Martin returns to Germany from the United States with his family, exhilarated by the advances in the old country since the humiliation of the
Great War. His Jewish business partner, Max, remains in the States to keep their art gallery running. Martin raves about the
Third Reich and
Hitler and at first, Max is covetous, envying his friend's return "to a democratic Germany... and the beginnings of a fine political freedom." He has misgivings, however, after hearing about violence against Jews and their businesses from those who have left
Berlin. Martin dismisses his concerns, saying that Jews are the universal scapegoats and that "a few must suffer for the millions to be saved." Martin asks Max to stop writing to him out of concern that, if a letter were to be intercepted, his family would be endangered. Max ignores this and continues writing. His sister Griselle, an actress, goes missing in Berlin and he becomes frantic to learn her fate; Martin responds that Griselle is dead. He admits turning her away when she came to him for sanctuary while she was being pursued by the
Sturmabteilung. It is revealed that he and Griselle had previously been romantically involved. The contents of Max's letters change, now seemingly focused only on business and the weather, but the language he uses falsely implies that he is using a code. He refers to the exact dimension of pictures and to "our grandmother," implying that Martin is also Jewish. Martin responds, begging him to stop writing as he has been interrogated about each letter that arrives. Max again ignores him and eventually has one of his letters returned from Germany, marked "address unknown." == Publication ==