Zamudio's family republished her poetry in 1942. In 1955,
Augusto Guzman wrote the first biography about Zamudio. In 1977, Zamudio's grand-niece, Gabriela Taborga de Villarroel published another,
La verdadera Adela Zamudio, which focuses more on her life using archival and family materials. In 2018,
Virginia Ayllón published a more critical book
El pensamiento de Adela Zamudio, which aimed to dispel misinformation within the popular understanding about Zamudio. While there is academic analysis of Zamudio's impact, it had been mostly in Spanish and circulated in Bolivia, until Lynette Yetter's 2020
Reed College Master's thesis,
Domination and Justice in the Allegorical Story "La reunión de ayer" by Adela Zamudio (1854-1928), Bolivia.
Adela Zamudio: Selected Poetry & Prose earned a
Kirkus Starred review and was a BookLife for
Publishers Weekly Editor's Pick. On November 2, 1989, the Confederación de Instituciones Femeninas ("CONIF") erected a statue in honor of Zamudio in Chochabamba. A plaza in the Sopocachi neighborhood of La Paz was named for Adela Zamudio, and her granite bust by sculptor Vítor Zapana was placed in the center of Plaza Adela Zamudio in 1979. In 1980, Bolivia's first female president,
Lidia Gueiler, declared Zamudio's birthday, October 11, a national holiday. It is celebrated in Bolivia as the "Day of Bolivian Women." In 1994, a crater on
Venus was named Zamudio in honor of Adela Zamudio. Zamudio is also the namesake of an ant, Hylomyrma adelae. Zamudio is a featured figure on
Judy Chicago's installation piece
The Dinner Party, being represented as one of the 999 names on the
Heritage Floor. She is in the place setting dedicated to
Virginia Woolf. ==Works==