicz's position as lecturer on Lithuanian folklore and mythology in Collège de France, it can be inferred that he must have known the language sufficiently to lecture about it. It is known that Adam Mickiewicz often sang Lithuanian folk songs with the Samogitian Ludmilew Korylski. For example, in the early 1850s when in Paris, Mickiewicz interrupted a Lithuanian folk song sung by Ludmilew Korylski, commenting that he was singing it wrong and hence wrote down on a piece of paper how to sing the song correctly. which are the sole, as of now, known Lithuanian writings by Adam Mickiewicz. The folk songs are known to have been sung in Darbėnai. ==Legacy==
Legacy
, Poland , Poland , Lviv, Ukraine A prime figure of the Polish Romantic period, Mickiewicz is counted as one of Poland's Three Bards (the others being Zygmunt Krasiński and Juliusz Słowacki) and the greatest poet in all Polish literature. Mickiewicz's works began to be translated into the Lithuanian language when he was still alive (e.g. Simonas Daukantas, one of the pioneers of the Lithuanian National Revival, translated and retold a story ' / ' in 1822, Kiprijonas Nezabitauskis translated ' / ' and it was published in Paris in ~1836, Liudvikas Adomas Jucevičius translated a ballad ' / ' in 1837). Moreover, Mickiewicz's works has influenced the pioneers of the Lithuanian National Revival in the 19th century (e.g. Antanas Baranauskas, Jonas Basanavičius, Stasys Matulaitis, Mykolas Biržiška, Petras Vileišis). Furthermore, the beginning of Vincas Kudirka's Tautiška giesmė (1898), the national anthem of Lithuania since 1919 and since 1988, is a paraphrase of the beginning of a poem Pan Tadeusz. The translation into Lithuanian and publishing of Mickiewicz's works has continued after the restoration of Lithuania's statehood in 1918. Mickiewicz's importance extends beyond literature to the broader spheres of culture and politics; Wyka writes that he was a "singer and epic poet of the Polish people and a pilgrim for the freedom of nations." Scholars have used the expression "cult of Mickiewicz" to describe the reverence in which he is held as a "national prophet." On hearing of Mickiewicz's death, his fellow bard Krasiński wrote: For men of my generation, he was milk and honey, gall and life's blood: we all descend from him. He carried us off on the surging billow of his inspiration and cast us into the world. Edward Henry Lewinski Corwin described Mickiewicz's works as Promethean, as "reaching more Polish hearts" than the other Polish Bards, and affirmed Danish critic Georg Brandes' assessment of Mickiewicz's works as "healthier" than those of Byron, Shakespeare, Homer, and Goethe. Koropeckyi writes that Mickiewicz has "informed the foundations of [many] parties and ideologies" in Poland from the 19th century to this day, "down to the rappers in Poland's post-socialist blocks, who can somehow still declare that 'if Mickiewicz was alive today, he'd be a good rapper.'" While Mickiewicz's popularity has endured two centuries in Poland, he is less well known abroad, but in the 19th century he had won substantial international fame among "people that dared resist the brutal might of reactionary empires." Mickiewicz has been written about or had works dedicated to him by many authors in Poland (Asnyk, Gałczyński, Iwaszkiewicz, Jastrun, Kasprowicz, Lechoń, Konopnicka, Teofil Lenartowicz, Norwid, Przyboś, Różewicz, Słonimski, Słowacki, Staff, Tetmajer, Tuwim, Ujejski, Wierzyński, Zaleski and others) and by authors outside Poland (Bryusov, Goethe, Pushkin, Uhland, Vrchlický and others). He has been a character in works of fiction, including a large body of dramatized biographies, e.g., in 1900, Stanisław Wyspiański's Legion. He has also been a subject of many paintings, by Eugène Delacroix, Józef Oleszkiewicz, Aleksander Orłowski, Wojciech Stattler and Walenty Wańkowicz. Monuments and other tributes (streets and schools named for him) abound in Poland and Lithuania, and in other former territories of the Polish–Lithuanian Commonwealth: Ukraine and Belarus. He has also been the subject of many statues and busts by Antoine Bourdelle, David d'Angers, , Władysław Oleszczyński, , Teodor Rygier, Wacław Szymanowski and Jakub Tatarkiewicz. In 1898, the 100th anniversary of his birth, a towering statue by Cyprian Godebski was erected in Warsaw. Its base carries the inscription, "To the Poet from the People." In 1955, the 100th anniversary of his death, the University of Poznań adopted him as its official patron. Much has been written about Mickiewicz, though the vast majority of this scholarly and popular literature is available only in Polish. Works devoted to him, according to Koropeckyi, author of a 2008 English biography, "could fill a good shelf or two." Koropeckyi notes that, apart from some specialist literature, only five book-length biographies of Mickiewicz have been published in English. He also writes that, though many of Mickiewicz's works have been reprinted numerous times, no language has a "definitive critical edition of his works." Museums in Kaunas, fot. Ivonna Nowicka. A number of museums in Europe are dedicated to Mickiewicz: • Warsaw has an Adam Mickiewicz Museum of Literature. • His house in Navahrudak is now a museum (). • There is a Mickievičiaus Memorialinis Butas-Muziejus Museum of Adam Mickiewicz in Vilnius. • The House of Perkūnas in Kaunas where the school Mickiewicz attended used to be located has a museum devoted to him and his work. • The house where he lived and died in Constantinople (Adam Mickiewicz Museum, Istanbul). • There is a Musée Adam Mickiewicz in Paris, France. ==Ethnicity==
Ethnicity
featuring a stylized Mickiewicz Mickiewicz is known as a Polish poet, or Belarusian. The Cambridge History of Russia describes him as Polish but sees his ethnic origins as "Lithuanian-Belarusian (and perhaps Jewish)." while Tomas Venclova described this attitude as "the story of Mickiewicz's appropriation by Lithuanian culture". For example, the Lithuanian scholar of literature writes that Mickiewicz's family was descended from an old Lithuanian noble family (with ancestor's name Rimvydas) with origins predating Lithuania's Christianization, but the Lithuanian nobility in Mickiewicz's time was heavily Polonized and spoke Polish. Mickiewicz had been brought up in the culture of the Polish–Lithuanian Commonwealth, a multicultural state that had encompassed most of what today are the separate countries of Poland, Lithuania, Belarus and Ukraine. To Mickiewicz, a splitting of that multicultural state into separate entities – due to trends such as Lithuanian National Revival – was undesirable, if not outright unthinkable. According to Romanucci-Ross, while Mickiewicz called himself a Litvin ("Lithuanian"), in his time the idea of a separate "Lithuanian identity", apart from a "Polish" one, did not exist. This multicultural aspect is evident in his works: his most famous poetic work, Pan Tadeusz, begins with the Polish-language invocation, "Oh Lithuania, my homeland, thou art like health ..." ("Litwo! Ojczyzno moja! ty jesteś jak zdrowie ..."). It is generally accepted, however, that Mickiewicz, when referring to Lithuania, meant a historical region rather than a linguistic and cultural entity, and he often applied the term "Lithuanian" to the Slavic inhabitants of the Grand Duchy of Lithuania. ==Selected works==
Selected works
Oda do młodości (Ode to Youth), 1820 • Ballady i romanse (Ballads and Romances), 1822 • Grażyna, 1823 • Sonety krymskie (The Crimean Sonnets), 1826 • Konrad Wallenrod, 1828 • '''' (The Books of the Polish People and of the Polish Pilgrimage), 1832 • '''', an 1830s science-fiction novel, destroyed by the author, some fragments are preserve • Pan Tadeusz (Sir Thaddeus, Mr. Thaddeus), 1834 • , 1834, a play in French, printed posthumously • '''', 1839–40, published posthumously • Dziady (Forefathers' Eve), four parts, published from 1822 to after the author's death ==See also==
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